Zander Blom explores 21st century modernism at Stevenson, Cape Town
- (opens in new tab)
- (opens in new tab)
- (opens in new tab)
- Sign up to our newsletter Newsletter

Cape Town-based musician and artist Zander Blom is once again showing at Cape Town's Stevenson Gallery. A new show, simply entitled 'New Paintings', will be his sixth solo show with the gallery. For this exhibition, his most divulging, he 'followed the medium instead of trying to make it follow me'.
Known for his expression of modernism through the eyes of a young person living in a politically and socially interesting Johannesburg at the inception of the 21st century, Blom’s new work is an extension of exactly that. 'I have believed in the idea of perpetual change as a vehicle for innovation and discovery in painting for a long time,' confesses Blom. 'Even though the overarching themes in my work have much remained the same over the last decade, my style and techniques have gone through many transformations.'
Blom characteristically creates modular forms in paint or printmaking that are then constructed and deconstructed whilst being documented at all stages. The documentation, in the form of photography, is mostly staged in his home. 'My current home studio is more or less the shape of a shoebox. One-third of the shoebox is the safe side, a painting-free zone with a couch, coffee table and two working tables. The other two-thirds is full of canvas and paint,' he says.
By his own declaration he decided early on in his career to be a 'productive, prolific and non-suicidal artist' following his own whims and impulses. His new expression collects this awareness and reveals some of his inner workings – including what he calls 'cabin fever' in his studio.
Despite the deceptively simple title 'New Paintings', Blom's new show is his most divulging yet. Pictured left: Untitled [1.767], 2016. Right: Untitled [1.763], 2016
Blom's art is conceived through the eyes of a young person living in a politically and socially interesting Johannesburg. Pictured: Untitled [1.760], 2016
Blom explains, 'I have believed in the idea of perpetual change as a vehicle for innovation and discovery in painting for a long time.' Pictured: Untitled [1.761], 2016
By his own declaration, he decided early on in his career to be a 'productive, prolific and non-suicidal artist' that follows his own whims and impulses. Pictured: Untitled [1.765], 2016
INFORMATION
'Zander Blom: New Paintings' is on view until 9 April. For more information, visit the Stevenson Gallery's website (opens in new tab)
Photography courtesy the artist and Stevenson Gallery
ADDRESS
Stevenson Gallery
Buchanan Building
160 Sir Lowry Road
Woodstock 7925
Cape Town
VIEW GOOGLE MAPS (opens in new tab)
Daniel Scheffler is a storyteller for The New York Times and others. He has a travel podcast with iHeart Media called Everywhere (opens in new tab) and a Substack newsletter, Withoutmaps (opens in new tab), where he shares all his wild ways. He lives in New York with his husband and their pup.
-
Hermès perfume Un Jardin à Cythère is a cinematic exploration of a Greek garden
With Un Jardin à Cythère, Hermès perfumer Christine Nagel recreates the sensations of crunchy grass, watery pistachios, and windswept olive trees
By Mary Cleary • Published
-
Exploration, travel, adventure: the lowdown on Herno’s S/S 2023 collection
A closer look at Herno’s latest collection, which riffs on the brand’s heritage with a new fashion-focused lens
By Jack Moss • Published
-
Constance Guisset makes her Fuorisalone debut with a scenographic design party
Salone del Mobile 2023: ‘Surprise Party! Carte Blanche à Constance Guisset Studio’ (17 April – 13May 2023) is the first Milanese solo show of the French designer
By Maria Cristina Didero • Published
-
The best London art exhibitions: a guide for March 2023
Your guide to the best London art exhibitions, and those around the UK in March 2023, as chosen by the Wallpaper* arts desk
By Harriet Lloyd Smith • Published
-
Gavin Turk: ‘My art is always other people's art’
We interview British artist Gavin Turk, whose show ‘Kerze’ (candle) at Ben Brown Fine Arts is an ode to Gerhard Richter’s candle painting, with an uncanny twist
By Harriet Lloyd-Smith • Published
-
An art history of Château Mouton Rothschild wine labels, from Lucian Freud and Niki de Saint Phalle to Peter Doig
We take a closer look at Château Mouton Rothschild’s 2020 vintage label designed by artist Peter Doig and look back on the house’s fruitful history of artist collaborations
By Harriet Lloyd-Smith • Last updated
-
Faith Ringgold on capturing the complexity of the American experience: ‘It takes courage to be free’
We interview Faith Ringgold, whose major retrospective exhibition ‘American People’ runs until 27 November at the de Young Musuem, San Francisco
By Aindrea Emelife • Published
-
Zizipho Poswa’s new ceramics and photography explore hair as a medium for sculpture
At Southern Guild Gallery, Cape Town, Zizipho Poswa draws on the elaborate hairstyling practised by African women in a new series of ceramics, bronze sculptures and photographs
By Jareh Das • Published
-
Rashid Johnson in Menorca: a journey through migration, longing and togetherness
We visited Rashid Johnson’s Brooklyn studio ahead of the artist’s show at Hauser & Wirth Menorca, which contemplates drift – physical and emotional
By Osman Can Yerebakan • Published
-
Remembering Pierre Soulages (1919-2022), a pioneer of post-war abstraction
Pierre Soulages, the pioneering French printmaker, sculptor and ‘painter of black’, has died aged 102
By Diane Theunissen • Published
-
Artist Karin Schaefer blends divine order and queer joy with hard-edged geometry
We explore the life, work and Massachusetts studio of American artist Karin Schaefer, ahead of her solo show ‘Continuum’ at Sears Peyton Gallery, New York
By Michael Reynolds • Last updated