A redesigned staircase brings openness and light in London townhouse transformation
Townhouse of Seven Stories by Architensions uses a redesigned staircase to bring openness and light to a historic London townhouse

A redesigned staircase led the transformation of a 18th-century home in London's Fitzrovia by Architensions, led by principals Alessandro Orsini and Nick Roseboro. 'Townhouse of Seven Stories' brings together minimalist architecture, light and openness to this historical typology, adding a contemporary twist to the residence. It is also the New York-based studio's first London project.
A redesigned staircase leads a home transformation
‘The brief came very organically, Nick and I were very much trusted in the process,’ Orsini says. The commission asked for openness and light within the characteristically limited footprint of the townhouse. From site visits in 2019 and modelling back in the New York office, Roseboro felt that it became apparent that the staircase could be the 'large moment of intervention' they had been searching for.
Working with the 'inherited' history of the building, they uncovered layers from the past to reveal original joists, masonry walls and partitions, while simultaneously navigating the deeply hierarchical heritage embedded within Victorian townhouses. They began to ask questions such as, 'How can we reclaim certain spaces?' and 'How can we insert new elements without completely reconfiguring the original joists?' Keeping these in mind, as well as their client's needs, led to the transformation of the staircase into a space in and of itself.
With design teams in New York and Rome, and long-term collaborators Format Engineers on the ground in London, the staircase was reimagined as a white-painted, micro-perforated steel mesh ribbon, weaving through the seven stories of the house, creating a previously non-existent fluidity and openness. On their material choices, they explain: 'We were looking for something that would diffuse light throughout the seven floors, that was thin, light, but not transparent.' Through physical modelling and site-specific light studies, the colour white and the micro-perforated steel mesh came out as the optimum choices.
Orsini expands: 'Before, it was purely a utilitarian vehicle to move up and down, [whereas] now the redesign was moving towards making the landing and stairs a space to occupy.' By removing the past role of the staircase as a structure for circulation and separation, Architensions' concept merged spaces together, informed by their research on 'transgressive domesticity', as a way of reclaiming, re-appropriating and reconfiguring traditional notions of the home.
'We wanted to find a responsible way to bring more light, using the existing conditions,' Roseboro says. This led to maximising the front lightwell to create a skylight to the basement, and altering three existing vaults under the pavement to allow for a wine cellar, powder room and laundry room. Further interventions included flipping the staircase going down to the basement level, allowing a new entrance to the back of the house. In contrast, the existing spiral staircase to the rooftop was left in place, creating a dialogue of geometries between the different circulation systems.
'It was a delicate but fair process, as it always should be, because the preservation and upkeep of buildings is important in society [...] but by using pre-existing vaults, we showed an understanding of the history of the house as an urban artefact,' he continues.
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
The design is now complete, but that doesn't mean the studio rests on its laurels. 'The project doesn’t end with the client occupying the space; we go back to the drawing board and reconsider things, or redraw things,' they both agree. Orsini adds: 'Design is a pedagogical tool, through which we also try to understand anthropologically where we’re going.' Addressing the architect's role in challenging traditional domestic structures, Roseboro stresses: 'We’re not trying to erase, but we’re trying to transgress, transform and change, to allow for different modes of living to exist.'
As a research-led studio, Architensions bridges the process of drawing, writing, designing and studying, sharing their goals with their clients. While each project requires a different approach, the thread underpinning their work is the fervent belief of theory as a form of practice.
Nana Ama Owusu-Ansah is a writer and photographer from London. She first wrote for Wallpaper* in 2021, in a series on the new vanguard of African designers practising in Africa and its diaspora. She is drawn to projects centring on decolonial approaches to art, architecture, as well as community and sustainability. Nana Ama read Economics and Spanish at University of St Andrews, and, as an avid linguist, is passionate about using accessible language to invite new audiences to engage in design discourse.
-
Formafatal ventures deep into the Costa Rican jungle with Studio House, a spectacular retreat
Set high on a forested hillside, the Studio House has far-reaching ocean views yet is completely integrated into its site
-
Peek inside Madrid’s best-kept art secret
Solo’s labyrinthine new art space in Madrid presents a surreal opportunity for exploring contemporary art and architecture
-
A lush Bengaluru villa is a home that acts as a vessel for nature
With this new Bengaluru villa, Purple Ink Studio wanted gardens tucked into the fabric of the home within this urban residence in India's 'Garden City'
-
‘Belonging’ – the LFA 2026 theme is revealed, exploring how places can become personal
The idea of belonging and what it means in today’s world will be central at the London Festival of Architecture’s explorations, as the event’s 2026 theme has been announced today
-
Join us on a first look inside Regent’s View, the revamped canalside gasholder project in London
Regent's View, the RSHP-designed development for St William, situated on a former gasholder site on a canal in east London, has just completed its first phase
-
The Royal College of Art has announced plans for renewal of its Kensington campus
The Royal College of Art project, led by Witherford Watson Mann Architects, includes the revitalisation of the Darwin Building and more, in the hopes of establishing an open and future-facing place of creativity
-
Ursula K Le Guin’s maps of imaginary worlds are charted in a new exhibition
Ursula K Le Guin, the late American author, best known for her science fiction novels, is celebrated in a new exhibition at the Architectural Association in London, charting her whimsical maps, which bring her fantasy worlds alive
-
Power Hall’s glow-up shines light on science and innovation in Manchester
Power Hall at The Science and Industry Museum in Manchester was given a spruce-up by Carmody Groarke, showcasing the past and future of machines, engineering and sustainable architecture
-
Celebrate the angular joys of 'Brutal Scotland', a new book from Simon Phipps
'Brutal Scotland' chronicles one country’s relationship with concrete; is brutalism an architectural bogeyman or a monument to a lost era of aspirational community design?
-
Max Creasy on the future of architectural photography and a shift to the ‘snapshot’
A show of photographer Max Creasy’s work opens at the AA in London, asking a key question: where is contemporary architectural photography heading?
-
Tour this immaculately composed Islington house for an art collector who loves entertaining
An Islington house by Emil Eve Architects, on coveted Thornhill Road, combines warm minimalism and some expert spatial planning