It has been a winding road for Jonathan Anderson, who could today be considered fashion's gender-bending provocateur made good. Poised to reveal his first designs for Loewe in Paris this month, he chose a rather bucolic and British opening vision for the JW Anderson S/S 2015 men's show, translating the dense tapestry landscapes of RCA textile designer John Allen into a trilogy of cap-sleeve knit tops. They made an enticing graphic appetiser for the dissected tailoring and knitwear looks that followed - garments draped or abbreviated to reveal shoulders, midriffs, or the small of the back. Anderson credited the 'personality of the bourgeois woman' for those sensual abstractions, which were wrought out on shawl collar blazers, knit tank tops and open-necked wrap blouses all perched on loose, straight trousers. From striped silk twills to mealy cotton cable knit and flashes of tomato and violet wool, both Anderson's colour palette and textiles were inviting and varied - in what could be his most cohesive and commercial offer to date.
Photography: Jason Lloyd-Evans
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A Lagos exhibition celebrates Fela Kuti's defining soundAn exhibition, Afrobeat Rebellion, currently showing at the Ecobank PanAfrican Centre in Lagos, explores the life of Afrobeat father Fela Anikulapo-Kuti
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The Architecture Edit: Wallpaper’s houses of the monthFrom wineries-turned-music studios to fire-resistant holiday homes, these are the properties that have most impressed the Wallpaper* editors this month
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La Monique brings the French Riviera to Santa MonicaA transportive room of velvet, candlelight, and Riviera chic, serving French favourites with a modern wink
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‘Architect of glamour’ Antony Price makes a high-voltage return to the runway with 16ArlingtonFeaturing a runway debut from Lily Allen, the show saw legendary designer Antony Price – best known for outfitting Roxy Music in the 1980s – unite with 16Arlington’s Marco Capaldo on the sensual after-dark collection
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‘Dirty Looks’ at the Barbican explores how fashion designers have found beauty in dirt and decayFrom garments buried in River Thames mud to those torn, creased and stained, ‘Dirty Looks’ is a testament to how ‘creativity and new artistic practices can come out of decay’, its curators tell Dal Chodha
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Tyler Mitchell’s London show explores the figure of the Black Dandy, ‘imagining what else masculinity could look like’Originally part of a visual essay to accompany the Met’s ‘Superfine’ 2025 Costume Institute exhibition, ‘Portrait of the Modern Dandy’ goes on display at Gagosian Burlington Arcade in London this week
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Haute Couture Week A/W 2025: what to expectFive moments to look out for at Haute Couture Week A/W 2025 in Paris (starting Monday 7 July), from Glenn Martens’ debut for Maison Margiela to Demna’s Balenciaga swansong. Plus, ‘new beginnings’ from JW Anderson
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Inside Louis Vuitton’s Murakami London pop-up, a colourful cartoon wonderland with one-of-a-kind caféWallpaper* takes a tour of the Louis Vuitton x Murakami pop-up in London’s Soho, which celebrates the launch of a new ‘re-edition’ accessories collection spanning the greatest hits from the Japanese artist’s long-running collaboration with the house
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Get to know Issey Miyake’s innovative A-POC ABLE line as it arrives in the UKAs A-POC ABLE Issey Miyake launches in London this week, designer Yoshiyuki Miyamae gives Wallpaper* the lowdown on the experimental Issey Miyake offshoot
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Margaret Howell London Fashion Week Women's S/S 2019 -
London Fashion Week S/S 2023: Ahluwalia to Martine RoseThough slimmed-down, London Fashion Week nonetheless provided the moments of creative expression the city is known for – from Ahluwalia’s ode to Africa to Martine Rose’s much-anticipated runway return
