The Photographers' Gallery reopens in London

After almost two years of intense building work, The Photographers' Gallery is ready to celebrate its newly renovated and extended HQ at the crossroads of Soho and Oxford Street in London.
The existing brick and steel-frame warehouse building, accessed via the serene Ramilles Street, a few steps down from the bustle of Oxford Street, was redesigned by award-winning Irish architects O'Donnell + Tuomey. The architects extended it upwards and sideways to create much needed, high quality and airy display areas for what is now the largest gallery in London dedicated to photography. The extension also helps support the building's load in a more efficient way.
The new parts are visible, dark-rendered and jut slightly forward towards the street. Towards the top of the building, three levels of clean, minimal, high-ceilinged galleries make for an ideal exhibition space. Beneath these is an office level and a large education and events room (which will include a camera obscura). The ground level hosts a café, while a generous cut of the ground floor slab gives access to a bookshop and print sales area in the basement.
Wood details - such as the untreated hardwood timber façade elements and the oak flooring - are carefully placed throughout, as are a series of large openings that bring in plenty of light. Those openings span floor to ceiling and offer carefully framed views out towards the surrounding urban landscape. In contrast, apart from those few periscope-like openings, the gallery rooms feature no windows, allowing for the very best climate controlled exhibition display halls.
Meanwhile, plans for exhibitions to spill out on the street and take over the nearby building's back walls are in development, with new work being commissioned for an outdoors program. The Gallery is also hoping to get the street pedestrianised in the near future. 'The whole ambience will change,' says director Brett Rogers.
Officially opening on the 19th May with a spectacular exhibition of celebrated Canadian photographer Edward Burtynsky's large-format industrial landscape work, titled 'Oil', The Photographers' Gallery is our new favourite cultural destination in Central London.
Architects O'Donnell + Tuomey have extended the building upwards and sideways to create more much-needed exhibition space
Atop the building are three levels of clean, minimal and high-ceilinged exhibition space
Wood details - such as the untreated hardwood timber façade elements and the oak flooring - are carefully placed throughout...
... as are a series of large openings that bring in plenty of light
The extend Photographers' Gallery reopens with a spectacular exhibition of celebrated Canadian series of large-format industrial landscape work, titled 'Oil'. Pictured is 'Shipbreaking #13, Chittagong, Bangladesh', 2000. Courtesy of Nicholas Metivier, Toronto / Flowers, London
'Highway #1, Intersection 105 & 110, Los Angeles, California, USA,' by Edward Burtynsky, 2003.
'Breezewood, Pennsylvania, USA', by Edward Burtynsky, 2008.
'Alberta Oil Sands #2, Fort McMurray, Alberta, Canada', by Edward Burtynsky, 2007.
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).
-
Vivo launches OriginOS 6, for a smooth and intelligent mobile experience
Superior AI, next-level graphics and a seamless user experience make this Vivo’s most sophisticated operating system yet
-
Porsche saves the best until last with the stunning 718 Boxster GTS 4.0
Could this be the last ever Porsche Boxster with a combustion engine? If so, the 718 GTS 4.0 is the best iteration of the Boxster to date
-
Vinyl, darts, and design: how Audemars Piguet reimagined the watch boutique for Manchester
The latest AP House from watchmaker Audemars Piguet displays design codes that nod to the legacy of its location
-
Chantal Joffe paints the truth of memory and motherhood in a new London show
A profound chronicler of the intimacies of the female experience, Chantal Joffe explores the elemental truth of family dynamics for a new exhibition at Victoria Miro
-
Leo Costelloe turns the kitchen into a site of fantasy and unease
For Frieze week, Costelloe transforms everyday domesticity into something intimate, surreal and faintly haunted at The Shop at Sadie Coles
-
Can surrealism be erotic? Yes if women can reclaim their power, says a London exhibition
‘Unveiled Desires: Fetish & The Erotic in Surrealism, 1924–Today’ at London’s Richard Saltoun gallery examines the role of desire in the avant-garde movement
-
Tiffany & Co’s artist mentorship at Frieze London puts creative exchange centre stage
At Frieze London 2025, Tiffany & Co partners with the fair’s Artist-to-Artist initiative, expanding its reach and reaffirming the value of mentorship within the global art community
-
Em-Dash is a small press redefining the indie zine beyond nostalgia
The South London publishing studio's new imprint 'Practice Meets Paper' translates a chosen artist’s practice into print. Wallpaper*s senior designer Gabriel Annouka speaks with the founders, Saundra Liemantoro and Aarushi Matiyani, to find out more
-
‘It is about ensuring Africa is no longer on the periphery’: 1-54 Contemporary African Art Fair in London
The 13th edition of 1-54 London will be held at London’s Somerset House from 16-19 October; we meet founder Touria El Glaoui to chart the fair's rising influence
-
‘Sit, linger, take a nap’: Peter Doig welcomes visitors to his Serpentine exhibition
The artist’s ‘House of Music’ exhibition, at Serpentine Galleries, rethinks the traditional gallery space, bringing in furniture and a vintage sound system
-
Who was Denton Welch, the cult writer and painter who inspired everyone from Alan Bennett to William S. Burroughs?
Cult queer figure Denton Welch was a talented, yet overlooked, artist. Now an exhibition of his work at John Swarbrooke Fine Art aims to change that