Inside the world's first 3D printed house in raw earth

Tecla, a revolutionary 3D printed house designed by Mario Cucinella Architects in collaboration with specialists WASP and unveiled this month in Italy, is made entirely from raw earth

Tecla by Mario Cuccinela
(Image credit: Iago Corazza)

Mario Cucinella Architects has built the world's very first 3D printed house made entirely from raw earth. Named ‘Tecla', and built in collaboration with specialists in the field WASP, the structure demonstrates the point where natural materials meet technology and has just been unveiled in Italy's Massa Lombarda region, near the city of Ravenna. 

‘Adopted from one of Italo Calvino’s Imaginary Cities, one that is forever taking shape, the name ‘Tecla' evokes the strong link between past and future combining the materiality and spirit of timeless ancient dwellings with the 21st-century world of high-tech production,' say the architects.

Revolutionary technology

The building was created with the cutting edge of current 3D printing technology, and as a result the team was able to construct its 60 sq m in a mere 200 hours. This was helped by the fact that the structure was designed to be entirely self supported – it requires no other framework structure and can hold its own weight. A minimalist approach in material use – effectively, the whole house is created out a single material in one go – means the risk of complications on the building site are low helping things move more efficiently and faster.

3D printed house

(Image credit: Iago Corazza)

Sustainability in this 3D printed house

Built in situ using locally sourced materials, Tecla is an exemplar of a zero-waste product. Local soil was used for the 3D printing's raw material and on top of this, the sriking, tactile shell is wholly biodegradable – demonstrating how smart architecture can look good but also be in the technological avant-garde and support a low-carbon approach at the same time. 

The composition of the earth mixture used in the build was created in direct response to the local climatic conditions. This means that thermal performance has been optimised too, ‘balancing thermal mass, insulation and wall ventilation within the envelope,' explain the architects.

Streamlined aesthetics

The streamlined approach with construction is mirrored in an appropriately strong aesthetic. The house appears coherent, with the same visual style both inside and out. The environment feels natural and warm, with gentle colourings and a tactile surface finish that is friendly to the touch. The internal spaces – a living area, a bedroom and bathroom – feature tailor made, built-in furniture to match the overall aesthetic, allowing at the same time enough free, open space for customisation and flexibility if needed.

‘Fitted furnishings are produced as part of the 3-D printing process enabling occupants to make instant use of these dwellings,' say the architects. ‘This was an important consideration for Mario Cucinella Architects because the studio wanted to use 3-D printing technologies to address both acute housing emergencies, for which the rapid construction of TECLA housing is especially suitable, and the longer-term housing crisis around the world.'

Tecla by Mario Cuccinela outside looking in

(Image credit: Iago Corazza)

Tecla by Mario Cuccinela inside

(Image credit: Iago Corazza)

Tecla by Mario Cuccinela, looking up

(Image credit: Iago Corazza)


Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).

With contributions from