The idea that architecture needs to be contextural is not new, but what’s interesting is that for Gun Architects, even when one accounts for different cultures and environment, the resulting designs are becoming increasingly generic. This dilemma formed the springboard from which the Berlin- and Santiago de Chile-based studio began exploring Casa de Huéspedes – the showpiece for Meseta Changanal, a new seaside development in Tongoy, north of Santiago de Chile.
The area is a stunning canvas of natural wetland reserve, ravines and mountains with low light pollution. Here, Gun, who is also responsible for the project’s masterplan, conceived the idea of a small 65 sq m house made of mud and wood that would act as a nave and tower – the better to take advantage of the views, whilst appearing to emerge naturally out of the landscape like a plateau. The effect was achieved by creating several terraces that rise against the grain of the narrow and linear side elevation.
From certain angles, Casa de Huéspedes looks almost like a sand-dredger. ‘This house is completely conceived in relation to its climatic and geographical context,’ says lead architect and co-founder of Gun, Jorge Godoy. ‘For example, the west façade, arranged as an ascendant line of equal windows, was designed to interact with the full trajectory of the evening sun.’
Set up ten years ago, Gun Architects has been building up an intriguing portfolio of different scales and genres, ranging from the Rainforest Pavilion in London and small gardens in arid regions to large scale planning and design such as Mesetas Changanal. In a way, Casa de Huéspedes represented an opportunity for the architects to test a large set of design ideas in a setting unrestricted by codas and preconceived notions.
