Twenty-five years is a long time to wait for a major retrospective on home turf, but for American artist Chris Burden, the delay appears to be well worth it. The pioneering artist, who has enjoyed a prolific career spanning 40 years, is the centre of a major exhibition 'Extreme Measures' at New York's New Museum, quarter of a decade since his last big US show. Bringing together an extensive collection of past and present works that encompass sculpture, video, performance and installation, the exhibition is an inspiring homage to the enigmatic artist and is set to throw him back into the fore.
Taking over all of the New Museum's five floors, 'Extreme Measures' is a demonstration of Burden's dexterity in working with different media. From kinetic sculptures like 'The Big Wheel' from 1979, which consists of a three-ton spinning flywheel powered by a 1968 Benelli 250cc motorcycle, to the performance piece 'Beam Drop' and its iterations in more recent works like 'Inhotim' and 'Antwerp' - all see 60 steel I-beams dropped into an excavation site filled with wet cement from over 100 feet high - the arresting works are powerful manifestations of Burden's thematic explorations, which touch on engineering, politics, authority and the military, among other themes.
While the kinetic works are undoubtedly dramatic, it is Burden's knack for installations that is truly wondrous. 'All the Submarines of the United States of America' from 1987, for example, comprises 625 miniature submarines hanging by thin microfilaments from the ceiling. Each cardboard model corresponds to every US Navy submarine launched from 1897 to the year it was created. Across the room, a sprawling diorama made up of five thousand toy robots, vehicles and figures depict two cities at war in a sandy, rocky landscape - again serving as critical commentary for military authority.
Burden's newly unveiled works - two intricate, yet mammoth depictions of bridges made from concrete and Mysto Type I Erector parts respectively - also make the most of this life-like quality. Both constructions spread comfortably hinting back at Burden's study of architecture back in college.
Capping off the show (literally) is another installation on top of the New Museum building. Twin aluminium-frame skyscrapers, resembling the World Trade Centre towers and weighing 8,100 lbs each, stand majestically on the building's room, proving that time has done little to quell Burden's ambitious spirit. For that, we are grateful.
'Ghost Ship', 2005, is also docked on the facade of the museum. Courtesy New Museum, New York.
Inside the museum, a video installation charts the original 400-mile semi-autonomous journey undertaken by the 'Ghost Ship' from Fair Isle to the mouth of the Tyne River in Britain. Courtesy New Museum, New York.
Burden's newly unveiled works for the show include two intricate bridge constructions. Pictured is 'Triple 21 Foot Truss Bridge', 2013. Courtesy New Museum, New York
'Three Arch Dry Stack Bridge, 1/4 Scale', 2013, a mortar-less bridge held together purely by gravity. Courtesy New Museum, New York.
Past works in the retrospective include: 'The Big Wheel', 1979. Collection The Museum of Contemporary Art Collection, Los Angeles
'All the Submarines of the United States of America', 1987, comprises 625 miniature cardboard submarines. Courtesy New Museum, New York.
'Mexican Bridge', 1998. Courtesy New Museum, New York.
Installation view of 'Extreme Measures'. Courtesy New Museum, New York.
'Tower of Power', 1985. Courtesy New Museum, New York.
'A Tale of Two Cities', 1981. Courtesy New Museum, New York.
The installation is comprised of two miniature cities made from approximately five thousand toys, sand, plants, and boulders. Courtesy New Museum, New York
'L.A.P.D. Uniforms', 1993. Courtesy New Museum, New York.
'The Rant', 2006. Courtesy New Museum, New York.
'Beam Drop', 1984, Art Park, Lewiston, NY.
'1 Ton Crane Truck', 2009.
'Full Financial Disclosure', 1977. Los Angeles, California
'Dos Equis', 1972.
ADDRESS
New Museum
235 Bowery
New York 10002
-
‘I want to bring anxiety to the surface': Shannon Cartier Lucy on her unsettling worksIn an exhibition at Soft Opening, London, Shannon Cartier Lucy revisits childhood memories
-
What one writer learnt in 2025 through exploring the ‘intimate, familiar’ wardrobes of ten friendsInspired by artist Sophie Calle, Colleen Kelsey’s ‘Wearing It Out’ sees the writer ask ten friends to tell the stories behind their most precious garments – from a wedding dress ordered on a whim to a pair of Prada Mary Janes
-
Year in review: 2025’s top ten cars chosen by transport editor Jonathan BellWhat were our chosen conveyances in 2025? These ten cars impressed, either through their look and feel, style, sophistication or all-round practicality
-
Out of office: The Wallpaper* editors’ picks of the week'Tis the season for eating and drinking, and the Wallpaper* team embraced it wholeheartedly this week. Elsewhere: the best spot in Milan for clothing repairs and outdoor swimming in December
-
Nadia Lee Cohen distils a distant American memory into an unflinching new photo book‘Holy Ohio’ documents the British photographer and filmmaker’s personal journey as she reconnects with distant family and her earliest American memories
-
Out of office: The Wallpaper* editors’ picks of the weekIt’s been a week of escapism: daydreams of Ghana sparked by lively local projects, glimpses of Tokyo on nostalgic film rolls, and a charming foray into the heart of Christmas as the festive season kicks off in earnest
-
Ed Ruscha’s foray into chocolate is sweet, smart and very AmericanArt and chocolate combine deliciously in ‘Made in California’, a project from the artist with andSons Chocolatiers
-
Inside the work of photographer Seydou Keïta, who captured portraits across West Africa‘Seydou Keïta: A Tactile Lens’, an exhibition at the Brooklyn Museum, New York, celebrates the 20th-century photographer
-
Out of office: The Wallpaper* editors’ picks of the weekFrom sumo wrestling to Singaporean fare, medieval manuscripts to magnetic exhibitions, the Wallpaper* team have traversed the length and breadth of culture in the capital this week
-
María Berrío creates fantastical worlds from Japanese-paper collages in New YorkNew York-based Colombian artist María Berrío explores a love of folklore and myth in delicate and colourful works on paper
-
Out of office: the Wallpaper* editors’ picks of the weekAs we approach Frieze, our editors have been trawling the capital's galleries. Elsewhere: a 'Wineglass' marathon, a must-see film, and a visit to a science museum
