Picnic paintings: Stevenson Gallery in Cape Town shows Deborah Poynton’s fantasy works
Launched yesterday at Cape Town's Stevenson Gallery 'Picnic' is South African artist Deborah Poynton’s eighth solo exhibition with the gallery.
Through a series of both paintings and drawings, the artist uses the picnic as a metaphor for exploring concepts of 'pleasure, containment and also freedom'. According to the Stevenson's Sinazo Chiya, the 'verdant scenes in secluded settings oscillate between hyperrealism and abstraction, underpainting and the unpainted; exposing the logic of their making and pointing to the illusory nature of the painted image'.
Poynton says, 'I have painted this series of "picnic paintings" because I like the idea that both picnics and paintings are fantasies about pleasure. A picnic can be an allegory for a perfect, imaginary place where beauty and pleasure abound. A painting is the same; a self-conscious framework, a way of being contained, while also tasting a bit of freedom.
'We lay down a blanket, staking out a piece of ground, and nature becomes less formless and meaningless in our eyes; it starts making sense as a backdrop to human existence. The edges of the blanket are the borders of our territory. From within those borders we feel secure enough to admire the landscape,' Poynton explains. 'I feel like paintings do the same thing for us. Inside their four edges, formlessness becomes form. Paintings show us to ourselves, in relation to the world.'
Besides the show in Cape Town, the Stevenson Gallery will also be showing Poynton’s work at the FNB Joburg Art Fair from 9–11 September.
The renowned lansdcape artist diverges somewhat from her usual style, with nudes, sketches and abstract impressions. Pictured: Fête Galante 1, 2016
Poynton says, ’I have painted this series of "picnic paintings" because I like the idea that both picnics and paintings are fantasies about pleasure. A picnic can be an allegory for a perfect, imaginary place where beauty and pleasure abound.’ Pictured: By the Sea 4, 2016
INFORMATION
’Deborah Poynton: Picnic’ is on view until 8 October. For more information, visit the Stevenson Gallery website
ADDRESS
Stevenson Gallery
Buchanan Building
160 Sir Lowry Road
Woodstock 7925
Cape Town
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Daniel Scheffler is a storyteller for The New York Times and others. He has a travel podcast with iHeart Media called Everywhere and a Substack newsletter, Withoutmaps, where he shares all his wild ways. He lives in New York with his husband and their pup.
-
Lighting designer Andi Watson on creating Mitski’s sculptural stage for 'The Land'In Mitski’s live show and new concert film, a single beam of light becomes her dance partner. Lighting designer Andi Watson discusses turning shadow, movement and restraint into the architecture of feeling
-
Making mirrors with A Vibe Called Tech, the collective democratising designLast week, Wallpaper* Paris Editor Amy Serafin spent a day with a group of creatives led by Julie Richoz, making mirrors: here's what went down (and how to make your own)
-
A postcard from We Design Beirut: 'We’re learning how to break barriers and create dialogue'The second edition of We Design Beirut celebrated design, architecture, heritage and creativity
-
‘Sit, linger, take a nap’: Peter Doig welcomes visitors to his Serpentine exhibitionThe artist’s ‘House of Music’ exhibition, at Serpentine Galleries, rethinks the traditional gallery space, bringing in furniture and a vintage sound system
-
Classic figurative painting is given a glamorous and ghostly aura by Polish artist Łukasz StokłosaThe gothic meets the glamorous in Stokłosa’s works, currently on show at London’s Rose Easton gallery
-
What's the story with Henni Alftan’s enigmatic, mysterious paintings? The artist isn’t sayingParis-based artist Henni Alftan's familiar yet uncanny works are gloriously restrained. On the eve of a Sprüth Magers exhibition in Berlin, she tells us why
-
Home again: the artists reframing the domestic worldThe humble home has fascinated artists for hundreds of years. But what, exactly, is the appeal? Artists including Andrew Cranston, Cece Philips and Do Ho Suh on magic in the mundane
-
From art to fashion, and back again: Jonathan Schofield’s figurative work is back in styleAfter graduating from London’s Royal College of Art, Jonathan Schofield began a career as a creative director at Stella McCartney. Now, he has returned to his first love, painting
-
Rolf Sachs’ largest exhibition to date, ‘Be-rühren’, is a playful study of touchA collection of over 150 of Rolf Sachs’ works speaks to his preoccupation with transforming everyday objects to create art that is sensory – both emotionally and physically
-
After decades capturing the world’s fashion-set, photographer Johnny Rozsa picks up a paint brushIn his first exhibition of paintings, the New York-based artist celebrates the vibrancy of Tangier while rediscovering a familiar creative outlet
-
Leila Bartell’s cloudscapes are breezily distorted, a response to an evermore digital world‘Memory Fields’ is the London-based artist’s solo exhibition at Tristan Hoare Gallery (until 25 July 2025)