Mori House is an Australian beach escape fusing international design influences
Mornington Peninsula's Mori House by architect Manuel Aires Mateus is a striking fusion of Australian, Portuguese and Japanese design influences
Despite its name meaning ‘forest’ in Japanese, Mori House is certainly not engulfed in dense vegetation. Rather, it can be found in Mount Martha, on the Mornington Peninsula, just south of Melbourne, framed by gnarled coastal tea trees. It was this unique landscape that partially inspired the Portugal-based architect Manuel Aires Mateus, working in collaboration with developer Neometro’s design director Jeff Provan and local architects MA+Co, to create a new beach house. ‘These tea trees felt quite ancient to me, yet at the same time quite fragile,’ says Aires Mateus, who was also impressed with the property’s outlook over Port Phillip Bay.
Discover Mori House by Manuel Aires Mateus
It was fortuitous that the clients, Jeff and his wife Mariko, walked into Aires Mateus’ office in Lisbon, seeking a coastal retreat that would provide them, their extended family and their friends, with ‘a place to sleep, a place to eat, areas to relax, a place to swim, with each space having a specific aspiration’.
It’s an approach often cited by Aires Mateus during his lectures at the Academy of Architecture in Mendrisio, Switzerland. ‘Mariko and I had experienced a number of buildings designed by Manuel, including the Santa Clara 1728 hotel in Lisbon and a beach house in Comporta, which has a sand floor in the kitchen,’ says Jeff. A quote by Aires Mateus, ‘creating the ruins of the future’, stayed with them.
Factoring in the couple’s hopes and needs for each space, the design slowly ‘morphed’ into five buildings – two self-contained bungalows, a studio, and a garage/storage area that appears independent to the main house. The latter consists of a living, dining and kitchen area, as well as a main bedroom suite and a separate bunk room for the grandchildren.
‘We wanted the place to feel relaxed, where you want to take your shoes off and enjoy the feel of the concrete floors,’ says Jeff, pointing out the exposed polish of the floors and ceilings throughout. A number of the in situ concrete walls have been board-printed to add texture. Where concrete isn’t used, there’s a strong dose of Douglas fir from Oregon.
Given Neometro’s design-led approach and tendency to build many of its homes in concrete, the material seemed an obvious choice for Mori House, too. So, contrasting with the many lightweight beach houses found along the peninsula, this series of concrete pavilions feels firmly anchored to its site.
Aires Mateus’ instinctive reading of the landscape as ‘ancient’ gets a nod in the architect’s use of the cross – not in religious terms, but more in the tradition of early settlers in Australia, who made a cross with a stick in the dirt to mark a spot for their new home. With strategically placed slithers in the concrete ceilings, a cross-shaped skylight is formed in several rooms, casting rays of light into the interiors with an intensity depending on the time of day.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox
There’s also a dedicated tatami room in the main house, while Mariko’s sourcing and careful placement of timber benches and rocks found in the courtyards is another link back to her Japanese heritage. And while Aires Mateus’ design initially didn’t feature a roof terrace, Jeff and Mariko were keen to take advantage of the site’s unimpeded views over the bay.
This idea developed beyond simply adding a rudimentary steel staircase to a flat roof, tucked to one side for access. Instead, the architect conceived two of them, one of which takes on a strong sculptural form and makes a statement upon arrival. ‘Having two staircases also creates a sense of movement with the garden, extending to the roof terrace,’ says Aires Mateus.
While Aires Mateus was hand-drawing many of his ideas in his Lisbon office, he was regularly Zooming with the clients and MA+Co as the design progressed. ‘We were working with CAD and interpreting many of the sketches, but also ensuring these responded to the local context, well before Manuel first visited the site,’ says architect Karen Alcock, principal of MA+Co. ‘Like Manuel, we understood that Jeff and Mariko wanted a place that captures the way they live, a place they could chill out in rather than seeking an architectural statement just for the sake of it,’ she adds.
For the owners, the idea from the outset was to have a house that had ‘longevity’, or in Jeff’s words, a ‘forever house’. Mori House will be an important focal point for them and their extended family for generations to come. Meanwhile, for those travelling along the coastal road, the home’s concrete structure offers a different kind of spectacle, as it forms a rich patina over time, ever-changing like the ebb and flow of the sea on the rock walls nearby.
A version of this article appears in the April 2024 issue of Wallpaper*, available in print, on the Wallpaper* app on Apple iOS, and to subscribers of Apple News +. Subscribe to Wallpaper* today
-
John Cage’s ‘now moments’ inspire Lismore Castle Arts’ group show
Lismore Castle Arts’ ‘Each now, is the time, the space’ takes its title from John Cage, and sees four artists embrace the moment through sculpture and found objects
By Amah-Rose Abrams Published
-
Architects collaborate on geometric extension to radically re-shape a London house
Mediterranean influences, earthy tones and quirky angles abound in this geometric extension and the soaring living spaces of this reconfigured Victorian townhouse
By Jonathan Bell Published
-
‘What a Fantastic Machine’: new film explores the camera, pop culture and human behaviour
Maximilien Van Aertryck and Axel Danielson’s new film, ‘And the King Said, What a Fantastic Machine’, dissects the role of the camera in popular culture
By Zoe Whitfield Published
-
Burnt Earth Beach House is an experimental retreat crafted in terracotta
The experimental Australian Burnt Earth Beach House by John Wardle breaks new ground in material composition, using baked earth for warmth, texture and tonality
By Ellie Stathaki Published
-
Lavender Bay house opens towards the water, overlooking Sydney harbour
Lavender Bay house by Tobias Partners is an expansive family home overlooking Sydney harbour
By Ellie Stathaki Published
-
Victorian cottage transformed by radical extension into a light-filled living space
Glasshouse Projects has opened up the heart of this Victorian cottage in Adelaide, Australia, with a contemporary garden extension and pool
By Jonathan Bell Published
-
Sydney’s Wharf Apartment is a heritage maritime space that evokes a coastal holiday home
Lawless & Meyerson’s Wharf Apartment is a careful, contemporary residential transformation in Sydney’s Finger Wharf that taps into the property's historic character
By Grace Bernard Published
-
Eclat rethinks 21st-century workspace with a hospitality offering in Melbourne
With new Melbourne co-working space Eclat, Australian designers Forme defy the conventional shared office model through sensitive craftsmanship and hidden high-tech
By Carli Philips Published
-
This Melbourne aquatic recreation centre’s crafted timber ceiling hints at its sustainability ambitions
The Northcote Aquatic Recreation Centre by Warren and Mahoney opens in Melbourne, blending sleek aesthetics with environmental responsibility
By Ellie Stathaki Published
-
Treetops House brings softness to contemporary concrete volumes in Sydney
Treetops House by Tobias Partners is an Australian home that juxtaposes crisp concrete volumes with soft curves, playful colours and lush nature
By Ellie Stathaki Published
-
Tour midcentury gem Fisher House’s 21st century facelift in Melbourne
The midcentury Fisher House by Australian designer Alistair Knox in Melbourne gets a contemporary facelift by Adriana Hanna
By Ellie Stathaki Published