Mood board: The unraveling continued at Marques'Almeida for A/W with bias draped denim in rainbow hues opening the show, followed by raw-edged, metallic brocades that referenced the decadent legacy for Christian Lacroix, albeit patchworked together with an English eccentricity.
Best in show: Marta Marques and Paulo Almeida's tailoring became increasingly dishevelled as the show went on, from a purple fur that was torn from the shoulder to ribbed knitwear that was cut and sewn together in a melange of bias seams. This notion of wrapping - especially around the neck - came courtesy of artist Frida Kahlo.
Finishing touches: Upping their accessories offering for A/W, the pair's scrunched metallic sacs held the same 1990s club girl feel as their layered chiffon looks.
Photography: Jason Lloyd-Evans
Mood board: The unraveling continued at Marques'Almeida for A/W with bias draped denim in rainbow hues opening the show, followed by raw-edged, metallic brocades that referenced the decadent legacy for Christian Lacroix, albeit patchworked together with an English eccentricity.
Best in show: Marta Marques and Paulo Almeida's tailoring became increasingly dishevelled as the show went on, from a purple fur that was torn from the shoulder to ribbed knitwear that was cut and sewn together in a melange of bias seams. This notion of wrapping - especially around the neck - came courtesy of artist Frida Kahlo.
Finishing touches: Upping their accessories offering for A/W, the pair's scrunched metallic sacs held the same 1990s club girl feel as their layered chiffon looks.
Photography: Jason Lloyd-Evans
Mood board: The unraveling continued at Marques'Almeida for A/W with bias draped denim in rainbow hues opening the show, followed by raw-edged, metallic brocades that referenced the decadent legacy for Christian Lacroix, albeit patchworked together with an English eccentricity.
Best in show: Marta Marques and Paulo Almeida's tailoring became increasingly dishevelled as the show went on, from a purple fur that was torn from the shoulder to ribbed knitwear that was cut and sewn together in a melange of bias seams. This notion of wrapping - especially around the neck - came courtesy of artist Frida Kahlo.
Finishing touches: Upping their accessories offering for A/W, the pair's scrunched metallic sacs held the same 1990s club girl feel as their layered chiffon looks.
Photography: Jason Lloyd-Evans
Mood board: The unraveling continued at Marques'Almeida for A/W with bias draped denim in rainbow hues opening the show, followed by raw-edged, metallic brocades that referenced the decadent legacy for Christian Lacroix, albeit patchworked together with an English eccentricity.
Best in show: Marta Marques and Paulo Almeida's tailoring became increasingly dishevelled as the show went on, from a purple fur that was torn from the shoulder to ribbed knitwear that was cut and sewn together in a melange of bias seams. This notion of wrapping - especially around the neck - came courtesy of artist Frida Kahlo.
Finishing touches: Upping their accessories offering for A/W, the pair's scrunched metallic sacs held the same 1990s club girl feel as their layered chiffon looks.
Photography: Jason Lloyd-Evans
Mood board: The unraveling continued at Marques'Almeida for A/W with bias draped denim in rainbow hues opening the show, followed by raw-edged, metallic brocades that referenced the decadent legacy for Christian Lacroix, albeit patchworked together with an English eccentricity.
Best in show: Marta Marques and Paulo Almeida's tailoring became increasingly dishevelled as the show went on, from a purple fur that was torn from the shoulder to ribbed knitwear that was cut and sewn together in a melange of bias seams. This notion of wrapping - especially around the neck - came courtesy of artist Frida Kahlo.
Finishing touches: Upping their accessories offering for A/W, the pair's scrunched metallic sacs held the same 1990s club girl feel as their layered chiffon looks.
Photography: Jason Lloyd-Evans
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Didn't make it to Alcova Miami this year? These are our 10 favourite thingsAt the third US edition of the exhibition, designers reinterpreted ancient traditions, artfully refracted light and encouraged sexual exploration
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Inside the Melbourne exhibition which puts fashion renegades Rei Kawakubo and Vivienne Westwood in conversation‘Westwood Kawakubo’ at the National Gallery of Victoria (NGV) in Melbourne draws on the designers’ shared ‘spirit of rebellion’, curators Katie Somerville and Danielle Whitfield tell Wallpaper*
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Remembering Martin Parr, astute documenter of the human conditionMartin Parr, a giant of photography, has died aged 73
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‘Dirty Looks’ at the Barbican explores how fashion designers have found beauty in dirt and decayFrom garments buried in River Thames mud to those torn, creased and stained, ‘Dirty Looks’ is a testament to how ‘creativity and new artistic practices can come out of decay’, its curators tell Dal Chodha
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Tyler Mitchell’s London show explores the figure of the Black Dandy, ‘imagining what else masculinity could look like’Originally part of a visual essay to accompany the Met’s ‘Superfine’ 2025 Costume Institute exhibition, ‘Portrait of the Modern Dandy’ goes on display at Gagosian Burlington Arcade in London this week
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Margaret Howell London Fashion Week Women's S/S 2019 -
London Fashion Week S/S 2023: Ahluwalia to Martine RoseThough slimmed-down, London Fashion Week nonetheless provided the moments of creative expression the city is known for – from Ahluwalia’s ode to Africa to Martine Rose’s much-anticipated runway return
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Discover these fashion brands at London Craft WeekDuring London Craft Week, fashion brands including Smythson, Bally and Serapian are hosting events across the capital
