Stefan Brüggemann at the Yvon Lambert, Paris
Trickling down the walls of Paris’s Yvon Lambert Gallery like text-based rising damp, for his latest, self-titled exhibition - London based artist Stefan Brüggemann has covered the entire space in his own, individual brand of wallpaper.
Repeating the phrase ‘Conceptual Decoration’ hundreds of thousands of times in 10 point Arial font, Brüggemann's repetitive wallpaper acts like a grown-up magic-eye, distorting the senses and making things appear that aren’t actually there.
See more of Brüggemann’s latest work
Something like repeating a word so often that it looses all meaning, the black of Brüggemann’s text against the endless white of the wallpaper deceives the eye into seeing little more than a greyscale dirge.
Whilst the installation – unsurprisingly titled Conceptual Decoration – is nothing if not nihilistic, there is also something refreshingly tongue-in-cheek about Brüggemann’s approach.
Born in Mexico City in 1975, Stefan Brüggemann lives and works between Mexico City and London. Famed for his text-based work, Brüggemann has been featured in several solo and group exhibitions across both Europe and the Americas.
ADDRESS
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
108 rue de Vieille-du-Temple
75003 Paris
-
Three sleek new design showrooms you need to see in Los Angeles
Three international design showrooms have started a retail design boom in Los Angeles. Here are the stores to put on your radar
By Carole Dixon Published
-
Brutalism in film: the beautiful house that forms the backdrop to The Room Next Door
The Room Next Door's production designer discusses mood-boarding and scene-setting for a moving film about friendship, fragility and the final curtain
By Anne Soward Published
-
How Leigh Bowery and the Blitz Kids defined 1980s subculture with make-up
As Leigh Bowery and the Blitz Kids of 1980s London are celebrated in a new exhibition at the Fashion and Textile Museum, Isobel Van Dyke explores the hair and make-up looks that defined them
By Isobel Van Dyke Published