Time lord: Karl-Friedrich Scheufele’s 20 years of haute horology

Classic-car lover, contemporary art collector, wine aficionado… the character traits are perfectly in order, but Karl-Friedrich Scheufele is not quite the old-fashioned watch-brand boss he seems. Co-president of the Chopard Group and creator, 20 years ago, of its haute horlogerie strand L.U.C, it was not the success of his family business that afforded him the idea of creating a high-watchmaking business, but the mournful echoes of failure, albeit not his own.
In the early 1990s, the traditional Swiss watch industry was still clawing its way back from the quartz watch crisis of the 1970s and 1980s. The Swatch Group had started the revival with high-volume, low-price exports and savvy marketing strategies for its luxury brands. Yet generations of skilled watchmakers remained unemployed, leaving parts of the Swiss Jura resembling ghost towns. At the time, Chopard’s core quartz watch business – which, like most Swiss brands of the time, relied on specialist contractors to produce and assemble its watches – was on the up. But Scheufele could see an emerging trend – the new connoisseur consumer movement; the start of the luxury goods industry as we know it. Scheufele, whose mantra is ‘quality craftsmanship, quality communication, quality time and quality of life’, saw a place for a unique Chopard offering within it.
After a tip-off from his co-president sister, he ventured to Fleurier in the Neuchâtel region, where, in 1860, Louis-Ulysse Chopard (hence the L.U.C name) had started the business. He found a concentrated skill-base ripe for revival, and the notion of an in-house production facility was seeded.
‘We knew that starting almost from scratch was a huge task,’ says Scheufele. ‘But watchmaking at this level demands a long-term view and we were, after all, well placed to underline our legitimacy in haute horology.’ By 2009, Scheufele had also established Chopard’s Fleurier Ebauches manufacture, now producing Chopard mainline brands, such as the Mille Miglia, on a more high-volume scale. Today it makes up to 20,000 movements a year.
L.U.C, meanwhile, boasts 11 base movements and 87 variations and creates around 5,000 timepieces a year. Informed by Scheufele’s inherently classic design sensibilities and eye for technical excellence, they remain the alternative choice for aficionados reflecting the suave qualities of the man who has shaped them. And, despite the current downturn in fine watch sales, partly due to turbulent economies, Scheufele’s quiet nerve and steely vision have proved a winning combination.
As originally featured in the October 2016 issue of Wallpaper* (W*211)
INFORMATION
For more information, visit the Chopard website
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Caragh McKay is a contributing editor at Wallpaper* and was watches & jewellery director at the magazine between 2011 and 2019. Caragh’s current remit is cross-cultural and her recent stories include the curious tale of how Muhammad Ali met his poetic match in Robert Burns and how a Martin Scorsese Martin film revived a forgotten Osage art.
-
Messika’s fluid jewellery is given a textural twist
The Parisian brand borrows a textural finish previously reserved for high jewellery with its new collection, ‘Move Ciselé’
-
This ingenious London office expansion was built in an on-site workshop
New Wave London and Thomas-McBrien Architects make a splash with this glulam extension built in the very studio it sought to transform. Here's how they did it
-
The bespoke Jaguar E-Type GTO melds elements from every era of the classic sports car
ECD Automotive Design’s one-off commission caters to a client who wanted to combine the greatest hits of Jaguar’s E-Type along with modern conveniences and more power
-
Meet the young watchmakers stirring up the industry
Loupes at the ready, these artisans are ones to 'watch'
-
Take a look at the big winners of the watch world Oscars
The Grand Prix d’Horlogerie de Genève is the Oscars for the watch world – get all the news on the 2024 event here
-
Why are watch designers so drawn to brutalism?
Watch brands looking for ways to break the conservative mould look to brutalist architecture and 1970s design codes
-
Classic watch designs to last a lifetime
When considering which watch design to invest in, disregard trends and consider classic pieces characterised by timeless design
-
Browns and Mad Paris rethink Audemars Piguet Royal Oak
Watch customisation specialist Mad Paris has developed two new versions of the Audemars Piguet Royal Oak for Browns
-
Time for an eco-friendly watch?
Some of the more eco-friendly watch materials being embraced by sustainably-minded watchmakers include recycled steel, bioceramic and cork
-
Boundary-breaking Chanel watch is tweaked for a new generation
The Boy.Friend Skeleton appeals to both men and women with its distinctive octagonal silhouette
-
On the button: Chanel's perfectly hidden timepiece
The ‘Mademoiselle Privé Bouton’ watch is everything but off the cuff