Boffi | DePadova: the evolution of an Italian design superpower

From 1930s cabinet-maker to contemporary design force for every room of the home – how the Boffi | DePadova group came to stand for timeless Italian living, and a look at its current collections

Boffi | DePadova interiors
(Image credit: Boffi | DePadova)

In Partnership With Boffi | DePadova

The year 1989 was significant for Italian design, a transformative moment. Premium manufacturer Boffi, already in business for some 55 years, made a bold and defining decision: to evolve from its origins as an artisanal, kitchen specialist, founded by Piero Boffi, into a global, made-in-Italy furniture brand with an integrated approach to total interior design – from kitchen to bedroom, from the dining room through to the lounge.

Under the management of then-new company CEO Roberto Gavazzi, Boffi’s aim in 1989 was not merely to expand its existing catalogue but to offer an all-round lifestyle. Its integrated living system combined design, function and emotion, as the company meticulously curated every aspect of production, distribution and communication.

Boffi | DePadova interiors

(Image credit: Boffi | DePadova)

Gavazzi imagined Boffi as a purveyor of timeless style and elegance, operating with continuity and coherence, its projects and partnerships ‘the sum of elements that together generate an overall scenographic impact’.

Having previously worked with key Italian designers and art directors – among them Piero Lissoni, Luigi Massoni, and Joe Colombo – Gavazzi was instrumental in continuing Boffi’s collaborative spirit, inviting Patricia Urquiola and Zaha Hadid to work for the house in subsequent decades.

Boffi | DePadova interiors

(Image credit: Boffi | DePadova)

‘Our history is divided into three parts,’ Gavazzi reflects. ‘The first, “Craftsmanship”, refers to the founding of the company by Piero Boffi in 1934, when there was still no industry and the objects were handcrafted. After the Second World War, [came] “Elegance”: Boffi began collaborating with designers and art directors, an activity that was totally new for the kitchen companies of the time.’ Then, from 1989, a period summed up by “Integrity”, he continues. ‘[There’s] a change of pace and strategy. Boffi becomes international, it opens up to all interior sectors: from modular kitchens to wardrobes and bathrooms – a company creating a complete home project.’

Boffi | DePadova interiors

(Image credit: Boffi | DePadova)

After its cabinet-making workshop beginnings, Piero Boffi’s company underwent its first metamorphosis in the 1960s, thanks to Piero’s sons, Dino and Paolo, style visionary and tech innovator, respectively. During this period, collaborations led to groundbreaking creations, including the ‘Minikitchen’ – a wheeled monoblock kitchen designed by Joe Columbo in 1963 – and the classic ‘Xila’ modular kitchen system, designed by Luigi Massoni in 1972 and still in production today.

In the 1980s, Paolo Boffi recognised the importance of a strong aesthetic identity and entrusted the artistic direction to a then-emerging designer Piero Lissoni. Lissoni didn’t just redefine the company’s image; he established a design language that would shape Boffi’s evolution, transforming the kitchen into an architectural space rather than just a functional one.

Boffi | DePadova interiors

(Image credit: Boffi | DePadova)

With Gavazzi at the helm, the brand went on to solidify its international presence by redefining its distribution model: direct and selective sales replaced traditional retail channels, while industry fairs were abandoned in favour of dynamic presentations in unexpected locations, from deconsecrated churches to former industrial hangars. With its future no longer limited to kitchens, Boffi introduced new collections for bathrooms and home furnishings, interpreting design through its quality production and extensive experience.

The natural evolution of this journey materialised in 2015, with the acquisition of historic Milan furniture company De Padova. The combined force of Boffi | DePadova established a unique manufacturing model that seamlessly merges industrial production with artisanal sensitivity.

Boffi | DePadova interiors

(Image credit: Boffi | DePadova)

Expansion continued with the addition of new brands and collections that further enriched Gavazzi’s ‘project’: MA/U Studio, specialising in minimalist furniture; and ADL, an Italian leader in architectural partition systems. There were partnerships too, such as Time & Style ēdition, a collection developed in collaboration with Japanese master craftsman Ryutaro Yoshida. Boffi also worked with fashion designer Paul Smith on an Everyday Life collection for De Padova that is all tailored details and sophisticated materials.

Boffi | DePadova interiors

(Image credit: Boffi | DePadova)

Showrooms have become the heart of Boffi | DePadova’s evolution – instead of conventional stores, Boffi prefers to offer an immersive design experience. The environment at its flagship store on Via Santa Cecilia in Milan narrates a sophisticated way of living, characterised by fine materials, bespoke solutions and a balance between innovation and tradition.

‘Today, Boffi | DePadova is much more than a collection of brands,’ says Chiara Tombari, executive vice president and chief creative officer, who worked under Lissoni and now supports Gavazzi in the group’s strategic development. ‘It is an integrated system that sets a new standard for contemporary living.’

Boffi | DePadova interiors

(Image credit: Boffi | DePadova)

Boffi | DePadova interiors

(Image credit: Boffi | DePadova)

Each furniture component retains a unique identity while enriching others from the group and creating new synergies. After 90 years of history, the group continues to innovate, investing in material research, including sustainable solutions, and new product typologies. For Gavazzi, success is not merely an economic concern but a matter of cultural responsibility. ‘It is an ongoing commitment to keeping the Italian design tradition alive,’ he says. ‘Leaving a lasting mark on the world of interior living.’

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Simon Mills is a journalist, writer, editor, author and brand consultant who has worked with magazines, newspapers and contract publishing for more than 25 years. He is the Bespoke editor at Wallpaper* magazine.