Alessandro Mendini vibrantly transforms the Le Corbusier Appartement No.50

Italian designer
Italian designer Alessandro Mendini has transformed Le Corbusier's Appartement N°50 for the space's annual summer exhibition
(Image credit: Philippe Savoir,foundation Le Corbusier,ADAGP)

Jasper Morrison, the Bouroullecs, Konstantin Grcic and Pierre Charpin. This is the star-studded list of names who have had the pleasure of refitting Le Corbusier’s historical Appartement N°50, within Marseille's Unité d’Habitation. The landmark living space, owned by Jean-Marc Drut, has played host to an annual summer exhibition for the last six years.

Last year saw the first time the apartment has been taken over by a group of student designers, with the coveted school ÉCAL dispersing products that catered to the occupant's everyday needs. For 2016, Drut has placed the keys in the trusty hands of Italian designer Alessandro Mendini.

For his project, the master of radical design was inspired by the primary colours that characterise Le Corbusier’s building. Taking centre stage of the makeover is a strong line-up of eight custom-made, Memphis-style ceramic totems on the mezzanine floor, rigidly protecting the area and staring straight out of the window. ‘I selected eight colours similar to the ones he chose,’ Mendini explains, ‘with the aim of creating a diaphragm that acts on the modulation of sunlight.’

The vibrant palette is mirrored across the room, in the Nepalese rug that covers the floor, the striped caffettiera 'Oggetto Banale' on the mantlepiece and the playful 'Amuleto' floor lighting – all of which naturally enhance the wooden space. ‘All the normal furniture of the apartment has been left in place,’ Mendini explains, ‘including the paintings and documents belonging to Le Corbusier that are always present here.'

It is the space's sense of life and presence that makes this such a unique exhibition. The installation is indelibly imbued with a sense of the resident, the builder and the designer who placed their mark on it. ‘Finally I have the wonderful occasion to render homage to Le Corbusier with my delicate "performance”,' Mendini muses.

master of radical design

For his project, Mendini – a master of radical design – was inspired by the primary colours that characterise Le Corbusier’s building

(Image credit: Philippe Savoir,foundation Le Corbusier,ADAGP)

the mezzanine floor

Taking centre stage of the makeover: eight custom-made, Memphis-style ceramic totems on the mezzanine floor, rigidly protecting the area and staring straight out of the window

(Image credit: Philippe Savoir,foundation Le Corbusier,ADAGP)

eight colours similar to the ones

‘I selected eight colours similar to the ones he chose,’ Mendini explains, ‘with the aim of creating a diaphragm that acts on the modulation of sunlight’

(Image credit: Philippe Savoir,foundation Le Corbusier,ADAGP)

mirrored across the room

The vibrant palette is mirrored across the room, in the Nepalese rug that covers the floor, the striped caffettiera 'Oggetto Banale' on the mantlepiece and the playful 'Amuleto' floor lighting

(Image credit: Philippe Savoir,foundation Le Corbusier,ADAGP)

the Bouroullecs

(Image credit: Philippe Savoir,foundation Le Corbusier,ADAGP)

INFORMATION

Alessandro Mendini at Appartement N° 50 is on view from 15 July – 13 August. For more information, visit the Appartement N° 50 website

Photography: © Philippe Savoir / foundation Le Corbusier / ADAGP

Sujata Burman is a writer and editor based in London, specialising in design and culture. She was Digital Design Editor at Wallpaper* before moving to her current role of Head of Content at London Design Festival and London Design Biennale where she is expanding the content offering of the showcases. Over the past decade, Sujata has written for global design and culture publications, and has been a speaker, moderator and judge for institutions and brands including RIBA, D&AD, Design Museum and Design Miami/. In 2019, she co-authored her first book, An Opinionated Guide to London Architecture, published by Hoxton Mini Press, which was driven by her aim to make the fields of design and architecture accessible to wider audiences.