A new photo book explores the symbolic beauty of the Japanese garden
‘Modern Japanese Gardens’ from Thames & Hudson traces the 20th-century evolution of these serene spaces, where every element has a purpose

The Japanese garden is not merely a garden – it is a spiritual landscape, layered with cultural and religious references. Rooted in philosophies such as Shinto, Buddhism and Daoism, these gardens have evolved over millennia, maintaining a deep reverence for nature, simplicity and balance.
Angled greenery intended to refresh students as they approach Kyushu Sangyo University’s main buildings.
A new book from Thames & Hudson, The Modern Japanese Garden by Stephen Mansfield, offers a survey of this evolution. It brings together gardens across Japan, from influential landscapes to smaller projects. Rich photography is accompanied by profiles of the gardens and their designers.
In the Kamakura and Muromachi periods (1185-1573), the rise of Zen Buddhism brought an emphasis on simplicity and meditation to Japanese gardens; this minimalist approach crystallised in the ‘imperfect’ wabi-sabi aesthetic. In the Edo period (1603-1868), designers began to create more elaborate strolling gardens – carefully-composed scenes to be discovered step by step – precursors to the gardens of the modern Meiji era.
Powdered green tea at Hosen-in, a temple in Ohara.
A circular marumado (moon window)
The Modern Japanese Garden focuses on the period from 1900 to the present, and is broadly divided into two sections: pre- and post-1945. Many Japanese gardens were destroyed during the Second World War, and the postwar era saw design reimagined as a form of cultural restoration and healing. Modern Japanese garden designers sought to harmonise tradition with modernity This period also marked the export of Japanese garden aesthetics to the rest of the world; by the end of the 20th century, the principles of these spaces had seeped into landscape gardening everywhere.
Toyota City Museum of Art
Art Biotop Water Garden
At the heart of the Japanese garden are some enduring principles: harmony, simplicity and a respect for the natural world. Every element serves a purpose: stones and rocks represent mountains or islands. Water symbolises purity and life, while gravel and sand, used most notably in Zen gardens, are raked into patterns representing rivers, clouds or energy. Plant species such as pine, maple, bamboo and moss are selected for their seasonality, form and vernacular significance, while elements such as stone lanterns, bridges, gates and tea houses support principles of the strategic use of empty space and an intentional lack of symmetry.
One of the lower galleries at Sagawa Art Museum, Shiga.
Tea garden, Daiho-in, Kyoto.
Through its exploration of gardens old and new, The Modern Japanese Garden reveals how these elegant spaces offer calm and reflection in a world whose pace is ever-increasing.
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Anna Solomon is Wallpaper’s digital staff writer, working across all of Wallpaper.com’s core pillars, with special interests in interiors and fashion. Before joining the team in 2025, she was senior editor at Luxury London Magazine and Luxurylondon.co.uk, where she wrote about all things lifestyle and interviewed tastemakers such as Jimmy Choo, Michael Kors, Priya Ahluwalia, Zandra Rhodes and Ellen von Unwerth.
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