The sparse setting of minimalist sculptor and conceptual artist Donald Judd’s Soho studio and home, filled with iconic works dating from the 1960s and on, may seem an unlikely spot to showcase monumental paintings by a leader of the pop art movement. However, with the Judd Foundation's new ‘James Rosenquist’ exhibition, five Rosenquist paintings and lithographs perfectly complement the cast iron building, built in 1870.
Judd was hardly a stranger to Rosenquist; they were not only neighbours, but they also shared the same dealer, the acclaimed Leo Castelli. Judd’s famed art collection included work by Rosenquist, Warhol and Lichtenstein, so pop was very much a part of his psyche.
Commanding centre stage is Rosenquist’s 1992 acrylic and oil Time Dust – Black Hole, which is a staggering 35 feet in length, with a grey, diamond dust-like background accented by lined up pencils, a soda can and even a satellite. Placed directly opposite is Judd’s own Victorian desk as well as classic designs, like his copper coffee table.
Close by is Rosenquist’s quixotic 1966 oil Yellow Applause. Cleverly concealed is a mechanism which, at the push of button, effortlessly slides the two-panelled canvas apart.
Flavin Judd, the Judd Foundation's co-president and curator, doesn't see the placement of Rosenquist’s oeuvre in his father’s studio as peculiar. ‘Art and architecture, both dealing with space, influence and effect each other. If a room or building is well designed the art looks better and is stronger, has more of a presence,’ he explains.
Judd was hardly a stranger to Rosenquist; they were not only neighbours, but they also shared the same dealer, the acclaimed Leo Castelli. Pictured top to bottom: Horse Blinders (east), 1972; Horse Blinders (west), 1972
Commanding centre stage is Rosenquist’s 1992 acrylic and oil Time Dust – Black Hole, which is a staggering 35 feet in length, with a grey, diamond dust-like background accented by lined up pencils, a soda can and even a satellite
Close by is Rosenquist’s quixotic 1966 oil Yellow Applause. Cleverly concealed is a mechanism which, at the push of button, effortlessly slides the two-panelled canvas apart
Flavin Judd notes, ‘Art and architecture, both dealing with space, influence and effect each other. If a room or building is well designed the art looks better and is stronger, has more of a presence’
INFORMATION
‘James Rosenquist’ is on view until 6 August. For more details, please visit the Judd Foundation's website
Photography: Sol Hashemi. Art © James Rosenquist
ADDRESS
Judd Foundation
101 Spring Street
New York, NY 10012
-
This surreal new seafood restaurant in LA is the stuff of mermaid's dreamsAt Cento Raw Bar, delectable fare is complemented by playful, oceanic interiors by Brandon Miradi
-
What’s new in the wearable world of smart glasses, and extended and augmented realityAre you ready for AR? Meta, Google, Snap and more are gearing up to compete with Apple and deliver frames-based communications devices – complete with AI integration
-
Italian-Japanese fusion’s a joy at east London’s Osteria AngelinaA Victorian warehouse in Spitalfields has been given a slick modern makeover to house a unique Italian-Japanese restaurant
-
Get lost in Megan Rooney’s abstract, emotional paintingsThe artist finds worlds in yellow and blue at Thaddaeus Ropac London
-
Kaari Upson’s unsettling, grotesque and seductive world in DenmarkThe Louisiana Museum of Modern Art in Denmark is staging the first comprehensive survey of late artist Kaari Upson’s work
-
Inside the brilliant and short career of Paul Thek: 'The goal was to live a creative existence as a maker – and he lived in a saint-like fashion'Paul Thek's paintings are now viewable at Thomas Dane Gallery in London, in an exhibition curated by Kenny Schacter and Jonathan Anderson.
-
Lubaina Himid and Magda Stawarska’s new show at Kettle’s Yard will uncover the missing narratives in everyday life storiesThe artists and partners in life are collaborating on an immersive takeover of Kettle’s Yard, Cambridge, in an exhibition that delves into a lost literary legacy
-
Photographer Geordie Wood takes a leap of faith with first film, DiversGeordie Wood delved into the world of professional diving in Fort Lauderdale for his first film
-
New book celebrates 100 years of New York City landmarks where LGBTQ+ history took placeMarc Zinaman’s ‘Queer Happened Here: 100 Years of NYC’s Landmark LGBTQ+ Places’ is a vital tribute to queer culture
-
A major Takashi Murakami exhibition sees the world in kaleidoscopic colourThe Cleveland Art Museum presents 'Takashi Murakami 'Stepping on the Tail of a Rainbow', exploring outrage and escapist fantasy
-
Cassi Namoda is rethinking stained-glass windows at Turner Contemporary in MargateThe artist drew from an eclectic range of references when considering the traditional medium for a Turner Contemporary window overlooking the beach – she tells us more
