The world is your oyster: Zaha Hadid's Salerno Terminal is inspired by the sea

No proof was needed that Zaha Hadid's architectural legacy would live on to continue to inspire and amaze, and the office's latest completion – the new Salerno Maritime Terminal – is a case in point. The building, the first to be completed by the firm since the architect's untimely passing last month, has just been inaugurated in the Campania region of southern Italy.
The project was kick-started by then-mayor Vincenzo De Luca to aid the area's social, economic and environmental regeneration. The terminal was completed this month under the watchful eye of current mayor Vincenzo Napoli.
The building's hard, asymmetric concrete shell was designed to protect users from the region's hot sun during the popular summer vacation months. Its curvaceous form – a Hadid trademark – even takes its references from the sea, abstractly resembling an oyster.
The program inside is straightforward, containing administration offices for national border controls and shipping lines; a terminal for international ferries and cruise ships; and a separate terminal for local and regional ferries. Internal ramps criss-cross the building, enhancing connections between areas.
Its functionality and valuable contribution to the area's infrastructure – the terminal is set to increase arrivals of ferry and cruise ships by 500,000 additional passengers each year, creating new jobs – are matched by its views, which are nothing less than spectacular, spanning not just the blue Mediterranean Sea, but also the picturesque Amalfi Coast, the Gulf of Salerno and the Cilento.
The terminal's striking form is illuminated at night, acting as a beacon or lighthouse for the coastal town. 'The new terminal operates, both functionally and visually, as a smooth transition between land and sea,' explain the architects, 'a coastal land formation that mediates between solid and liquid.'
The project is meant to be a key piece in the area's social, economic and environmental regeneration
The Terminal will help increase the arrivals of ferries and cruise ships, which in turn will help create plenty of new jobs in the area
The project commenced way back in 1993; in 2000 Zaha Hadid Architects won the international competition to design it
Inside, the building houses offices as well as terminals for international and local ferries and cruise ships
Smooth, undulating ramps link different areas within the terminal
At night, the terminal is lit from within, acting as a lighthouse for the port
INFORMATION
For more information, visit the Zaha Hadid Architects website
Photography: Helen Binet
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).
-
Italian-Japanese fusion’s a joy at east London’s Osteria Angelina
A Victorian warehouse in Spitalfields has been given a slick modern makeover to house a unique Italian-Japanese restaurant
-
Meet the Palestinian artist putting a candy-coloured twist on traditional glassmaking
With her company Ornamental by Lameice, designer Lameice Abu Aker is bringing joy and optimism to a time-honoured craft
-
Messika’s fluid jewellery is given a textural twist
The Parisian brand borrows a textural finish previously reserved for high jewellery with its new collection, ‘Move Ciselé’
-
How was Carlo Ratti’s ‘Intelligens’? Wallpaper* editors discuss the 19th Venice Biennale
Having visited ‘Intelligens’, the 19th Venice Biennale's main show by curator Carlo Ratti, the Wallpaper* editors discuss what they saw at the world's biggest global architecture festival
-
Zaha Hadid Architects’ spaceship-like Shenzhen Science and Technology Museum is now open
Last week, ZHA announced the opening of its latest project: a museum in Shenzhen, China, dedicated to the power of technological advancements. It was only fitting, therefore, that the building design should embrace innovation
-
Discover architect Ico Parisi’s modernist sanctuaries on the banks of Lake Como
A string of sculptural sanctuaries by architect Ico Parisi on the banks of Lake Como helped cement the area as the heartland of Italian modernism; we explore his work in an article from the Wallpaper* archives
-
Explore this new Lake Como villa and its powerful, cinematic views
A Lake Como villa by Tuckey Design Studio celebrates the history of its site and references the surrounding landscape through materiality
-
2026 Olympic and Paralympic Torches: in Carlo Ratti's minimalism ‘the flame is the protagonist’
The 2026 Olympic and Paralympic Torches for the upcoming Milano Cortina Games have been revealed, designed by architect Carlo Ratti to highlight the Olympic flame
-
Anni Albers' weaving magic offers a delightful 2-in-1 modernist showcase in Milan
A Milan Design Week showcase of Anni Albers’ weaving work, brought to life by Dedar with the Josef & Anni Albers Foundation, brings visitors to modernist icon, the BBPR-designed Torre Velasca
-
Milan Design Week: ‘A Beat of Water’ highlights the power of the precious natural resource
‘A Beat of Water’ by BIG - Bjarke Ingels Group and Roca zooms in on water and its power – from natural element to valuable resource, touching on sustainability and consumption
-
This Milan Design Week installation invites you to tread barefoot inside a palazzo
At Palazzo Litta, Moscapartners and Byoung Cho launch a contemplative installation on the theme of migration