Bart Hess’ new art film series for Aesop transforms the body into a digital interface
- (opens in new tab)
- (opens in new tab)
- (opens in new tab)
- Sign up to our newsletter Newsletter
Crisp winds whip down Melbourne’s Bourke Street mall where locals rugged up in their winter armour stop in their tracks to absorb the warm kinetic glow emanating from retailer Myer’s street-level windows. All seven, spanning over 60 m in their entirety, unveil a theatre of the senses as footage of male and female dancers interact rhythmically with tactile hybrid skins and emotive scenography. It marks Aesop’s fifth Myer Bourke Street window display and its first digital collaboration with an artist, Bart Hess, who in the past has worked with a roster of visionaries including Lady Gaga, Nick Knight and Iris van Herpen.
Epistēmē (the Ancient Greek term for knowledge and understanding) serves a dual purpose: to evoke the sensory experience of Aesop’s product offering (including skin, body, hair and personal care, alongside fragrance and ranges for travel and the home) and to distil the notion of absorbing knowledge through the senses, the skin being the interface between the body and the environment it inhabits. ‘I imagined the body as a canvas for the sensations felt and information absorbed. The figures undergo some kind of transformation based on the attributes of the products,’ notes Hess, whose work expresses his ongoing fascination with the human form using instinctive and futuristic textiles. In this case, they include the digitally manipulated material properties of foils, paper, PVC, latex and water colour patterns to create impressions of envelopment and volume.
Each window framing the imagery (ranging from 38 seconds to 3 minute loops) is dedicated to the aforementioned product categories against a backdrop of melodic futuristic soundscapes created by Ricky van Broekhoven that ripple with recordings of the materials used. ‘The films talk to the qualities of our products and the transformations which occur as they nourish both the physical and sensual being,’ clarifies Aesop’s creative director, Marsha Meredith.
The sequence commences with skin care. Folded and concertinaed golden translucent veils morph over the upper body. ‘Visually, it talks to intense vitamins nourishing your skin and the ritual of daily skin care routines,’ adds Marsh. The home (room sprays) window is fluidly expressed with women unfurling swathes of cape-like aromas that billow around the body like puffs of smoke. Representing fragrance, splintered paper-thin feathers taking their inspirational cue from origami adorn the limbs of figures like a Boccioni sculpture in motion to represent the crispness of the Tacit aroma. A woman magically floats in the travel window suggestive of Aesop’s approach to nurturing the skin and senses during journeys. ‘Satin-like ribbons support her body playing with the idea of material time,’ offers Hess.
Presented on variously sized grids, each sequence is uniquely self-contained, yet together with their heightened colour palettes (alluding to Aesop ingredients) and cinematic expression, they possess the mesmerising effect of drawing viewers in to experience the tactile sensations themselves. ‘As they’re deeply set from the street, the challenge was to communicate from a depth,’ adds Hess. Mechanical precision (so refined and precise) and organic fluidity co-exist harmoniously to portray liberated states and the confidence each product offering instills.
The windows at Myer Bourke Street will remain in motion until 29 July, whilst film stills will also be presented in the windows of Myer Queen Street in Brisbane and Myer George Street in Sydney during this time.
INFORMATION
Until 29 July. For more information, visit the Aesop website (opens in new tab)
ADDRESS
Myer Melbourne
314-336 Bourke Street, Melbourne 300
Myer Sydney
436 George Street, Sydney 2000
Myer Brisbane
91 Queen Street, Brisbane 4000
VIEW GOOGLE MAPS (opens in new tab)
-
Maison Margiela opens up new Paris headquarters to show a collection of rebellious glamour
Marking the inauguration of Maison Margiela’s new Place des États-Unis headquarters, creative director John Galliano’s co-ed collection marked a triumphant ready-to-wear return to the runway
By Jack Moss • Published
-
These London spas are utterly relaxing urban escapes
These London spas offer transformative treatments in awe-inspiring spaces for total relaxation in the midst of the big city.
By Mary Cleary • Published
-
Hair jewellery to covet and collect
Today’s hair jewellery is both practical and pretty. We're pinning our hopes on these simple and elegant accessories
By Hannah Silver • Published
-
Could Instagram’s algorithm curate an art exhibition? A new London show finds out
We’ve seen the debates surrounding AI-created art – but what about algorithmic curation? A new exhibition by University of Oxford researchers explores Instagram’s algorithm as a curator
By Harriet Lloyd-Smith • Published
-
A’strict: the South Korean digital art collective bringing nature to urban life
As part of our Generation Generative series, we spotlight a’strict, the artistic unit of South Korean digital media design company d’strict, whose immersive art aims to bring viewers closer to nature
By SuhYoung Yun • Published
-
Enter the mesmerising, AI-driven world of artist Refik Anadol
Refik Anadol’s masterly use of data sets and AI models allows him to create dazzling ‘living paintings’, now on display in MoMA’s Gund Lobby
By TF Chan • Published
-
Generative art: the creatives powering the AI art boom
It’s a new age for generative art, thanks to pixel-sorting, algorithm-sifting creatives. While the NFT market remains in flux, we delve into the rise of generative art, and the AI art boom
By Nick Compton • Published
-
Venice Biennale 2022 closing review: who, how and what on earth?
As the sun sets on the 59th Venice Art Biennale (until 27 November), we look back on an edition filled with resilience, female power and unsurprisingly, lots of surprises
By Harriet Lloyd-Smith • Published
-
Bruce Nauman’s Venice mega-show is a full body experience
Focusing on the American artist's performative 'Contrapposto Studies', Bruce Nauman's show at Punta della Dogana, Venice, gives new meaning to body language – on view until 27 November 2022
By Laura May Todd • Published
-
Universal Everything: the collective bringing mind-bending physicality to the digital space
In our new profile series, Generation Generative, we spotlight pioneers on the cutting edge of generative art. Our first feature is on Sheffield-based digital art collective Universal Everything, whose solo show ‘Lifeforms’ at 180 The Strand runs from 12 October – 4 December
By Nick Compton • Published
-
Biennale Arcipelago Mediterraneo: reflections on Sicily’s history and futures
Opening against the backdrop of Italy’s snap general election, the third edition of the Biennale Arcipelago Mediterraneo in Palermo ruminates on past and present global conflicts, interwoven with stories from the Mediterranean
By Hili Perlson • Last updated