Amorepacific HQ signage by Sascha Lobe wins Wallpaper* Design Award

Korean beauty brand Amorepacific has a monumental new HQ in Seoul’s Yongsan district.
Designed by David Chipperfield Architects, the glazed cube is punctuated by voids that reveal an internal courtyard. As well as offices, a restaurant, a library and more, it houses the Amorepacific Museum of Art. Chipperfield’s geometric precision set the template for the wayfinding graphics, by Sascha Lobe, a Pentagram partner since June. Lobe’s graphic interface with architecture (and his work on this project) began at L2M3, the Stuttgart studio he co-founded in 1999 and which worked on cultural institutions including Chipperfield’s Kunsthaus Zürich extension. ‘I try to find the right solution for every architecture, brand and function,’ he says.
In Seoul, the award-winning signage, that just won Best Way to Go in the Wallpaper* Design Awards, was shaped by architecture and context. ‘A cube is a challenge for orientation because the symmetry of the building prevails,’ he says. ‘Our solution was to link the building’s wings with its spatial context.’ The four distinct views from within – the Namsan Mountain, Yongsan Park, the Seoul skyline and the Hangang River – create a matrix to orient visitors, rendered as a sparse, elegant pictogram.
RELATED STORY
Elsewhere, mirrored signage references the beauty industry, with glossy surfaces and a pared-back stencil typeface. Attention to detail is key, with text rendered by laser-cutting and on LED screens, all evoking the stripped-back façade and graphical simplicity of the building. §
As originally featured in the February 2019 issue of Wallpaper* (W*239)
INFORMATION
For more information, visit the Amorepacific website and the Pentagram website
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Jonathan Bell has written for Wallpaper* magazine since 1999, covering everything from architecture and transport design to books, tech and graphic design. He is now the magazine’s Transport and Technology Editor. Jonathan has written and edited 15 books, including Concept Car Design, 21st Century House, and The New Modern House. He is also the host of Wallpaper’s first podcast.
-
Ghanaian cuisine has a story to tell at Washington, DC restaurant Elmina
The new restaurant is chef Eric Adjepong’s colourful ode to the recipes he grew up loving
By Sofia de la Cruz
-
Pedro y Juana's take on architecture: 'We want to level the playing field’
Mexico City-based architects Padro y Juana bring their transdisciplinary, participatory approach to the Mexico pavilion at the Venice Architecture Biennale 2025; find out more
By Ellie Stathaki
-
The Sialia 45 cruiser is a welcome addition to the new generation of electric boats
Polish shipbuilder Sialia Yachts has launched the Sialia 45, a 14m all-electric cruiser for silent running
By Jonathan Bell
-
Graphic tributes celebrate the Design Museum’s 30th anniversary
Paul Smith, Nathalie du Pasquier, John Pawson and more have riffed on the number 30 in punchy new logos
By Jessica Mairs
-
Sharjah gains a new graphic design biennial set inside a former 1970s abandoned bank
By Rosa Bertoli
-
Graphic design studio LucienneRoberts+ reimagines the display system at the Royal Academy
By Charlotte Jansen
-
The infographics of tyranny exposed in a new handbook
By Jonathan Bell
-
Doctor’s orders: graphic design is good for you, reflects a new London show
By Jonathan Bell
-
Musical notes: an exhibition of rhythmic lettering design at Aldeburgh's Snape Maltings
By Elly Parsons
-
The letterpress life: Alan Kitching’s epic creative past revealed in a new tome
By Sujata Burman
-
The drawn word: SFMoMA tracks the modern evolution of typography
By Ann Binlot