The London-based Brazilian artist Alexandre da Cunha creates ‘ready mades’; re-contextualising found objects, but on a monumental scale. His new show, 'Free Fall', at London’s Thomas Dane Gallery, includes a massive pre-cast concrete corner piece with a useful semi-circle cut into it. Da Cunha slots in a spinnable – possibly – black metal disk, creating an elegant, imposing stabile, perfectly working the angles, out of infrastructural off-cuts.
In another piece, Free Fall 1, Da Cunha hangs a full-sized military surplus parachute on a steel frame. Here it becomes a giant totem or flag, not a downed bird or anything flaccid and deflated but perhaps a super-heroic cape; it's too light, flighty and lyrical to be it-is-what-is minimalism. Elsewhere what look like oversized concrete doughnuts line up on another steel frame or cable hangs in loops.
Da Cunha says he is less a maker than a ‘pointer’, making the familiar unfamiliar. He seems to underestimate how far he takes these objects, how magically transformed they are.
Da Cunha says he is less a maker than a ‘pointer’, making the familiar unfamiliar. Pictured: Field Work, 2016
Free Fall I sees Da Cunha hang a full-sized military surplus parachute on a steel frame – here it becomes a giant totem or flag. Pictured left: Free Fall I, 2016. Right: Fatigue (diagram II), 2016
Free Fall III a massive pre-cast concrete corner piece with a semi-circle cut into it. Da Cunha slots in a spinnable – possibly – black metal disk, creating an elegant, imposing stabile. Pictured: Free Fall III, 2016
Fatigue (diagram II), 2015
Free Fall III, 2016
INFORMATION
’Alexandre da Cunha: Free Fall’ is on view until 5 March. For more information, visit Thomas Dane Gallery’s website
Photography courtesy the artist and Thomas Dane Gallery, London
ADDRESS
Thomas Dane Gallery
3 & 11 Duke Street
London, SW1Y 6BN
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