Estudio MMX’s Geology Museum on the Yucatán Peninsula is a big hit
Estudio MMX’s new crater-inspired Geology Museum on the Yucatán Peninsula is sure to be a big hit
![Interior at geology museum in mexico](https://cdn.mos.cms.futurecdn.net/MdocyQ7VC5SLg3ca7rm57W-415-80.jpg)
Mexico’s many claims to fame include a rich culture, a long history and dramatic landscapes. It is lesser known, however, as the site of an important event that changed life on Earth for ever. Yet it is here that the asteroid that is thought to have killed the dinosaurs landed, heralding a new era for the planet and leaving in its path what today is known as the Chicxulub crater. Located on the Yucatán Peninsula, this geological formation was the result of an impact that happened 66 million years ago. It is also the inspiration for a new museum in the small seaside town of Progreso, designed by Estudio MMX, a dynamic and relatively young Mexico City-based practice founded in 2010 by architects Jorge Arvizu, Ignacio del Río, Emmanuel Ramírez and Diego Ricalde.
Created as part of an ambitious national scheme called Programa de Mejoramiento Urbano (PMU), or Urban Improvement Programme, which kick-starts public projects and cultural interventions in cities across the country, the new Geology Museum focuses on the region’s rich history in the field.
Openings allow the sea breeze to travel across the site, helping to cool the building naturally, and making the structure more resilient to the hurricanes that often hit Progreso in the summer
The initial plan was to build a new cultural building for Progreso, but its exact use was unclear at the start of the project in 2019: ‘They told us, there is an opportunity to make this cultural space, in this part of Yucatán. We were put forward as the architects for this site as well as another project, the market in neighbouring Chicxulub,’ Ricalde recalls. ‘Because of the crater of the asteroid that hit the Earth and extinguished the dinosaurs, it was then decided to do something around geology.’
This is a rural and fertile part of the country, both in nature and history. Yucatán’s capital, Mérida, is just 50km south and the area is filled with mangroves and dotted with sandy strips and Mayan and colonial heritage sites. It also used to be the main producer of henequen, a variety of the agave plant often referred to as ‘green gold’ for its uses in the textile industry. Both the geology of the impact crater and the existing natural environment played a key role in the design development of the new museum. Its distinct form is composed as a sequence of discrete yet interconnected square-ish volumes set on a strict, geometric grid spread across the length and width of the site. The angled arches and overall monolithic and stepped character of the volumes reference ancient Mayan architecture, the architects explain.
The museum includes a series of water features inspired by Yucatán’s cenotes, the sinkholes created by the asteroid impact 66 million years ago
The building is covered in a type of plaster called chukum, a traditional material made with the powdered bark of a small thorny tree of the same name. It allows for great detailing, is locally produced, naturally water-resistant, and soft to the touch. ‘It fits the city’s urban image, as well as the landscape’s colours, and its light tone reflects the sunrays and helps control the heat,’ Ricalde explains. ‘As for the grid, it is a very common feature in the cities in this part of Mexico, many of which were built around orthogonal grids.’
Inside, the building has space for offices, temporary and permanent exhibitions, a café and multifunctional areas for workshops, educational programmes and events. ‘As we didn’t know from the start what exactly would be housed within, we had to design the building to be flexible,’ the architect says.
Ricalde also points out that the height of each volume is designed so that there is an undulation, abstractly referencing the topography of a crater. At the same time, openings underneath some of these elements allow the sea breeze to travel across the site, cooling down the building naturally, while a green garden below invites the local wildlife in, offering a mix of water features and native plants. The fact that much of the building is lifted above ground level also helps it negotiate rising water, as the area is prone to flooding. And thick shading created by the various, closely knit spaces is welcome in the outdoor public space as it protects it from the sun in this typically hot region.
The museum is spread in a series of blocks arranged in a grid. Their triangular openings recall the shape of the region’s Mayan pyramids
While the site is big, the building is not very tall, ensuring that it does not block the views towards the sea or dominate the lower urban fabric around it. ‘There are many hurricanes in the summer season and so, instead of making one big solid building that would ‘fight’ the winds, by breaking it down, the winds can feel softer and the building is more resilient,’ the architect continues.‘The vegetation was also important to us. We love incorporating plants in architecture, and we are very interested in the relationship between landscape and architecture. The species selection was done carefully so the design would act according to our intentions, saving existing palms while avoiding inserting non-native species or creating maintenance issues. It’s very important for us in every project, but particularly in this one, as previously the site hosted what was an open public space. In our view, the city did not lose a park – it gained a museum.’
Wallpaper* Newsletter + Free Download
For a free digital copy of August Wallpaper*, celebrating Creative America, sign up today to receive our daily digest of inspiration, escapism and design stories
INFORMATION
Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).
-
‘Hedonistic and avant-garde’: Rabanne’s Julian Dossena on the legacy of the chainmail 1969 bag
Paco Rabanne’s 1969 chainmail handbag encapsulates the late designer’s futuristic, space-age style. Current creative director Julien Dossena tells Wallpaper* about the bag’s particular pleasures
By Jack Moss Published
-
Postcard from Paris: Olympic fever takes over the streets
On the eve of the opening ceremony of Paris 2024, our correspondent shares her views from the streets of the capital about how the event is impacting the urban landscape.
By Minako Norimatsu Published
-
The Mercury Prize nominees for 2024 have been revealed
Charli XCX, The Last Dinner Party and Beth Gibbons are amongst this year's nominees
By Charlotte Gunn Published
-
Step inside Quinto Sol house, a verdant oasis in Mexico's Pacific Coast
Quinto Sol house by architect Cristina Grappin blends indoors and outdoors in a masterful architectural composition in the Mexican countryside
By Ellie Stathaki Published
-
Lucha Libre and modernist architecture meet in Mexican short film ‘El Luchador’
‘El Luchador’ blends Lucha Libre and architecture, in a Mexican short film set in Agustín Hernández Navarro's modernist home Casa Praxis in Mexico City
By Ellie Stathaki Published
-
Mexico’s Amelia Tulum is where ‘the architecture becomes part of the jungle’
Amelia Tulum by Sordo Madaleno combines a human-centred approach and lots of greenery to craft a Mexican residential community like no other
By Ellie Stathaki Published
-
Scenic Garden offers architectural pavilions and a new green lung for Mexico City
Scenic Garden, designed by Michan Architecture and a team of collaborators, adds green infrastructure to Mexico City's bustling urban experience
By Ellie Stathaki Published
-
A Cancun retreat by Mexico’s Vieyra Estudio takes inspiration ‘from the ocean’
Casa Nube, a new Cancun retreat by Vieyra Estudio, merges sea, style and sustainability in a private residence defined by a series of pools and terraces
By Léa Teuscher Published
-
Modernist architecture: inspiration from across the globe
Modernist architecture has had a tremendous influence on today’s built environment, making these midcentury marvels some of the most closely studied 20th-century buildings; here, we explore the genre by continent
By Ellie Stathaki Published
-
Antonio Solá offers a residential haven of calm in Mexico City
Antonio Solá, a new housing project by architecture studio Módica Ledezma, is a complex of four townhouses that offer serenity in the bustle of Mexico City
By Ellie Stathaki Published
-
A Mexican artist’s studio makes the most of light and volume in San Miguel Chapultepec
A Mexican artist's studio and home, designed by JJRR in the heart of Mexico City, makes the most of volume and light for its owner, Stefan Brüggemann
By Ellie Stathaki Published