Less but better: Dieter Rams’ lessons on show at ADI Design Museum, Milan

An exhibition at Milan’s ADI Design Museum celebrates Dieter Rams’ creations

Dieter Rams at ADI Design Museum
(Image credit: Martina Bonetti, Courtesy ADI Design Museum)

The ADI Design Museum of Milan (ADI standing for Associazione per il Disegno Industriale) presents ‘Dieter Rams. A look back and ahead’ (until 11 June 2023), an exhibition featuring selected objects, photographs, and texts celebrating the work of the German industrial designer. For Dieter Rams, ‘Designers should always strive to improve the world’. In the second half of the 20th century, he created over 350 designs for consumer-products company Braun and furniture manufacturer Vitsoe: hundreds of thousands of people around the globe still use his creations on a daily basis.

Dieter Rams at ADI Design Museum

Dieter Rams at ADI Design Museum: cameras in display case

(Image credit: Martina Bonetti, Courtesy ADI Design Museum)

‘We are a research museum, that’s why we are interested in exploring its methodology,’ says Luciano Galimberti, president of ADI. ‘It’s an exhibition that addresses Rams’ methodological approach to the product. He has been erroneously classified as a minimalist: I was lucky enough to know him personally and he always tried to think in terms of archetypes, not in terms of minimal forms, and then handing them over to the imagination of other designers.’

Page of Braun designs on display at Dieter Rams at ADI Design Museum

(Image credit: Martina Bonetti, Courtesy ADI Design Museum)

A room at the centre of the museum condenses part of the designer’s production. The captions that accompany the products or their images, carefully translated from German into English by Rams’ expert Sophie Lovell, tell the story of objects whose knowledge reveals one’s age better than any wrinkle on the face – everyday gadgets such as Braun’s SK 4 Radio-Phonograph (1956), nicknamed Snow White’s Coffin on account of its white metal casing and transparent lid, or the nostalgic ET66 calculator (1987), and, of course, the MPZ 22 electric juicer (1972), also known as 'the citromatic'.

‘His juicer is an archetype, which he arrived at by thinking about what it means to squeeze a fruit in relation to holding an orange in your hand, its weight, and the role of the spout,’ Galimberti adds. ‘Aside from his methodological approach, Rams wished to pass on his values to future generations, with a strong desire to create a world in which to imagine and reinvent.’

Dieter Rams at ADI Design Museum: colourful radios in glass display case

(Image credit: Martina Bonetti, Courtesy ADI Design Museum)

Klaus Klemp curated the travelling exhibition, that has previously been shown in Frankfurt, Washington, and New York, and is set to return to Germany after its stop in Italy. In Milan, the exhibition was created in collaboration with the Design School of the local Politecnico. 

‘Dieter’s mantra is less but better. We’d say buy less, but buy better things that will last longer,’ Klemp underlines. ‘I think it's a very real point: we’re consuming more than ever before, and everyone’s talking about environmental issues, but when we look at the statistics, nothing changes, and our consumption is increasing all the time’. The curator hopes that the exhibition will encourage students and young designers to consider design beyond their aesthetic style: ‘In the video we show during the exhibition, Dieter says: “You cannot understand design, if you don’t understand people”. It’s still a very current topic.’

'Dieter Rams. A look back and ahead' is on view until 11 June 2023

ADI Design Museum
Piazza Compasso d’Oro 1
Milano

adidesignmuseum.org

Dieter Rams at ADI Design Museum

(Image credit: Martina Bonetti, Courtesy ADI Design Museum)

Dieter Rams at ADI Design Museum

(Image credit: Martina Bonetti, Courtesy ADI Design Museum)

Cristina Kiran Piotti is an Italian-Indian freelance journalist. After completing her studies in journalism in Milan, she pursued a master's degree in the economic relations between Italy and India at the Ca' Foscari Challenge School in Venice. She splits her time between Milan and Mumbai and, since 2008, she has concentrated her work mostly on design, current affairs, and culture stories, often drawing on her enduring passion for geopolitics. She writes for several publications in both English and Italian, and she is a consultant for communication firms and publishing houses.