Mood board: It appeared as though Jason Wu had cut his Boss collection with a scalpel for A/W, drawing architectural lines and folds on hard-edge, double faced wools and flannels.
Best in show: One particularly fetching, body-skimming grey wool dress came with a sliced out bodice that looked like window slits onto the skin.
Finishing touches: This was a show with great footwear, namely the perfectly proportioned riding boots that featured calfskin fronts and grey wool covering the backs.
Mood board: It appeared as though Jason Wu had cut his Boss collection with a scalpel for A/W, drawing architectural lines and folds on hard-edge, double faced wools and flannels.
Best in show: One particularly fetching, body-skimming grey wool dress came with a sliced out bodice that looked like window slits onto the skin.
Finishing touches: This was a show with great footwear, namely the perfectly proportioned riding boots that featured calfskin fronts and grey wool covering the backs.
Mood board: It appeared as though Jason Wu had cut his Boss collection with a scalpel for A/W, drawing architectural lines and folds on hard-edge, double faced wools and flannels.
Best in show: One particularly fetching, body-skimming grey wool dress came with a sliced out bodice that looked like window slits onto the skin.
Finishing touches: This was a show with great footwear, namely the perfectly proportioned riding boots that featured calfskin fronts and grey wool covering the backs.
Mood board: It appeared as though Jason Wu had cut his Boss collection with a scalpel for A/W, drawing architectural lines and folds on hard-edge, double faced wools and flannels.
Best in show: One particularly fetching, body-skimming grey wool dress came with a sliced out bodice that looked like window slits onto the skin.
Finishing touches: This was a show with great footwear, namely the perfectly proportioned riding boots that featured calfskin fronts and grey wool covering the backs.
Mood board: It appeared as though Jason Wu had cut his Boss collection with a scalpel for A/W, drawing architectural lines and folds on hard-edge, double faced wools and flannels.
Best in show: One particularly fetching, body-skimming grey wool dress came with a sliced out bodice that looked like window slits onto the skin.
Finishing touches: This was a show with great footwear, namely the perfectly proportioned riding boots that featured calfskin fronts and grey wool covering the backs.
Mood board: It appeared as though Jason Wu had cut his Boss collection with a scalpel for A/W, drawing architectural lines and folds on hard-edge, double faced wools and flannels.
Best in show: One particularly fetching, body-skimming grey wool dress came with a sliced out bodice that looked like window slits onto the skin.
Finishing touches: This was a show with great footwear, namely the perfectly proportioned riding boots that featured calfskin fronts and grey wool covering the backs.
Mood board: It appeared as though Jason Wu had cut his Boss collection with a scalpel for A/W, drawing architectural lines and folds on hard-edge, double faced wools and flannels.
Best in show: One particularly fetching, body-skimming grey wool dress came with a sliced out bodice that looked like window slits onto the skin.
Finishing touches: This was a show with great footwear, namely the perfectly proportioned riding boots that featured calfskin fronts and grey wool covering the backs.
Mood board: It appeared as though Jason Wu had cut his Boss collection with a scalpel for A/W, drawing architectural lines and folds on hard-edge, double faced wools and flannels.
Best in show: One particularly fetching, body-skimming grey wool dress came with a sliced out bodice that looked like window slits onto the skin.
Finishing touches: This was a show with great footwear, namely the perfectly proportioned riding boots that featured calfskin fronts and grey wool covering the backs.
