Forest House by AOC celebrates colour, nature and family life

Taking its cues from the woods of nearby Epping, Forest House is designed by London-based architecture studio AOC

Kitchen at Forest House with granite counter, bar stools, a fridge and appliances
(Image credit: David Grandorge)

This north-east London house in Highams Park draws on the nearby Epping Forest for its open, natural and colourful architecture approach; welcome to Forest House, designed by architecture studio AOC. The project, created for a family of five, involved the renovation and extension (rear and side) of an existing semi-detached Victorian house, where the clients had already been living for four years. The property’s transformation not only brings the interiors up to date, catering to the needs of vibrant family life in the 21st century, but also pays homage to life immersed in nature, taking its cue from its context.

A triple-height living space sits at the heart of the new home. It is the place to which the family gravitates most of the time, and encompasses a colourful kitchen and dining area with large openings towards the wild garden (filled with tall verbena, among other flowers, and a collecting water fountain), and views of the local skyline and forest beyond. The living space expands into the woven hazel-clad rear extension, whose external skin material was chosen to create a dialogue with the tree-filled area and to invite in plant and wildlife. 

Rear facade of addition at Forest House by AOC

(Image credit: David Grandorge)

In contrast, the front and side façades of the addition are clad in brick, referencing the original period character of the house and a more urban overall feel, but are clearly defined by their white colour, contrasting with the red brick of the home’s existing volumes. This side extension contains the family's home office, a workspace that sits on the upper level and looks out over a balcony into the dining room on the ground floor. A large, rectangular, glazed opening frames neighbourhood vistas for the users. Old and new meet at various points in the house, and the architects didn't try to conceal those moments of ‘transition’. Instead, the relationship of the existing and the new fabric is celebrated visually internally, such as with the red pre-cast concrete lintels that appear between the new-built kitchen and the living room, which is located in the ‘old’ house. 

The use of raw, inexpensive, natural materials was prioritised, with Douglas fir, spruce ply and cork bark dominating floors, walls and bespoke elements throughout, ‘chosen for their colour, associations and sensory delight’, the architects explain. Controlling the structure’s embodied energy was also a concern, they add: ‘Wrapping the rear and unattached side of the house significantly improves its thermal performance and exposing the external wall internally ensures its thermal mass is effectively used. The new roof and existing dormer are super-insulated to provide a warm hat to the home. Underfloor heating in the extension’s polished concrete floor has proved sufficient to keep the use of radiators in the upper floors to a minimum.’

Looking through mezzanine and living spaces at Forest House

(Image credit: David Grandorge)

Dining room with dining table, pink chairs and big windows at Forest House

(Image credit: David Grandorge)

Colourful kitchen with green cupboards and granite tops at Forest House

(Image credit: David Grandorge)

Mezzanine and forest views at Forest House

(Image credit: David Grandorge)

Studio and home office space with a desk and bookshelf at Forest House

(Image credit: David Grandorge)

Old unit leading into the new unite at Forest House

(Image credit: David Grandorge)

Green room with dressing table view through to pink bathroom at Forest House

(Image credit: David Grandorge)

Colourful living space with fire place, pink walls and green shelves at Forest House

(Image credit: David Grandorge)

Front facade at Forest House

(Image credit: David Grandorge)

INFORMATION

theaoc.co.uk

Ellie Stathaki is the Architecture Editor at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018) and Glenn Sestig Architecture Diary (2020).

With contributions from