Tom Sachs’ NFT Rocket Factory scoops Wallpaper* Design Award 2022
Tom Sachs’ brilliantly imaginative Rocket Factory marks the American artist's foray into the world of NFTs, and scoops ‘Best Rocket Launch’ at this year's Wallpaper* Design Awards 2022
![Tom Sachs Rocket Factory](https://cdn.mos.cms.futurecdn.net/o7DkqHEUAdyLANJNp25EuE-415-80.jpg)
Tom Sachs is art's astro-conceptualist, a Nasa obsessive who has devised and equipped his own bricolage space programme. His New York studio is both rocket workshop and mission control, stitching together spacesuits and knocking up landing modules, perfectly imperfect replicas in steel, plywood and foam that celebrate the design and engineering ‘right stuff’ that has taken man to the moon, if not far beyond. (Because he can, Sachs has gone further. In 2012, he put astronauts on Mars and in 2016 he explored Europa, an ice-gripped moon of Jupiter). His latest exploration of the rocketeer mythos, Rocket Factory, launched him into the art world's next digital dimension, NFTs (non-fungible tokens). Sachs calls the project a ‘trans-dimensional manufacturing plant’ that creates branded NFT rocket parts.
Rocket Factory has created enough virtual inventory of nose cones, bodies and tail assemblies to produce 1,000 different rockets. Each component features one of 30 different colourways and brand identities, with varying degrees of scarcity (87 sets are Chanel branded, 27 McDonald’s and three Hello Kitty). Space travel, after all, is now a fully commercial enterprise. One hundred of the 3,000 components feature stickers, again of varied rarity.
Inside artist Tom Sachs’ Manhattan studio, where he has set up his Rocket Factory NFT project
There are more than 113,000 possible component permutations, and collectors – or the ‘community’ as Sachs has it – can create a multi-brand Frankenrocket or a mono-brand Perfect Rocket. (Sachs admits that the mechanics of his rocket marketplace are arcane to the point of absurdity. ‘It's byzantine and prohibitively complex. It's without a doubt the Achilles’ heel of the whole thing, completely fucked.’)
These components are ‘com-burned’ before the minting of a new single rocket. Collectors can then select Launch Option, which scrambles Sachs and his team to create a physical replica of the digital rocket in the ‘meat world’. The physical rockets are launched and, if at all possible, component parts are recovered and returned to the collector in a custom display box, along with a video of the launch. There have been seven launches so far, including one at Governors Island in New York, another at Flamingo Park baseball stadium in Miami – which Sachs rented out for the occasion – and one on the corner of Grand and Lafayette in SoHo, which Sachs describes as ‘our secret spot’.
Rarity chart, 2021. © Tom Sachs
Owners of a completed rocket NFT or component can become members of the Rocket League and get their own Rocket Factory uniform. Sachs is now looking at establishing a digital Rocket Factory HQ, somewhere in the known or unknown metaverse, with special access clearance for Rocket League members.
Rocket Factory is another expression of Sachs’ fascination with the ambition, engineering, aesthetics and semiotics of the space programme. ‘Rockets are a complex symbol because they're the symbol of our total destruction, but also of our redemption,’ he says. ‘They're the ultimate symbol of science. And there's nothing more prestigious. Rockets hold us to the highest standards of excellence.’
It's also a challenge to the accepted models of art sales, ownership and collecting. NFTs, Sachs argues, represent a new largely unregulated, unprivatised, vital and shared creative space; a new frontier, less mapped, patrolled and controlled by art’s traditional gatekeepers and power brokers. For Sachs, digital space still has utopian promise, and he is determined to both explore and protect that potential. ‘NFT culture is DIY culture,’ he says. ‘Not since 1987, when I was exposed to the American hardcore punk scene, have I felt a greater sense of community and generosity. My strategy is just to do the best work I can in the space. That's all we can do.’
Tom Sachs, Perfect Budweiser Rocket, 2021
Tom Sachs, Perfect Hello Kitty Rocket, 2021
Tom Sachs, Through the Night Softly, 2021
Tom Sachs, Perfect Nikecraft Rocket, 2021
INFORMATION
Wallpaper* Design Awards 2022 winners feature in the February issue of Wallpaper*. Subscribe today!
Wallpaper* Newsletter + Free Download
For a free digital copy of August Wallpaper*, celebrating Creative America, sign up today to receive our daily digest of inspiration, escapism and design stories
-
‘Hedonistic and avant-garde’: Rabanne’s Julian Dossena on the legacy of the chainmail 1969 bag
Paco Rabanne’s 1969 chainmail handbag encapsulates the late designer’s futuristic, space-age style. Current creative director Julien Dossena tells Wallpaper* about the bag’s particular pleasures
By Jack Moss Published
-
Postcard from Paris: Olympic fever takes over the streets
On the eve of the opening ceremony of Paris 2024, our correspondent shares her views from the streets of the capital about how the event is impacting the urban landscape.
By Minako Norimatsu Published
-
The Mercury Prize nominees for 2024 have been revealed
Charli XCX, The Last Dinner Party and Beth Gibbons are amongst this year's nominees
By Charlotte Gunn Published
-
Harlem-born artist Tschabalala Self’s colourful ode to the landscape of her childhood
Tschabalala Self’s new show at Finland's Espoo Museum of Modern Art evokes memories of her upbringing, in vibrant multi-dimensional vignettes
By Millen Brown-Ewens Published
-
Wanås Konst sculpture park merges art and nature in Sweden
Wanås Konst’s latest exhibition, 'The Ocean in the Forest', unites land and sea with watery-inspired art in the park’s woodland setting
By Alice Godwin Published
-
Pino Pascali’s brief and brilliant life celebrated at Fondazione Prada
Milan’s Fondazione Prada honours Italian artist Pino Pascali, dedicating four of its expansive main show spaces to an exhibition of his work
By Kasia Maciejowska Published
-
John Cage’s ‘now moments’ inspire Lismore Castle Arts’ group show
Lismore Castle Arts’ ‘Each now, is the time, the space’ takes its title from John Cage, and sees four artists embrace the moment through sculpture and found objects
By Amah-Rose Abrams Published
-
Gerhard Richter unveils new sculpture at Serpentine South
Gerhard Richter revisits themes of pattern and repetition in ‘Strip-Tower’ at London’s Serpentine South
By Hannah Silver Published
-
Peter Blake’s sculptures spark joy at Waddington Custot in London
‘Peter Blake: Sculpture and Other Matters’, at London's Waddington Custot, spans six decades of the artist's career
By Hannah Silver Published
-
Oozing, squidgy, erupting forms come alive at Hayward Gallery
‘When Forms Come Alive: Sixty Years of Restless Sculpture’ at Hayward Gallery, London, is a group show full of twists and turns
By Hannah Silver Published
-
Barbara Kruger wins Best Thought-Provoker in Wallpaper* Design Awards 2024
‘Thinking of You. I Mean Me. I Mean You’ by Barbara Kruger at Serpentine Gallery, opening 1 February 2024, is a Wallpaper* winner
By Hannah Silver Published