It’s often the impromptu, accidental or backstage moments that capture the spirit of a movement, more than anything intentionally staged or obvious. In 1975 William English, then a young film student, took a series of photographs of his friend Vivienne Westwood playing dress-up at the ‘Sex’ shop she ran with Malcolm McLaren at 430 Kings Road in London.
See William English's photographs of Westwood
The photographs show the young Westwood simmering with energy and abandon that would moments later explode from a subculture behind the curtains of the ‘Sex’ shop and find its name and fame as the punk movement.
The collection is now on show as a selling exhibition at another very English institution, though perhaps rather a surprising one – Maggs Bros antiquarian booksellers. Curator Carl Williams, who heads up the Counterculture section of Maggs, explains: ‘I was invited by William English to an exhibition ‘Punk: No One is Innocent’ about five years ago in Vienna where I first saw a few of the snaps. He had the original negatives squirreled away and so we blew them up for this show. I don’t really do innovation much, I prefer to turn over old ground and remind people of what might be important’.
ADDRESS
Maggs Gallery
50 Hays Mews
London W1
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Jack Moss is the Fashion & Beauty Features Director at Wallpaper*, having joined the team in 2022 as Fashion Features Editor. Previously the digital features editor at AnOther and digital editor at 10 Magazine, he has also contributed to numerous international publications and featured in ‘Dazed: 32 Years Confused: The Covers’, published by Rizzoli. He is particularly interested in the moments when fashion intersects with other creative disciplines – notably art and design – as well as championing a new generation of international talent and reporting from international fashion weeks. Across his career, he has interviewed the fashion industry’s leading figures, including Rick Owens, Pieter Mulier, Jonathan Anderson, Grace Wales Bonner, Christian Lacroix, Kate Moss and Manolo Blahnik.
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