'Cocktail Hour': Achille Salvagni's Mayfair Atelier swings into the 1930s

Achille Salvagni's Mayfair Atelier, which opened last year, will display the designer's newest pieces this summer, in an exhibition that takes inspiration from a duo of unlikely sources: art deco and the Qing dynasty.
Titled 'Cocktail Hour', the effervescent display marks a change of direction for the designer, who is known for his moody, opulently Roman aesthetic. Speaking to Wallpaper*, Salvagni explains the reasoning behind this colourful, lighthearted twist. 'I have always been fascinated by history,' he says. 'It has a fluid essence with no boundaries, so referring to different eras allows us to open our minds and complete our vision.'
Salvagni's diverse mood board, which could have so easily looked like a mesh of conflicting references, is balanced harmoniously. Clean lines and punchy shapes characterise his coffee tables, side-boards and cabinets, which scream 1930s Italy, while his palette (deep yellows, rusty pinks and duck-egg blues) reflect colours used in the Qing dynasty's ceremonial dress.
The two most immediately eye-catching pieces are also the designer's favourites. He's particularly pleased with the new, sunshine-yellow 'Tato' armchairs, titled after Guglielmo 'Tato' Sansoni, a prolific proponent of the futurist movement. Salvagni also names his magnificent 'Nerone' cocktail cabinet as a personal highpoint, which is crafted in parchment and lined in black Sahara Noir marble. The cabinet takes its name from iron-fisted Emperor Nero. The black marble references his 'dark soul', and his fatal ending (a stab-wound to the heart) is captured in the use of red lacquer on the central handle.
By naming his objects after prominent figures of history, Salvagni imbues each piece with its own narrative, driving depth and personality into the collection. With this, Salvagni takes his referencing seriously, and ensures accuracy with every corner, crease and colour. He explains, 'As beauty will never change, history will always anchor us to the past and help us look towards the future.' And the future continues to look beautiful for Salvagni, who reveals two new projects to look out for, including 'a townhouse in the heart of the Upper East Side and a villa at La Gorce Island in Miami Beach'. Whether these endeavours will be art deco themed, tinged with Qing dynasty colours, or inspired by a new era altogether, only time will tell.
Entitled 'Cocktail Hour', the effervescent display marks a change of direction for the designer, who is known for his moody, opulent aesthetic
Salvagni explains the reasoning behind this colourful, lighthearted twist. 'I have always been fascinated by history,' he says. 'It has a fluid essence with no boundaries, so referring to different eras allows us to open our minds and complete our vision'
The clean lines and punchy shapes of his coffee tables, side-boards and cabinets scream 1930s, whilst the palette (deep yellows, rusty pinks and duck-egg blues) reflect colours used in the Qing dynasty's ceremonial dress. Pictured: 'Tato' armchairs
By naming his objects after prominent figures of history, Salvagni imbues each piece with its own narrative, driving depth and personality into the collection
INFORMATION
’Cocktail Hour’ is on view until 27 August. For more information, visit Achille Salvagni’s website
Photography courtesy Achille Salvagni Atelier
ADDRESS
Achille Salvagni Atelier
12 Grafton Street
London, W1S 4ER
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Elly Parsons is the Digital Editor of Wallpaper*, where she oversees Wallpaper.com and its social platforms. She has been with the brand since 2015 in various roles, spending time as digital writer – specialising in art, technology and contemporary culture – and as deputy digital editor. She was shortlisted for a PPA Award in 2017, has written extensively for many publications, and has contributed to three books. She is a guest lecturer in digital journalism at Goldsmiths University, London, where she also holds a masters degree in creative writing. Now, her main areas of expertise include content strategy, audience engagement, and social media.
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