Marni S/S 2018
Creative director Francesco Risso envisions a time-travelling Marni muse

Scene setting: For the first show of the day on a sunny Milan morning, guests accessed the Marni set through a vibrant garden filled with roses and oversized blooms. On entering the large industrial showspace, they were greeted with sleek wooden benches, cushioned in upholstery with a retro bent that featured at the Marni S/S 2018 men’s show. This time the blue, green and yellow leathers were swapped for soft red panels in leather and textured pony skin. A loud punk soundtrack mixed by Frédéric Sanchez blasted through the space, climaxing with The Cramps.
Mood board: For his second womenswear collection for the house, creative director Francesco Risso envisioned a woman travelling through time – dancing at a1920s-style knees up one minute and skateboarding down a half pipe the next – picking up fragments of her experiences along the way. This culminated in a collection of ‘lost and found’ elements: frayed hem balloon skirts, oversized dresses made from a patchwork of fabrics and embellished with bright beads, tapestry coats and boyish baggy pants. There were aristocratic blooms and utilitarian checks, furs and futuristic plastics. The mash-up of references and materials boasted an unfinished flair – think raw hems and trailing threads, exposed seams and haphazard embellishments.
Finishing touches: Kitten heels had encrusted details drawn onto them with permanent marker, earrings were made from contorted twists of gold and dangled with colourful beads and pearls, and boxy bags were finished with punky chain handles, customised with trails of fabric and beaded friendship bracelets.
Marni S/S 2018
Marni S/S 2018
Marni S/S 2018
Marni S/S 2018
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
-
‘As an artist, I’ve never felt more useful than now’: Steve McQueen on his monumental film screening in Amsterdam
The film director on why now felt like the right time to screen a previously unseen 34-hour version of his 2023 documentary ‘Occupied City’, on the façade of the Rijksmuseum
-
Seven designers rethinking wood at London Design Festival
At this year’s London Design Festival, wood proves itself anything but static. We highlight seven designers shaping, colouring, and engineering it in surprising ways
-
Inside Kazakhstan’s brutalist Tselinny cinema – now a hub for contemporary culture
Tselinny Center of Contemporary Culture, a modernist landmark redesigned for its new purpose by Asif Khan, gears up for its grand opening in Kazakhstan