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‘Gabriel Orozco’ is on view until 18 December. For more information, visit the Aspen Art Museum’s website

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Aspen Art Museum
637 East Hyman Avenue
Aspen, Colorado

Telephone
1.970 925 8050

Mexican artist Gabriel Orozco has lived and worked in many places – Berlin, Mexico City, New York, Tokyo and Paris are just a few – but he has not been to Aspen, Colorado. This comes as a bit of a surprise, considering his latest solo exhibition at the Aspen Art Museum is a near-perfect match for Colorado’s verdant mountains. Orozco’s most recent collection of paintings is soft and lush with dreamy brushstrokes and flecks of gold leaf – a grand departure from the surreal modernist sculptures, photographs, prints and drawings for which the 54-year-old artist is known. Nancy and Bob Magoon CEO and director Heidi Zuckerman first spied a few of the paintings in Orozco’s Mexico City studio and she convinced him that Aspen Art Museum would be the perfect place to show the work. ‘I basically asserted myself,’ she says. ‘I said, "We need those paintings to be in Aspen."’

Although the repetitive circular shapes are a common motif in Orozco’s work, he has not used the colour green in nearly 20 years, preferring the ’spiritual synergy among reds, blues, whites and golds’ instead. ‘Orozco has been around a long time as an artist, so it is special to see such a unique departure,’ Zuckerman says.

Two sculptural bodies of work are included in the show: a maze of glass panels with screen-printed DNA-esque black dots and a series of smaller bulbous silver forms. Orozco refers to the smaller, silver sculptures as ‘mosquitos’ because they are strategically placed on the wall to playfully disrupt the exhibition’s flow. The artist is also the recipient of the 2016 Aspen Award for Art; that he is simultaneously showing at the museum is a fortuitous coincidence that has only happened twice in its history.

Three new untitled works show a different side of the Mexican artist, who has primarily worked in red, gold, blue and white for the past 20 years

Three new untitled works show a different side of the Mexican artist, who has primarily worked in red, gold, blue and white for the past 20 years

Orozco’s newest set of works are rendered primarily in tempera paints and gold leaf, inspired by his time spent travelling between Japan and Mexico. Pictured: Untitled (2016) (left) and Secuencia modular: trébol (2015) (right)

Orozco’s newest set of works are rendered primarily in tempera paints and gold leaf, inspired by his time spent travelling between Japan and Mexico. Pictured: Untitled (2016) (left) and Secuencia modular: trébol (2015) (right)

The show also includes two bodies of sculptural work: a maze of glass panels with screen-printed DNA-esque black dots and a series of smaller bulbous silver forms, Secuencia modular: trébol (pictured), that he describes as ‘mosquitos’ because they are strategically placed on the wall to playfully disrupt the exhibition’s flow

The show also includes two bodies of sculptural work: a maze of glass panels with screen-printed DNA-esque black dots and a series of smaller bulbous silver forms, Secuencia modular: trébol (pictured), that he describes as ‘mosquitos’ because they are strategically placed on the wall to playfully disrupt the exhibition’s flow