Headdresses crafted in India make for meaningful and intricate high jewellery
Estaa’s headdresses in gold, silver, titanium and aluminium are created in workshops across India, from the Rajasthan deserts in the west to the temple roof carvers in the south

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For Mumbai-based jewellers Estaa, headdresses make for spiritual and spectacular high jewellery.
The intricate pieces weave traditional stories into gold, silver, titanium and aluminium webs, studding their silhouettes with diamonds, gemstones and pearls, all sourced in India. Estaa have created headdresses for bridal ensembles since their launch in 2009; recently, founders Swati Shah and Pratik Shah have noticed a shift towards a younger clientele. ‘They are deconstructing heavy Indian jewelry yet retaining its essence,’ Pratik Shah notes.
Their headpieces, as well as being technically accomplished, pay heed to spiritual traditions. ‘I discovered the ancient science of natural medicine through marma points - the specific points on the body that stimulate a chakra and are a spiritual energy centre. In the case of headpieces, they stimulate the third eye, which is located ‘behind’ the centre of the forehead and believed to be the seat of the soul.’ The headpieces are designed to sit in the centre of the forehead, a dazzling focal point.
Jewellery is crafted in workshops across India, from the Rajasthan deserts in the west, to the temple roof carvers in the south. ‘We work with different artists all over India for specific crafts,’ says Shah. ‘For example, the best enamel hand work I have ever seen is from a 75 year old artist we work with in Bikaner, an old desert city in the northwest. Some spectacular traditional gold relief work is commissioned to an artist who comes from a family of gold temple roof carvers. He lives in Hyderabad in the south, an ancient Mughal city. They are both at least fourth generation craftsmen, and their skill is very distinctive, deeply influenced by their own regions’ and family’s history.’
In the workshop, metalsmiths, gem-setters, and designers work on every piece, collaborating when needed with other specialists. ‘For example in the uncut diamond headpiece, we worked with the following craftsmen: designer, master goldsmith, silver foil maker, diamond cutter and polisher, jadai gem setter, gold polisher, enameler and a bead stringer,’ adds Shah. The results are spectacular pieces of craftsmanship which bring an intricate opulence and spirituality to high jewellery design; ‘Estaa seeks to inspire and be inspired by crafting fine jewellery that interweaves wisdom with gemstones and metal, while rooted in the now.’
INFORMATION
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Hannah Silver joined Wallpaper* in 2019 to work on watches and jewellery. Now, as well as her role as watches and jewellery editor, she writes widely across all areas including on art, architecture, fashion and design. As well as offbeat design trends and in-depth profiles, Hannah is interested in the quirks of what makes for a digital success story.
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