From September 18th to October 27th 2024, the artworks of 22 international artists will be displayed across Regent’s Park. The 12th edition of Frieze Sculpture coincides with Frieze London and Frieze Masters, which take place from October 9th to 13th, also within Regent’s Park. Visitors will have free access to the park to explore the collection, selected by curator Fatoş Üstek.
Mohamed Ahmed Ibrahim, The Form, 2024, Lawrie Shabibi. Frieze Sculpture 2024.
The artworks, varied in style, material, and origin, collectively evoke a dreamlike sense of enchantment, often with playful and ironic undertones.
Mohamed Ahmed Ibrahim’s The Form (2024) combines archetypal shapes and vibrant colours to elicit not only a childlike sense of wonder but also deeper reflections on the psyche and our surroundings.
Frances Goodman’s totemic sculptures Pillar IV and Pillar V (2024), resembling stacks of colourful pills, offer a satirical commentary on the ubiquity of pharmaceutical consumption in contemporary society.
Albano Hernández, The Shadow, 2024, Pi Artworks. Frieze Sculpture 2024.
The works at Frieze Sculpture push the boundaries of what sculptural art can be today, moving beyond classical forms into interactive and performative realms.
An inattentive visitor may easily be fooled by Albano Hernández’s illusory piece The Shadow (2024), which uses water-based grass paint to create the image of a tree’s shadow on the ground. This playful yet thought-provoking piece alludes to the ecological challenges we face.
Fani Parali’s otherworldly sculptural, acoustic, and performative work AONYX and DREPAN (2020) reminds us of the vastness of time and our responsibility to the world during our brief stay in it.
Libby Heaney’s sculptural and immersive installation Ent- (non-earthly delights) (2024) delves into the potential risks of integrating quantum technologies into everyday life, while drawing connections to Hieronymus Bosch’s The Garden of Earthly Delights. Through refractive surfaces and QR codes, visitors can catch a glimpse of what the non-binary logic of the quantum world might look like.
Libby Heaney, Ent- (non-earthly delights), 2024, Gazelli Art House. Frieze Sculpture 2024.
Albano Hernández, The Shadow, 2024, Pi Artworks. Frieze Sculpture 2024.
Fani Parali, AONYX and DREPAN, 2020, Cooke Latham Gallery. Frieze Sculpture 2024.
Frieze Sculpture takes visitors on a surreal journey through Regent’s Park’s English gardens, reminding us of our inextricable connection to the natural world - just as Nathan Coley’s illuminated sign from 2022 poignantly declares: 'I Don’t Have Another Land'.
-
In BDSM biker romance ‘Pillion’, clothes become a medium for ‘fantasy and fetishism’Costume designer Grace Snell breaks down the leather-heavy wardrobe for the Alexander Skarsgård-starring Pillion, which traces a dom/sub relationship between a shy parking attendant and a biker
-
Tour Aflalo’s first retail space, a gallery-like studio in New YorkLight-filled and elegant, Aflalo has opened its first retail space in a classic Soho loft, reimagined by Nordic Knots Studio
-
This Toronto pizzeria hides a sultry bar with serious biteNorth of Brooklyn unveils a fresh, two-level outpost where crisp, light-filled minimalism gives way to a warmer, neon-lit upstairs area
-
Out of office: The Wallpaper* editors’ picks of the weekThis week, the Wallpaper* team had its finger on the pulse of architecture, interiors and fashion – while also scooping the latest on the Radiohead reunion and London’s buzziest pizza
-
Out of office: The Wallpaper* editors’ picks of the weekIt’s been a week of escapism: daydreams of Ghana sparked by lively local projects, glimpses of Tokyo on nostalgic film rolls, and a charming foray into the heart of Christmas as the festive season kicks off in earnest
-
Wes Anderson at the Design Museum celebrates an obsessive attention to detail‘Wes Anderson: The Archives’ pays tribute to the American film director’s career – expect props and puppets aplenty in this comprehensive London retrospective
-
Meet Eva Helene Pade, the emerging artist redefining figurative paintingPade’s dreamlike figures in a crowd are currently on show at Thaddaeus Ropac London; she tells us about her need ‘to capture movements especially’
-
David Shrigley is quite literally asking for money for old rope (£1 million, to be precise)The Turner Prize-nominated artist has filled a London gallery with ten tonnes of discarded rope, priced at £1 million, slyly questioning the arbitrariness of artistic value
-
Out of office: The Wallpaper* editors’ picks of the weekThe rain is falling, the nights are closing in, and it’s still a bit too early to get excited for Christmas, but this week, the Wallpaper* team brought warmth to the gloom with cosy interiors, good books, and a Hebridean dram
-
A former leprosarium with a traumatic past makes a haunting backdrop for Jaime Welsh's photographsIn 'Convalescent,' an exhibition at Ginny on Frederick in London, Jaime Welsh is drawn to the shores of Lake Geneva and the troubled history of Villa Karma
-
Maggi Hambling at 80: what next?To mark a significant year, artist Maggi Hambling is unveiling both a joint London exhibition with friend Sarah Lucas and a new Rizzoli monograph. We visit her in the studio
