Annie Morris strikes a fine balance between sculpture, tapestry and drawing
The interdisciplinary exhibition in New York is her first with Timothy Taylor, who recently began to represent the artist

You might feel trepidation at first, stepping into British artist Annie Morris’ current exhibition at Timothy Taylor’s Chelsea gallery. Colourful spheres balance improbably on top of one another in teetering totems. It’s a dystychiphobiac’s worst nightmare.
Morris – who shares a studio in London with her husband, the artist Idris Khan – began her Stack sculptures as a way to deal with her pain after she had a stillbirth. Morris has said that while mourning the loss of their baby, she became obsessed with the ball shape in her drawings, connecting it to her pregnancies (the couple have two children).
Sculpted in plaster and sand, the precarious boulders are painted with vibrant hand-sourced pigments, a palette that includes dazzling ultramarine, viridian and earthy ochre. They stand on concrete and steel bases, Morris sees their precariousness as also defiant – they stand tall, despite the all the odds. They recall Ugo Rondinone’s rainbow-coloured stone towers, but with entirely different references and resonances.
Making your way between the maze of sculptures that fills the floor and takes you out to the courtyard where there is a further Stack work, there are also new tapestry works by Morris, climbing up to three metres up the walls. Here, Morris gets deeper into art history, exploring the formal concerns of composition and translating them into a series of structural, abstract grids, collaged together and stitched with a machine, a lexicon that is distinct, more rigid stable than the sculptures – the opposite of what you’d expect from textile works.
Nature, form and spirit are in symbiosis in Morris’ modest, intimate and painterly exhibition, eschewing the usual dichotomy between abstraction and representation, two dimensions and three. Morris has said that she sees all of her works as interconnected, and at her New York exhibition there’s a feeling that all these parts belong to a wonky, wonderful whole – perfectly imbalanced.
INFORMATION
‘Annie Morris’, until 19 October, Timothy Taylor. timothytaylor.com
ADDRESS
Timothy Taylor
515 West 19th Street
New York
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Charlotte Jansen is a journalist and the author of two books on photography, Girl on Girl (2017) and Photography Now (2021). She is commissioning editor at Elephant magazine and has written on contemporary art and culture for The Guardian, the Financial Times, ELLE, the British Journal of Photography, Frieze and Artsy. Jansen is also presenter of Dior Talks podcast series, The Female Gaze.
-
Vestre’s neo-brutalist furniture will bring ‘a little madness’ to Paris Fashion Week
Bound for Paris Men’s Fashion Week this month, Norwegian furniture brand Vestre reveals a sculptural bench and mirror created with designer Vincent Laine and fashion creative Willy Cartier – the latest outcome of its risk-taking ‘a little madness’ initiative
-
For its latest runway show, Zegna creates a serene oasis in Dubai
The Italian fashion house took over the Dubai Opera for a S/S 2026 show that proposed a lived-in elegance, drawing inspiration from Dubai’s sunbaked landscapes and Zegna’s birthplace of Trivero
-
Time-travel to the golden age of the cruise ship at Sea Containers London
The South Bank hotel celebrates its tenth anniversary with four new suites inspired by period cabin design, from Edwardian elegance to 1980s glamour
-
Out of office: what the Wallpaper* editors have been up to this week
This week saw the Wallpaper* team jet-setting to Jordan and New York; those of us left in London had to make do with being transported via the power of music at rooftop bars, live sets and hologram performances
-
Photographer Geordie Wood takes a leap of faith with first film, Divers
Geordie Wood delved into the world of professional diving in Fort Lauderdale for his first film
-
New book celebrates 100 years of New York City landmarks where LGBTQ+ history took place
Marc Zinaman’s ‘Queer Happened Here: 100 Years of NYC’s Landmark LGBTQ+ Places’ is a vital tribute to queer culture
-
San Francisco’s controversial monument, the Vaillancourt Fountain, could be facing demolition
The brutalist fountain is conspicuously absent from renders showing a redeveloped Embarcadero Plaza and people are unhappy about it, including the structure’s 95-year-old designer
-
See the fruits of Niki de Saint Phalle and Jean Tinguely's creative and romantic union at Hauser & Wirth Somerset
An intimate exhibition at Hauser & Wirth Somerset explores three decades of a creative partnership
-
A major Takashi Murakami exhibition sees the world in kaleidoscopic colour
The Cleveland Art Museum presents 'Takashi Murakami 'Stepping on the Tail of a Rainbow', exploring outrage and escapist fantasy
-
Technology, art and sculptures of fog: LUMA Arles kicks off the 2025/26 season
Three different exhibitions at LUMA Arles, in France, delve into history in a celebration of all mediums; Amy Serafin went to explore
-
Inside Yinka Shonibare's first major show in Africa
British-Nigerian artist Yinka Shonibare is showing 15 years of work, from quilts to sculptures, at Fondation H in Madagascar