Celestial being: Ennead Architects reveal stellar plans for the Shanghai Planetarium
The Shanghai Planetarium will be set within an expansive green zone designed to include exterior exhibits and housing solar and optical telescopes, ab optical planetarium, as well as an education and research centre
Set to complete in 2020, Thomas Wong and Ennead Architects have broken ground on their astronomically ambitious design for Shanghai Planetarium, a branch of the Shanghai Science and Technology Museum. At 400,000 sq ft, the awe-inspiring building will house the world’s largest planetarium theatre. The architecture has been designed to reflect and reveal planetary objects orbiting in space, enlightening earthlings with an intergalactic experience.
The building revolves around three central forms – the Oculus, the Inverted Dome and the Sphere – which have been designed as theatrical devices through which to understand the universe. The Oculus acts like a sun dial, projecting a circle of light across the paved public plaza demarcated with times and dates of the cultural calendar, while the Inverted Dome which sits above the central atrium provides a view of the sky, eliminating the horizon from view. A continuous circlular skylight around the Sphere, which houses the planetarium theatre, will highlight a complete ring of sunlight at midday on the summer solstice.
Thomas Wong, lead designer of the building and design partner at Ennead Architects, wanted the architecture to connect the purpose of the building to its historical and iconic context: ‘The use of the building to manipulate sunlight and demonstrate this most basic astronomical principle connects the modern museum with historic structures that act in similar ways: the Great Pyramids at Giza, Angkor Wat, Jantar Mantar, the Mayan Temples at Chichen Itza,’ says Wong.
The use of innovative engineering technology aims to instill a sense of wonder in the visitor – the architects designed the building to appear as if it were levitating using a cantilever circumscribed by a large steel ring truss, which integrates into the shape of the massing and the facade. Similarly, the Sphere is held up just by a few steel brackets: ‘The suspension and scale of this building element confronts visitors with a near-celestial experience, as if witnessing a planetary body up close and personal,’ says Wong, who wanted the architecture to truly effect the human experience and inspire people to discover more about the universe. ‘At its best, the building will illuminate what it means to be human in a vast and largely unknown universe.’
As well as an academic and educational public building, the Shanghai Planetarium will become an icon for China’s past and future: ‘The architecture represents a continuum in the long history of Chinese astronomical science, and sets a framework for the ambitions of China’s space program,’ Wong explains. Skilled at creating a symbiosis between scale, vision, form and function, Wong and Ennead have worked on many large-scale public projects in the US, yet working in China presented them with an unprecedented experience to focus on such a significant building from scratch. ‘China is in the midst of an explosion of cultural facilities as its growing middle class increasingly develops a huge cultural appetite and thirst for activities outside of the workplace. China in general, and Shanghai specifically, also desires to compete at a global level as a cultural centre,’ says Wong.
The planetarium is part of a wider masterplan for the Lingang, an area of Shanghai located south and east of the downtown business district, which is being developed as a satellite city. ‘Its development is part of an ongoing effort to distribute the city's population and density and the larger vision of joining localised centres into a networked megalopolis,’ says Wong, who is also working on the Lingang Sci Tech City with Ennead, located not far from the planetarium. He says the area has been identified by the Shanghai government as an ‘Innovation Zone’ designated to promote scientific and technological development: ‘We see incredible synergy here that has great potential,’ he concludes.
INFORMATION
For more information, visit the Ennead Architects website
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Harriet Thorpe is a writer, journalist and editor covering architecture, design and culture, with particular interest in sustainability, 20th-century architecture and community. After studying History of Art at the School of Oriental and African Studies (SOAS) and Journalism at City University in London, she developed her interest in architecture working at Wallpaper* magazine and today contributes to Wallpaper*, The World of Interiors and Icon magazine, amongst other titles. She is author of The Sustainable City (2022, Hoxton Mini Press), a book about sustainable architecture in London, and the Modern Cambridge Map (2023, Blue Crow Media), a map of 20th-century architecture in Cambridge, the city where she grew up.
-
Where to eat sushi in London
From high-end hotels to supermarket pop-ups, food critic Ben McCormack recommends London's best sushi spots
By Ben McCormack Published
-
Don't miss these films at the BFI London Film Festival 2024
The BFI has announced the lineup for their 68th festival, and it's a stellar one
By Billie Walker Published
-
The mibot is a tiny single-seater ‘mobility robot’ for traversing Japan’s crowded city centres
Japan is the undisputed centre of compact car culture, and KG Motors' new mibot is one of a new wave of micro-EVs that look set to take the country’s cities by storm
By Jonathan Bell Published
-
Neri & Hu’s dynamic New Bund theatre takes centre stage in Shanghai’s cityscape
In Shanghai, Neri & Hu’s New Bund 31 Performing Arts Center is a theatre offering a contemporary take on a classical archetype
By Tianna Williams Published
-
Wallpaper* Architects’ Directory 2024: meet the practices
In the Wallpaper* Architects Directory 2024, our latest guide to exciting, emerging practices from around the world, 20 young studios show off their projects and passion
By Ellie Stathaki Published
-
Tsing-Tien Making's approach is rooted in its 'passion' for architecture
Tsing-Tien Making, a young Chinese practice, joins the Wallpaper* Architects’ Directory 2024
By Ellie Stathaki Published
-
'Famous but understudied': IM Pei exhibition at M+ in Hong Kong is a deep dive into the architect's legacy
'IM Pei: Life is Architecture' is an exhibition celebrating the global icon; and it's just opened at M+ in Hong Kong
By Ijeoma Ndukwe Published
-
Fotografiska Shanghai invites us to 'a poetic immersion' into the realm of photography
Fotografiska Shanghai by AIM Architecture opens nestled into a green corner of the Chinese city's Suzhou Creek
By Ellie Stathaki Published
-
A Chinese community hall brings contemporary minimalism to its historical site
A new Chinese community hall in Wanghu Village, designed by UAD, effortlessly blends old and new in minimalist architecture
By Ellie Stathaki Published
-
Gong House is a contemporary Chinese home drawing on its spectacular countryside context
Gong House by Shenzhen-based Various Associates is a modern family home nestled in the Chinese countryside
By Ellie Stathaki Published
-
The ZGC International Innovation Center in Beijing is a futuristic addition to China's own 'Silicon Valley'
The ZGC International Innovation Center by MAD Architects completes, revealing a new hub for technology and modern ideas that co-exists with its surroundings
By Tianna Williams Published