Can surrealism be erotic? Yes if women can reclaim their power, says a London exhibition
‘Unveiled Desires: Fetish & The Erotic in Surrealism, 1924–Today’ at London’s Richard Saltoun gallery examines the role of desire in the avant-garde movement
‘What fascinates me about surrealism in the context of the erotic is how it transforms desire into a language of liberation,’ says Maudji Mendel of RAW (Rediscovering Art by Women) on the eve of her exhibition opening.
It is a topic she has been considering, in the context of overlooked women artists of the 20th century, for the exhibition ‘Unveiled Desires: Fetish & The Erotic in Surrealism, 1924–Today’, opening at Richard Saltoun gallery during London’s Frieze Week. Organised into two parts, the first running until November 2025 and the second until February 2026, it explores desire and fetish as a neglected part of the surrealist movement.
Anna Sampson, The Sadeian Woman II, 2025
A celebration of the power of the unconscious, surrealism has always had its roots in the instinctive. ‘Yet for much of its early history, the female body existed as fetish or fantasy, as a vessel for male projection rather than self-definition,’ Mendel argues. ‘I’m drawn to how female and queer artists have since turned that gaze back on itself, reclaiming the erotic as a site of agency and defiance. In ‘Unveiled Desires’, the erotic is no longer submissive or ornamental; it’s transgressive. Desire becomes a tool of disruption – an act of rebellion against moral and aesthetic control, and a way of reimagining the body as something both intimate and political.’
Pierre Molinier, Sur le pavois, planche 26 du Chaman [On the Shield, plate 26 of The Shaman], 1968-1970
Jennifer Binnie, Fetish Object III, 2016
Artists gathered here, from Helen Chadwick to Jesse Darling, Sin Wai Kin and Meret Oppenheim, explore the freedom of the body through mixed mediums, from sculpture to painting and photography. Here, desire is disturbing, humorous, seductive or repellent, and consistently honest.
‘There is immense power in reclaiming the erotic as something self-authored,’ Mendel adds. ‘The artists in “Unveiled Desires” reveal how the body can exist as both a site of trauma and transcendence; how desire can expose social taboos while simultaneously generating new languages of selfhood.’ In shifting the gaze from passive to active, we can reclaim freedom over the body. ‘In dialogue with one another, the artists expose the erotic as a living tension between vulnerability and power – a space where to be seen is to resist.’
‘Unveiled Desires: Fetish & The Erotic in Surrealism, 1924–Today’. Part 1: until 29 November 2025. Part 2: 9 December 2025 – 14 February 2026
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Hannah Silver is the Art, Culture, Watches & Jewellery Editor of Wallpaper*. Since joining in 2019, she has overseen offbeat art trends and conducted in-depth profiles, as well as writing and commissioning extensively across the worlds of culture and luxury. She enjoys travelling, visiting artists' studios and viewing exhibitions around the world, and has interviewed artists and designers including Maggi Hambling, William Kentridge, Jonathan Anderson, Chantal Joffe, Lubaina Himid, Tilda Swinton and Mickalene Thomas.
-
Where to buy second hand furniture online, according to Wallpaper* editorsFuelled by a shift toward circular design and a rejection of fast furniture, these resale platforms prove that beautiful interiors start with something pre-loved
-
Elevate your fitness journey at the best luxury gyms in LondonWhether you want to embrace your inner zen or throw a boxing punch, here is our pick of the best luxury gyms in London, offering superior services and surroundings
-
Nifemi Marcus-Bello in Lagos: ‘The conditions and histories of Africa are my greatest inspiration’As the Nigerian designer stages ‘Material Affirmations: Acts I–III’ at Tiwani Contemporary (until 10 January 2026), he speaks to Wallpaper* about African craft and industry, and Lagos as his muse
-
A former leprosarium with a traumatic past makes a haunting backdrop for Jaime Welsh's photographsIn 'Convalescent,' an exhibition at Ginny on Frederick in London, Jaime Welsh is drawn to the shores of Lake Geneva and the troubled history of Villa Karma
-
Maggi Hambling at 80: what next?To mark a significant year, artist Maggi Hambling is unveiling both a joint London exhibition with friend Sarah Lucas and a new Rizzoli monograph. We visit her in the studio
-
Out of office: The Wallpaper* editors’ picks of the weekThis week, the Wallpaper* editors curated a diverse mix of experiences, from meeting diamond entrepreneurs and exploring perfume exhibitions to indulging in the the spectacle of a Middle Eastern Christmas
-
Artist Shaqúelle Whyte is a master of storytelling at Pippy Houldsworth GalleryIn his London exhibition ‘Winter Remembers April’, rising artist Whyte offers a glimpse into his interior world
-
Diane Arbus at David Zwirner is an intimate and poignant tribute to her portraitureIn 'Diane Arbus: Sanctum Sanctorum,' 45 works place Arbus' subjects in their private spaces. Hannah Silver visits the London exhibit.
-
Zofia Rydet's 20-year task of photographing every household in Poland goes on show in LondonZofia Rydet took 20,000 images over 20 years for the mammoth sociological project
-
Joy Gregory subverts beauty standards with her new exhibition at Whitechapel GalleryUnrealistic beauty standards hide ugly realities in 'Joy Gregory: Catching Flies with Honey '
-
Bengi Ünsal steers London's ICA into an excitingly eclectic directionAs director of London’s Institute of Contemporary Arts, Bengi Ünsal is leading the cultural space into a more ambitious, eclectic and interdisciplinary space