Step into Yoko Ono’s immersive world at Tate Modern
‘Yoko Ono: Music of the Mind’ spans the artist and activist's work from the 1950s to the present day

‘Yoko Ono: Music of the Mind’ at Tate Modern is an exhibition that wants you to get involved, fittingly for an artist and activist who has long considered participation to be integral to her art. It’s the thread that runs throughout the show, her largest UK retrospective, tracing her multidisciplinary work from the 1950s to date in an immersive experience that’s faithful to the instructive core at the heart of Ono’s work.
Yoko Ono, Freedom 1970. Courtesy the artist
A chronological narrative takes us from Ono’s childhood in Tokyo, Japan, to her evacuation to the countryside during the Second World War and subsequent move to New York, where she conceived her first works. The instructive elements in her art are clear early on, in pieces that encouraged viewers to light a match. The idea is explored in three parts here – in the instruction itself, the performance, and the film.
Yoko Ono at Tate Modern
Yoko Ono, FLY, 1970-71. Courtesy the artist
This sets the pattern for the rest of the exhibition. Through her art, Ono instructs us – play chess with all-white pieces until you can’t remember where your pieces are, remove your shoes and carry out activities inside a black bag, hammer a nail, add colour to a white boat in a reflection of displacement, write a message to your mother – and as visitors to the exhibition, we can faithfully obey.
Yoko Ono, Add Colour (Refugee Boat), 2016, at MAXXI Foundation. Photo © Musacchio, Ianniello & Pasqualini
The exhibition lingers on Ono’s five-year stay in London, from 1966, as a turning point in the radical nature of her work, tracing the connections she made with artists, writers and musicians, including husband and collaborator John Lennon. A multimedia approach invites us in, from 1969 film Bed Peace, showing the couple’s second ‘bed-in’ event, and the resulting media scourge that ensued.
Yoko Ono, Apple, 1966, from ‘Yoko Ono: One Woman Show’, 1960-1971, MoMA, NYC, 2015. Photo © Thomas Griesel
The exhibition takes its name from Ono’s concerts and events in London and Liverpool in 1966 and 1967, where ‘silent’ music reigned, present only in listeners’ minds. Here, music is everywhere, including anthems Sisters O Sisters (1972), Woman Power (1973) and Rising (1995), supporting Ono’s work for violence against women in a multisensory mash-up.
‘Yoko Ono: Music of the Mind’ at Tate Modern, London, 15 Feb – 1 September 2024
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Yoko Ono with Glass Hammer, 1967 from ‘HALF-A-WIND SHOW’, Lisson Gallery, London, 1967. Photo © Clay Perry
Hannah Silver is the Art, Culture, Watches & Jewellery Editor of Wallpaper*. Since joining in 2019, she has overseen offbeat design trends and in-depth profiles, and written extensively across the worlds of culture and luxury. She enjoys meeting artists and designers, viewing exhibitions and conducting interviews on her frequent travels.
-
Triennale Milano unveils Gioco, a new creative space for kids
At Triennale Milano, Gioco by architect Luca Cipelletti is a playful example of how design can be fun, functional, and family-friendly
-
In Mumbai, two coastal apartments offer options for brothers with different styles
Rajiv Saini’s NJM & PVM apartments in Mumbai demonstrate how identical layouts can be transformed into two distinct interiors
-
Inside BIG and Nokken’s new sustainable cabin – luxury off-grid camping
The ‘Softshell’ by Bjarke Ingels Group and cabin expert Nokken is a modular, lightweight ‘tent alternative’ for nights amid nature without compromising on comfort
-
Five of the biggest art exhibitions to see in London in 2026
From Marilyn Monroe, to David Hockney and Tracey Emin – get these art exhibitions in your diary now
-
Out of office: the Wallpaper* editors’ picks of the week
With the return of back-to-school, it's back to business for the Wallpaper* team, who’ve been making the rounds at fashion pop-ups and pavilion launches. Elsewhere, we’ve been indulging in new literature and old restaurants, and taking in a farewell exhibition at a landmark gallery...
-
From art to fashion, and back again: Jonathan Schofield’s figurative work is back in style
After graduating from London’s Royal College of Art, Jonathan Schofield began a career as a creative director at Stella McCartney. Now, he has returned to his first love, painting
-
Watch: artist Shezad Dawood lights up The Gaumont, King’s Road’s creatively focused new hub
In our short film, meet the artist, see his new work in the making, and discover more about The Gaumont
-
Out of office: the Wallpaper* editors’ picks of the week
Here in the UK, summer seems to be fading fast. Moody skies and showers called for early-autumn rituals for the Wallpaper* team: retreating into the depths of the Tate Modern, slipping into shadowy cocktail bars, and curling up with a good book
-
‘A Single Man’ is now a ballet – we go behind the design
As ‘A Single Man’ is presented by The Royal Ballet and Factory International in London, here’s how its set designer brought protagonist George’s inner and outer worlds to life on stage
-
Artists imbue the domestic with an unsettling unfamiliarity at Hauser & Wirth
Three artists – Koak, Ding Shilun and Cece Philips – bring an uncanny subversion to the domestic environment in Hauser & Wirth’s London exhibition
-
Out of office: the Wallpaper* editors’ picks of the week
Another week, another flurry of events, opening and excursions showcasing the best of culture and entertainment at home and abroad. Catch our editors at Scandi festivals, iconic jazz clubs, and running the length of Manhattan…