Step into Yoko Ono’s immersive world at Tate Modern
‘Yoko Ono: Music of the Mind’ spans the artist and activist's work from the 1950s to the present day

‘Yoko Ono: Music of the Mind’ at Tate Modern is an exhibition that wants you to get involved, fittingly for an artist and activist who has long considered participation to be integral to her art. It’s the thread that runs throughout the show, her largest UK retrospective, tracing her multidisciplinary work from the 1950s to date in an immersive experience that’s faithful to the instructive core at the heart of Ono’s work.
Yoko Ono, Freedom 1970. Courtesy the artist
A chronological narrative takes us from Ono’s childhood in Tokyo, Japan, to her evacuation to the countryside during the Second World War and subsequent move to New York, where she conceived her first works. The instructive elements in her art are clear early on, in pieces that encouraged viewers to light a match. The idea is explored in three parts here – in the instruction itself, the performance, and the film.
Yoko Ono at Tate Modern
Yoko Ono, FLY, 1970-71. Courtesy the artist
This sets the pattern for the rest of the exhibition. Through her art, Ono instructs us – play chess with all-white pieces until you can’t remember where your pieces are, remove your shoes and carry out activities inside a black bag, hammer a nail, add colour to a white boat in a reflection of displacement, write a message to your mother – and as visitors to the exhibition, we can faithfully obey.
Yoko Ono, Add Colour (Refugee Boat), 2016, at MAXXI Foundation. Photo © Musacchio, Ianniello & Pasqualini
The exhibition lingers on Ono’s five-year stay in London, from 1966, as a turning point in the radical nature of her work, tracing the connections she made with artists, writers and musicians, including husband and collaborator John Lennon. A multimedia approach invites us in, from 1969 film Bed Peace, showing the couple’s second ‘bed-in’ event, and the resulting media scourge that ensued.
Yoko Ono, Apple, 1966, from ‘Yoko Ono: One Woman Show’, 1960-1971, MoMA, NYC, 2015. Photo © Thomas Griesel
The exhibition takes its name from Ono’s concerts and events in London and Liverpool in 1966 and 1967, where ‘silent’ music reigned, present only in listeners’ minds. Here, music is everywhere, including anthems Sisters O Sisters (1972), Woman Power (1973) and Rising (1995), supporting Ono’s work for violence against women in a multisensory mash-up.
‘Yoko Ono: Music of the Mind’ at Tate Modern, London, 15 Feb – 1 September 2024
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Yoko Ono with Glass Hammer, 1967 from ‘HALF-A-WIND SHOW’, Lisson Gallery, London, 1967. Photo © Clay Perry
Hannah Silver is the Art, Culture, Watches & Jewellery Editor of Wallpaper*. Since joining in 2019, she has overseen offbeat design trends and in-depth profiles, and written extensively across the worlds of culture and luxury. She enjoys meeting artists and designers, viewing exhibitions and conducting interviews on her frequent travels.
-
Premium pocketable audio scales up with the new SP4000 from Astell&Kern
The Astell&Kern A&ultima SP4000 is a serious piece of audiophile equipment, a high-res portable player that offers endless ways to shape your listening experience
-
The ultimate amenity in this Canadian apartment building? A trio of scene-stealing restaurants
Part of Citizen on Jasper, a new residential tower, Va!, Olia, and Mimi offer a thrilling day-to-night dining experience
-
These sculptural mirrors embody the relaxed spirit of the Med
Photographed in a Mallorcan residence designed by local studio Munarq, these new sculptural mirrors by New York furniture company Ready To Hang are inspired by the sea
-
Artists imbue the domestic with an unsettling unfamiliarity at Hauser & Wirth
Three artists – Koak, Ding Shilun and Cece Philips – bring an uncanny subversion to the domestic environment in Hauser & Wirth’s London exhibition
-
Out of office: the Wallpaper* editors’ picks of the week
Another week, another flurry of events, opening and excursions showcasing the best of culture and entertainment at home and abroad. Catch our editors at Scandi festivals, iconic jazz clubs, and running the length of Manhattan…
-
Out of office: the Wallpaper* editors’ picks of the week
The Wallpaper* team immersed themselves in culture this week, attending theatre, music and art performances and exhibitions at some of London’s most esteemed establishments. Along the way, we may have discovered the city's best salad…
-
Out of office: the Wallpaper* editors’ picks of the week
It’s been another week of Wallpaper* being first through the door – visiting, sampling and reporting back on the freshest in art, design, beauty and more. Highlights included a new rental development, skincare residency and Edinburgh hotel…
-
Get the picture? A new exhibition explores the beautiful simplicity of Japanese pictograms
The simple, minimalist forms of a pictogram are uniquely Japanese, as new exhibition 'Pictograms: Iconic Japanese Designs' illustrates
-
From Snapchat dysmorphia to looksmaxing, have digital beauty standards made us lose sight of what's real, asks a new exhibition
AI, social media and the ease with which we can tweak our face mean we're heading towards a dystopian beauty future, argues 'Virtual Beauty' at Somerset House
-
Take a rare peek inside eighties London's most famous club
From George Michael to Boy George, photographer David Koppel captured a who's who of celerities at Eighties nightclub Limelight
-
Shop the gloriously mad inner workings of Gary Card’s brain in London’s Soho
Set designer and artist Gary Card has taken over London's Plaster Store – expect chaos and some really good accessories