Marques' Almeida A/W 2015 | Wallpaper*

Row of six female models, dressed in colourful clothing, heavy eye makeup and messy hair styles, white wall in the backdrop — (Image credit: Jason Lloyd-Evans)

Mood board: The unraveling continued at Marques'Almeida for A/W with bias draped denim in rainbow hues opening the show, followed by raw-edged, metallic brocades that referenced the decadent legacy for Christian Lacroix, albeit patchworked together with an English eccentricity.

Best in show: Marta Marques and Paulo Almeida's tailoring became increasingly dishevelled as the show went on, from a purple fur that was torn from the shoulder to ribbed knitwear that was cut and sewn together in a melange of bias seams. This notion of wrapping - especially around the neck - came courtesy of artist Frida Kahlo.

Finishing touches: Upping their accessories offering for A/W, the pair's scrunched metallic sacs held the same 1990s club girl feel as their layered chiffon looks.

Photography: Jason Lloyd-Evans

Mood board: The unraveling continued at Marques'Almeida for A/W with bias draped denim in rainbow hues opening the show, followed by raw-edged, metallic brocades that referenced the decadent legacy for Christian Lacroix, albeit patchworked together with an English eccentricity.

Best in show: Marta Marques and Paulo Almeida's tailoring became increasingly dishevelled as the show went on, from a purple fur that was torn from the shoulder to ribbed knitwear that was cut and sewn together in a melange of bias seams. This notion of wrapping - especially around the neck - came courtesy of artist Frida Kahlo.

Finishing touches: Upping their accessories offering for A/W, the pair's scrunched metallic sacs held the same 1990s club girl feel as their layered chiffon looks.

Photography: Jason Lloyd-Evans

Row of four young female models, one in red mesh clothing, three in slashed and cut off denim outfits, heavy eye makeup, messy hair styles, white walls

Mood board: The unraveling continued at Marques'Almeida for A/W with bias draped denim in rainbow hues opening the show, followed by raw-edged, metallic brocades that referenced the decadent legacy for Christian Lacroix, albeit patchworked together with an English eccentricity.

Best in show: Marta Marques and Paulo Almeida's tailoring became increasingly dishevelled as the show went on, from a purple fur that was torn from the shoulder to ribbed knitwear that was cut and sewn together in a melange of bias seams. This notion of wrapping - especially around the neck - came courtesy of artist Frida Kahlo.

Finishing touches: Upping their accessories offering for A/W, the pair's scrunched metallic sacs held the same 1990s club girl feel as their layered chiffon looks.

Photography: Jason Lloyd-Evans

Row of young female models, rainbow hue clothing, long straggly hair style, eye makeup, white wall

Mood board: The unraveling continued at Marques'Almeida for A/W with bias draped denim in rainbow hues opening the show, followed by raw-edged, metallic brocades that referenced the decadent legacy for Christian Lacroix, albeit patchworked together with an English eccentricity.

Best in show: Marta Marques and Paulo Almeida's tailoring became increasingly dishevelled as the show went on, from a purple fur that was torn from the shoulder to ribbed knitwear that was cut and sewn together in a melange of bias seams. This notion of wrapping - especially around the neck - came courtesy of artist Frida Kahlo.

Finishing touches: Upping their accessories offering for A/W, the pair's scrunched metallic sacs held the same 1990s club girl feel as their layered chiffon looks.

Photography: Jason Lloyd-Evans

Row of six young female models, three with red outfits to the left, three with denim outfits to the right, long straggly hair style, eye make up, white wall backdrop

Mood board: The unraveling continued at Marques'Almeida for A/W with bias draped denim in rainbow hues opening the show, followed by raw-edged, metallic brocades that referenced the decadent legacy for Christian Lacroix, albeit patchworked together with an English eccentricity.

Best in show: Marta Marques and Paulo Almeida's tailoring became increasingly dishevelled as the show went on, from a purple fur that was torn from the shoulder to ribbed knitwear that was cut and sewn together in a melange of bias seams. This notion of wrapping - especially around the neck - came courtesy of artist Frida Kahlo.

Finishing touches: Upping their accessories offering for A/W, the pair's scrunched metallic sacs held the same 1990s club girl feel as their layered chiffon looks.

Photography: Jason Lloyd-Evans

Close up side body shot of models in a row, centre two in denim outfits, green ouifit to the far left, green outfit to the right, white wall