Part functional design, part perfectly composed works of sculpture, the latest collection from Sydney-based design studio Page Thirty Three is inspired by historic space age design, and visions of the future from the past.
'I love looking at how the future was forecast 50 years ago, and comparing it to how we live today,' says Ryan Hanrahan, who founded Page Thirty Three in 2010. 'In most cases I like the alternate space age visions that I saw on the big screen, and dreamt up as a kid, much more. I think a lot of what we design comes from these childhood obsessions and playtime.'
Collectively titled 'Use Your Illusions', the 20-piece collection is the studio's largest and most cohesive offering to date. Working with a dark, tonal colour palette and materials with varying textures, like matte-black terracotta, black polyurethane, concrete and the meteor-like Australian Bluestone, the new pieces feature all the hallmarks of Page Thirty Three’s distinctive design style; strong geometric shapes, clean lines and a clear focus on Australian design and manufacturing.
As well as eight lighting pieces, candle holders, an oil burner and an oil diffuser, the collection also boasts some impressive larger pieces of furniture; the graphic Lightyear daybed is formed from two monolithic black polyurethane cylinders bridged by a slab of black-coated Birch ply, while a chunky 40mm aluminium tube frame elegantly orbits a circular seating piece to form the Vader chair.
'There is a basic childish satisfaction felt from "solving the puzzle"' says Hanrahan, noting that many of the pieces encourage playful interaction. For instance the Totem lamp, composed of a set of Bluestone and steel parts, is formed by sliding the components onto an upright light sabre allowing the user to create a number of different compositions.
Meanwhile, pieces like the Zig Zag side table expand upon familiar forms the studio have explored in previous collections. 'I believe work should grow and evolve over time,' explains Hanrahan. 'Before starting object design I worked in the fashion industry, and it is so seasonal, which I grew to hate. I feel it is unnatural. I like to think of something forming gradually. Although this is our third furniture collection, each year is an extension on the previous year's designs and philosophies, and a result of learning over time. I like to keep what works, perfect what doesn't, and discard what I grow bored with… then there is always a million new ideas to get started on.'
Entitled 'Use Your Illusions', the 20-piece collection is the studio's largest and most cohesive offering to date
'I love looking at how the future was forecast 50 years ago, and comparing it to how we live today,' says Ryan Hanrahan, who founded Page Thirty Three in 2010
'I think a lot of what we design comes from these childhood obsessions and playtime,' Hanrahan continues
Page Thirty Three's distinctive design style is seen all over the collection with strong geometric shapes, clean lines and a clear focus on Australian design and manufacturing
The collection's colour palette includes dark, tonal shades and materials with varying textures, like matte-black terracotta, black polyurethane, concrete and the meteor-like Australian Bluestone
As well as lighting pieces and small decoration pieces, the collection also boasts some impressive larger pieces of furniture; the graphic Lightyear daybed, or the Vader chair formed of a chunky 40mm aluminium tube elegantly framing the circular seating piece
Many of the pieces encourage playful interaction; 'There is a basic childish satisfaction felt from "solving the puzzle,"' notes Hanrahan
The Totem lamp, composed of a set of Bluestone and steel parts, allows for playfulness, and customisation
The lamp is formed by sliding the components onto an upright light sabre allowing the user to create a number of different compositions
INFORMATION
'Use Your Illusions' is available to order online from Page Thirty Three website
-
A Japanese maple adds quaint charm to a crisp, white house in SydneyBellevue Hill, a white house by Mathieson Architects, is a calm retreat layered with minimalism and sophistication
-
Be transported to an illegal Acid House rave in the Barbican's new immersive experienceVirtual reality, DJ sets, record label takeovers – it's all at the Barbican through to August. Craig McLean gets out his glowsticks
-
Wallpaper* checks in at Experimental Marais: a lush homecoming for the hospitality forceExperimental Group returns to its Parisian roots, where it opened its founding bar, to launch its first-ever flagship hotel, designed by Tristan Auer
-
At home with Calder: the artist’s hidden knack for domestic design -
Solid state: Rick Owens’ latest foray into sculpture and furniture -
Uncomfortable furniture: Erwin Wurm at Galerie Thaddaeus Ropac, Paris -
Sculptor Lynn Chadwick’s angular metal figures star in a series of international shows, starting in London -
Richard Wilson’s new sculpture for Heathrow’s Terminal 2
