Shrink kit: Danish designers are thinking big and building small

Danish designers are thinking big and building small for a new exhibition at Maison du Danemark in Paris

Furniture pieces.
From left: ’Rise & shine’, by Monique Engelund, for Anton Balle A/S; and ’Loop’, Lise og Hans Isbrand, for Erik Jørgensen Møbelfabrik A/S
(Image credit: press)

Size matters at ‘Petit’, a new exhibition opened last week at the Maison du Danemark in Paris. Members of The Cabinetmakers’ Autumn Exhibition were tasked with creating furniture no wider or taller than 60 centimetres for the show, resulting in a small but elegantly formed collection by the likes of Norm Architects, TAF, Space Copenhagen and more.

The nomadic exhibition began its journey last September on the outskirts of Copenhagen at the Øregaard Museum in Hellerup. The Danish museum, conceived by architect Joseph-Jacques Rameè originally as a summerhouse for the wealthy Søbøtker family, served as inspiration for the exhibition’s theme, as well as the French word petite.

Tina Sommer and Marie Berri’s slender ‘Doublé’ console, an optically charged piece spliced in half with a mirror, takes it cues from the Øregaard Museum’s symmetrical architecture. Monique Engelund, meanwhile, was spurred by an experience at the museum during sunrise for her ‘Rise & Shine’ vanity table, and Ditte Hammerstrøm responded to the brief with a miniature, pastel-pink cabinet seemingly plucked from a Wes Anderson film.

Elsewhere at the show, Stockholm-based studio TAF dished up a svelte tray-table; Jeremy Walton opted for a downsized reimagining of Bagatelle, a billiards-derived indoor table game with roots in French aristocracy; and Danish firm Norm Architects kept things simple with a three-legged, stackable folding chair. The latter is also responsible for the exhibition design, with each of the pieces presented individually on mirrored podiums – a nod to notions of identity and personal image, as well as a tongue-in-cheek boast that the products are beautiful enough to be viewed from below.

The Cabinetmakers’ Autumn Exhibition, or Snedkernes Efterårsudstilling (SE), is a non-commercial collective comprising 80-odd furniture manufacturers and designers. It aims to bring Danish furniture culture to the fore through collaborative projects staged annually, with exhibitions open to guest designers. And, as its latest venture proves, big things do come in small packages.

Chair and stools in furniture.

’Arche’, by Ralph van de Made, for Hinnerup Aps; and ’Petit Secret’, by Thomas Bentzen, for Kvist Industries A/S

(Image credit: press)

Furniture cabinet.

'Hibernation', by Christina Strand, for Andersen Furniture; and 'Smaating', by Ditte Hammerstrøm, for Labrador v/rep by Niels Højlund Rasmussen

(Image credit: press)

Decorative wooden piece and vase.

'Bagatelle – a decorative little nothing', by Jeremy Walton, for Malte Gormsen; and 'Petit Piedestal', by Iskos-Berlin, for Træmuseet – Museet for Træbearbejdning

(Image credit: press)


; 'Champagne', by TAF, for Trip Trap by Skagerak

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Black colour chair and stool in the Room.

'Pause', by Norm Architects, for Christian Juhl; and 'Tricorn', by Mia Lagerman, for Kvist Industires A/S

(Image credit: press)

Rectangle shape stool in a room.

'One-Two Chair', by Niels Hvass, for Møbelsnedkeri Kjeldtoft; and 'La petite abstraction', by Mathilde Witt Mølholm, for We made it

(Image credit: press)

Metalic Show piece and Chair.

; and 'La Petite Poule Rouge', by Jakob Kamper, for Davinde Savværk

(Image credit: press)

Metal Cabinet.

'Offline', by Rasmus B Fex; and 'Cabinet', by Space Copenhagen, for Malte Gormsen

(Image credit: press)


’Petit’ runs until 3 April 2016. For more information, visit The Cabinetmakers’ Autumn Exhibition website


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