Celebrating twenty years of Design Parade in the south of France

A heat wave accompanied the revelrous opening days of the Design Parade festival, magnifying focus on the proudly regional festival’s question of how to live in the Mediterranean

Design Parade 2026
(Image credit: Luc Bertrand)

The south of France’s annual design competition and festival, Design Parade, celebrates a milestone anniversary in 2026, marking 20 years of its ‘Objet’ (Product design) competition, and 10 years of its ‘Architecture d’intérieur’ (Interior design) competition. The occasion was customarily revelrous with passionate speeches, a pétanque tournament, a retrospective exhibition curated by David Giroire, and a talks programme featuring India Mahdavi hosted by Matter + Shape beneath umbrella pines to a soundtrack of cicadas.

Design Parade 2026 at Villa Noailles

Design Parade 2026

Sonido Material by Eduardo Altamirano

(Image credit: Luc Bertrand)

At the 1920s Villa Noailles in Hyeres, the ten ‘Product design’ finalists included ‘imprecise candle clocks’ that challenge our relationship to time by Matisse Vrignaud and Lundja Medjoub (winners of a residency at the Sèvres National Manufacture). Yohan Thomas’ efficient lamp that hacked its own design system bringing autonomy back to small-scale manufacturing. And Mexican designer Eduardo Altamirano’s hypnotic, minimalist open speaker won the public prize.

Design Parade 2026

Tin Ayala

(Image credit: Luc Bertrand)

Tin Ayala (Ecuador), who remixed precolonial Andean ceramic huacos with characters from video games and comics suggesting pre-to-post-colonial continuities, won the jury’s ‘Product design’ grand prize. Meanwhile conceptual designer Shahar Livne (Netherlands), a former student of Formafantasma, examined colonialism through the lens of rubber, examining its human and animal cost.

Design Parade 2026

Simon Dupety

(Image credit: Luc Bertrand)

Stanislas Colodiet, director of CIRVA (France’s International centre of Glass and Plastic Arts) and member of the ‘Product design’ jury this year, remarked that post-colonialism has gained more interest from designers in recent years, as well as how objects can shape new rituals. 'An object should have agency,' he says.

Colodiet will work closely with winner Ayala during an upcoming residency at CIRVA in Marseille, which is part of the prize; and was proud to reflect on the collaboration with last year’s winner Simon Dupety, whose installation of organic glass vessels and lamps formed a dystopian garden inside the Villa Noailles.

Transforming Villa Noailles through contemporary interior design

Design Parade 2026

Valentin Bayoud

(Image credit: Luc Bertrand)

The ten ‘Interior design’ competition finalists each transformed a room in the villa. Winner of the jury’s grand prize, Valentin Bayoud’s hearth-inspired cocoon replaced fire with water, inviting shared contemplation. Water was central to Elen Rio’s Mediterranean garden with a dynamic basin and playful hosepipes; as well as Yohann Hubert and Carlotta Lagazzi’s (winners of the Nationale manufactures Mobilier national Prize) reimagining of a wrecked boat.

Villa Noailles Design Parade

Elen Rio

(Image credit: Luc Bertrand)

Julie Liger, Artistic Director of Design Parade, noticed an increase in ‘spaces that isolate you from the intensity of life, yet not to be alone – to be with friends and discuss, and to see and observe nature.’ Reflecting on her own pioneering participation in 10 years of the ‘Interior design’ competition, she’s seen the rise of environmentalism. Today it’s integral to how all finalists think, yet this year explored it with the most freedom and sophistication in the use of circular and natural materials.

Design Parade 2026

Boris Cojean

(Image credit: Luc Bertrand)

As well as noting an almost ‘Baroque’ approach to craft and decoration, with designers showing intensive interest in materiality and taking craft back into their own hands. See Boris Cojean’s silky beeswax surfaces; Simon Searle and Victoire Lesthevenon’s local timber tinted with plant-based dyes (Public prize winner); Marion Moustey and Ewerton Alves’ aubergine curtains; and Clément Pasquier’s magical cork oak skin.

Design Parade 2026

Clément Pasquier

(Image credit: Luc Bertrand)

Villa Noailles Design Parade

Simon Searle and Victoire Lesthevenon

(Image credit: Luc Bertrand)

Liger sees the competition as an extension of the rich French heritage of interior design, and importantly one that, rather than in Paris, is rooted in the Mediterranean context of the south. Taking place during intense heat-waves across Europe, Design Parade’s question of how to live in the Mediterranean felt very relevant, as Northern Europe looks south for wisdom and innovation from shading, to water management.

An eco-system of design

Design Parade Toulon

Exhibition at Hôtel des Art, Toulon

(Image credit: Luc Bertrand)

Each year of the festival, the regional eco-system of design further strengthens. This year, visitors can discover new collectible design gallery Pour Vous and return to the Banane d’Or concept space in Hyères; be inspired by graduate presentations at the Camondo Méditerranée school and an exhibition on design and textiles at the Hôtel des Art featuring Sheila Hicks, Hella Jongerius and Muller Van Severen in Toulon.

Design Parade Toulon

Exhibition at Hôtel des Art, Toulon

(Image credit: Luc Bertrand)

They can also experience the work of Design Parade veterans of all levels in various places. During opening week, Edgar Jayet (5th Interior design winner, 2021) opened a recently designed home to curious visitors; pétanque played out at the sea-front Hotel Le Provencal designed by Rodolphe Parente (6th Interior design jury president, 2022, and 10th Interior design jury member); and lunch was hosted at Hotel Lilou designed by Kim Haddou and Florent Dufourcq (3rd Interior design finalist, 2018).

One day, dreams Liger, Design Parade will take to the streets with regional public commissions from designers, such as a fountain or landscaping. Perhaps more critically and environmentally engaged than ever before, this year’s Design Parade shows that it’s set on further expanding its impact through its community, as well as continuing to inspire surrealist imaginations through its enduringly playful spirit.

Design Parade is on view until 4 September 2026
villanoailles.com

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Harriet Thorpe is a writer, journalist and editor covering architecture, design and culture, with particular interest in sustainability, 20th-century architecture and community. After studying History of Art at the School of Oriental and African Studies (SOAS) and Journalism at City University in London, she developed her interest in architecture working at Wallpaper* magazine and today contributes to Wallpaper*, The World of Interiors and Icon magazine, amongst other titles. She is author of The Sustainable City (2022, Hoxton Mini Press), a book about sustainable architecture in London, and the Modern Cambridge Map (2023, Blue Crow Media), a map of 20th-century architecture in Cambridge, the city where she grew up.