Olafur Eliasson’s climate-centric show takes Tate by storm
The Danish-Icelandic artist’s summerlong Tate Modern takeover begins with far-reaching retrospective and Terrace Bar treats
Bowlfuls of carbon-conscious, seasonal, and vegetarian fayre greet guests gathered for ‘Olafur Eliasson: In Real Life’ at Tate Modern’s Terrace Bar. If you’ve come to get closer to the globally recognised star-artist, to understand him ‘IRL', breaking bread is the place to start.
These bowls go deep. They represent Studio Olafur Eliasson’s message – of sustainability, community and experimentation – in its most elemental form. The Berlin studio (which comprises craftsmen, architects, archivists, filmmakers, administrators, cooks), is famed for its communal approach, typified by the daily lunches, cooked and eaten family-style on long benches. Think wholemeal sourdough and beet soup for the soul.
The Presence of Absence, by Olafur Eliasson, installation view at Tate Modern
The exhibition packs bellyfuls in. A 39m corridor of dense fog; 450 models, prototypes, and geometrical studies from the artist’s studio; a huge wall of reindeer moss from Finland – it’s an ambitious mesh of Eliasson’s three-decade long exploration of (among other things) climate change.
RELATED STORY
Outside, a dramatic Waterfall (2019) installation measures over 11m in height, with its exoskeleton of pumps and pipes on display. It’s positioned not far from where Ice Watch (an installation of glacial ice from Greenland) stood in December 2018, in a poignant curatorial decision that reflects the fragility of melting ice caps. Inside, the theme ruminates. One of the quieter exhibits, a series of photographs of Iceland’s glaciers taken by the artist in 1999, will be replaced in the autumn by a new artwork that incorporates the old series alongside photos taken 20 years on, illustrating the changes in this landscape that are happening now.
In a continuation of his Tate takeover – which, for the institution, no doubt presents exciting opportunities to replicate the blinding success of Eliasson's glowing sun, that attracted more than two million people in 2003 – a city of white Lego will be dropped into the Turbine Hall later this month, upon which visitors can unleash their inner architect.
Waterfall, 2019, by Olafur Eliasson, installation view outside Tate Modern. Photography: Anders Sune Berg.
Terrace Bar food menu, developed with Studio Olafur Eliasson
Moss wall, 1994, by Olafur Eliasson, installation view at Tate Modern, 2019. Photography: Anders Sune Berg. Courtesy of the artist; neugerriemschneider, Berlin; and Tanya Bonakdar Gallery, New York / Los Angeles. © 1994 Olafur Eliasson
Cold wind sphere, 2012, by Olafur Eliasson, installation view at Tate Modern, 2019. Photography: Anders Sune Berg. Gift of the Clarence Westbury Foundation, 2013. Centre Pompidou, Musée national d’art modern, Centre de creation industrielle, Paris. © 2012 Olafur Eliasson.
INFORMATION
‘Olafur Eliasson: In Real Life’, until 5 January 2020, Tate Modern. tate.org.uk
ADDRESS
Tate Modern
Bankside
London SE1 9TG
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Elly Parsons is the Digital Editor of Wallpaper*, where she oversees Wallpaper.com and its social platforms. She has been with the brand since 2015 in various roles, spending time as digital writer – specialising in art, technology and contemporary culture – and as deputy digital editor. She was shortlisted for a PPA Award in 2017, has written extensively for many publications, and has contributed to three books. She is a guest lecturer in digital journalism at Goldsmiths University, London, where she also holds a masters degree in creative writing. Now, her main areas of expertise include content strategy, audience engagement, and social media.
-
Remembering Valentino Garavani, master of Italian glamour (1932-2026)‘The Last Emperor’ of fashion has passed away aged 93, it has been announced by his eponymous foundation today (19 January 2026). He will be remembered for his expressive vision of Roman glamour and cinematic muses
-
The design reissues we loved from Paris Design WeekWe bring you the best contemporary interpretations of historic design, fresh from Paris Design Week 2026
-
Martin Kuczmarski’s new London restaurant is made for long lunches and late nightsFrom the founder of The Dover comes Martino’s: a softly lit Italian trattoria in Sloane Square, where appetite, atmosphere and romance are inseparable
-
'I have always been interested in debasement as purification': Sam Lipp dissects the body in LondonSam Lipp rethinks traditional portraiture in 'Base', a new show at Soft Opening gallery, London
-
Out of office: The Wallpaper* editors’ picks of the weekThis week, the design year got underway with Paris’ interiors and furniture fair. Elsewhere, the Wallpaper* editors marked the start of 2026 with good food and better music
-
What do creatives pin to their walls? Artists from Tracey Emin to Michael Stipe reveal allAn exhibition at Incubator gallery, London, asks 45 creatives what is tacked to their studio walls – here are some of their pin-ups
-
Wallpaper* Design Awards: meet Klára Hosnedlová, art’s Best DreamscaperThe immersive worlds that the Czech artist creates make her a worthy Wallpaper* Design Award 2026 winner; she speaks to us ahead of her first show at White Cube, London
-
Out of office: The Wallpaper* editors’ picks of the week'Tis the season for eating and drinking, and the Wallpaper* team embraced it wholeheartedly this week. Elsewhere: the best spot in Milan for clothing repairs and outdoor swimming in December
-
Out of office: The Wallpaper* editors’ picks of the weekFar from slowing down for the festive season, the Wallpaper* team is in full swing, hopping from events to openings this week. Sometimes work can feel like play – and we also had time for some festive cocktails and cinematic releases
-
The Barbican is undergoing a huge revamp. Here’s what we knowThe Barbican Centre is set to close in June 2028 for a year as part of a huge restoration plan to future-proof the brutalist Grade II-listed site
-
Out of office: The Wallpaper* editors’ picks of the weekIt’s wet, windy and wintry and, this week, the Wallpaper* team craved moments of escape. We found it in memories of the Mediterranean, flavours of Mexico, and immersions in the worlds of music and art