A world in print: the Eames celebration continues with a new illustrative book

The World of Charles and Ray Eames, published by Thames & Hudson
The World of Charles and Ray Eames, published by Thames & Hudson, is a new book and and accompanying text to the current Barbican exhibition
(Image credit: Thames & Hudson)

As the Barbican unveiled the exhibition on the 'World of Charles and Ray Eames (opens in new tab)', they also released a new book, published by Thames & Hudson (opens in new tab), illustrating the exhibition and offering further insight through a vast collection of archive material. The illustrated catalogue features 320 pages of photographs, sketches, letters and film stills, and includes essays by exhibition curator Catherine Ince (who edited the volume with assistant curator Lotte Johnson) as well as the Eameses’ grandson Eames Demetrios amongst many more art and design academics, plus original texts from the couple’s time.

Featuring a folded poster as cover jacket and different paper stocks, the book was art directed by graphic designer John Morgan (opens in new tab), who worked on the exhibition itself in collaboration with architectural practice 6a (opens in new tab) – the two studios are long-term collaborators, having worked together on exhibitions at Raven Row gallery as well as books such as Never Modern and Dust Free Friends, and Morgan’s studio is also in charge of 6a’s identity. ‘The beauty of working with Tom [Emerson] and Steph [Macdonald, 6a's founders] is that when you see their exhibition proposals it makes you want to do less,’ says Morgan, pointing out how the richness of the Eames’ displays and the depth of their work did not call for an eccentric graphic treatment or a 1960s pastiche.

‘We approached the book design in the same spirit,’ he says, ‘not exactly a neutral vessel, but a very present grid – the cropping and framing and presentation of an "image" is central to the Eames's work.’ The grid system was essential to handle the large body of work presented, and was used inside the book (for example, through several sections that featured square picture grids of varying sizes) as well as on the cover, in the exhibition posters and throughout the collateral materials.

‘However, it’s in the facsimile of the "India Report" we produced for the exhibition, in which the Eameses quote Bhagavad Gita,’ says Morgan, ‘that I find the sentiment that for me underlines their curiosity with the process and activity of designing and making: "Work done with anxiety about results is far inferior to work done without such anxiety, in the clam of self-surrender".'

The illustrated catalogue features 320 pages of photographs,

The illustrated catalogue features 320 pages of photographs, sketches, letters and film stills, and includes essays by exhibition curator Catherine Ince

(Image credit: Thames & Hudson)

The book was art directed by graphic designer John Morgan

Featuring a folded poster as cover jacket and different paper stocks, the book was art directed by graphic designer John Morgan

(Image credit: Thames & Hudson)

The well-know ’Beware of Imitations’ poster, designed in 1962

Whimsical advertisements from the 1950s warn people of the rise of copycat designs of the Eameses’ chair for Herman Miller. Included is the well-know ’Beware of Imitations’ poster, designed in 1962

(Image credit: Thames & Hudson)

The design of the book was approached in the same way as the exhibition

The design of the book was approached in the same way as the exhibition, with a graphic grid system created for the large body of work

(Image credit: Thames & Hudson)

Feature square picture grids of varying sizes

Several sections, for example, feature square picture grids of varying sizes

(Image credit: Thames & Hudson)

Pictured here are images of the Eameses’ experimentation with the properties of moulded plywood for both military and domestic products

Pictured here are images of the Eameses’ experimentation with the properties of moulded plywood for both military and domestic products

(Image credit: Thames & Hudson)

Disassembled and packaged the chair

Charles and Ray Eames’ ’Lounge Chair’ was debuted during a television interview on NBC’s Home, accompanied by a short film where Herman Miller employee Dick Hoffman assembled, disassembled and packaged the chair

(Image credit: Thames & Hudson)

INFORMATION
The World of Charles and Ray Eames, £45, published by Thames & Hudson (opens in new tab)

Rosa Bertoli was born in Udine, Italy, and now lives in London. Since 2014, she has been the Design Editor of Wallpaper*, where she oversees design content for the print and online editions, as well as special editorial projects. Through her role at Wallpaper*, she has written extensively about all areas of design. Rosa has been speaker and moderator for various design talks and conferences including London Craft Week, Maison & Objet, The Italian Cultural Institute (London), Clippings, Zaha Hadid Design, Kartell and Frieze Art Fair. Rosa has been on judging panels for the Chart Architecture Award, the Dutch Design Awards and the DesignGuild Marks. She has written for numerous English and Italian language publications, and worked as a content and communication consultant for fashion and design brands.