Modernist Estates Europe builds a humanist portrait of life at 15 residential housing estates across the continent. Author Stefi Orazi, a graphic designer by trade, compiles short architectural histories of the estates alongside photography and intereviews with residents.
The project began when Orazi was looking for a place to live in London. She started a blog of photographs and information on London housing estates, and soon discovered a passion that many others shared. In 2015, she published Modernist Estates, a book that brought her blog into print. In 2016, with the Brexit referendum looming, Orazi decided to look slightly further afield, wondering how people outside London perceived modern estates.

The exterior and interior corridor at Cité Radieuse featured in the book
‘While Britain spent the next two years wrangling on how to withdraw itself from the EU, I spent it feeling grateful that I could travel from one country to the next, reflecting on how that freedom also allowed many of the architects featured in this book to share ideas across country borders,’ she writes of the period of time during which she was conducting her research for the book.
Each project is located in ‘Europe’ culturally, with Switzerland being a political and economic exception. The projects span almost a century with the earliest estate Bellevue by Arne Jacobsen built in the 1930s, and the latest Neave Brown estate in Eindhoven, the Medina, completing in 2007. While each is ‘modernist’ in its functionality and philosophy, each offers a profoundly new approach to living and each have their own priorities. Le Corbusier’s Cité Radieuse, built in 1952 provided a template for modernity, starting a conversations across architectural circles, yet each estate appears to lift ideas and design elements in new ways.

Monte Amiata, Gallaratese II, Milan, Italy – designed by Carlo Aymonino and Aldo Rossi
Plans and developments of the estates connect in different ways. Some are low rise sprawls, others high rise mountains. In Sweden, the free-standing ‘point block’ development became popular, meanwhile in Marseilles the Cité Radieuse set the standards for the all-enveloping block style. In Germany, the Deutscher Werkbund were ‘typically white sugar cube like houses with flat roofs that became synonymous with the modern movement,’ writes Orazi.
While many estates share common ground. Most of the estates Orazi has chosen are positioned just outside cities, where there was space to build bigger developments with grand ambitions. This allowed them to have a strong connection to nature through location or design. The Siedlung Halen in Bern looks like it has been dropped into a forest; the Danviksklippan in Stockholm is positioned on a rocky plot by the coast; while the Ivry-sur-Seine in Paris’ suburbs, designed by architect Jean Renaudie, is layered with overflowing terraces of triangular gardens; and Walden 7 in Barcelona is surrounded by gardens of eucalyptus, palms, olive trees and cypresses.

Walden 7, Barcelona, Spain – designed by Ricardo Bofill, Taller de Arquitectura
Meeting the residents was the best way for Orazi to gain an insight into daily life at her estate case studies. Modernist Estates is subtitled ‘the buildings and the people who live in them today’, because the book is very much about the people who live there. Orazi was welcomed into living rooms with comfy looking sofas, bedrooms with colourful curtains, kitchens with collections of utensils and pot plants, as people told their stories of life on a modernist estate.
For many people, living on their modernist estate is hereditary – a credit to the architecture and lifestyle. Mads Hage Thomsen grew up at Copenhagen’s Bellevue designed by Arne Jacobsen in the 1970s and now lives there with his own family. Karin Büchler’s parents bought her home in 1969, and she and her family moved back in 2013. Meanwhile the Monte Amiata in Milan has inspired resident Serene Cazzulani’s 12-year-old son to want to become an architect.