It's hard not to feel a little uneasy taking in the cracked, queasy shapes that comprise Arnaldo Pomodoro's sculptures. The Italian's works – resplendent in burnished bronze – are highly intricate and imposingly tactile, their torn, split forms as redolent of the retro-fitted and hellish futurescapes of Giger, Blade Runner and Clive Barker's Hellraiser – to a certain kind of Millennial audience, at any rate – as they are referential of the anachronistic mysticism and architecture the artist has confirmed as influences. It's beguiling stuff.
Thirty-five of these are on display as a new show – 'Arnaldo Pomodoro' – opening today at London's Tornabuoni Art. Pomodoro's first London showing in 50 years, the exhibition is a retrospective spanning half a century and encompassing early explorations in the interpretation of language and signs (such as 1960's Grande Tavola die Segni, via which the artist conveys a 'secret language, full of poetic myths and personal symbolism'); his reconstitutions of the themes and theories of Fontana's mid-century spatialist art movement; and more contemporary works, such as the exploded spheres of Sfera and Disco (2013 and 2014), the piercing shard of Senza titolo, 2015, and the densely packed half-hieroglyphs of 2010's Continuum series.
Sfera is a particularly pointed example of Pomodoro's embrace of spatialism – first pursued in the 1950s and the reason for which the artist has made embellished geometric forms the core of his creative practice ever since. Cracked open by 'a delirious succession of fragments searching for order' to reveal an inorganic core (or 'nucleus'), the work is a reflection of the movement’s demands in breaking the perfect surface of an artwork to locate the possibilities therein.
'After the success of the ground-breaking retrospective of Arnaldo Pomodoro in our Paris gallery in 2009, we couldn’t wait to bring these sculptures to London,' says Ursula Casamonti, Tornabuoni Art's director. 'In this ambitious sculptural exhibition we wanted to show a different side of spatialist research to the work that was presented within our inaugural Lucio Fontana retrospective.'
The Italian’s works – resplendent in burnished bronze – are highly intricate and imposingly tactile, referential of anachronistic mysticism and architecture. Pictured left: Grande Tavola dei Segni, 1961–62. Right: Cronaca 3 Ugo Mulas, 1976
Over two floors, the show includes early explorations in the interpretation of language and signs; Pomodoro’s reconstitutions of the themes of Fontana’s mid-century spatialist art movement; and more contemporary works
Sfera, 2013, is a particularly pointed example of Pomodoro’s embrace of spatialism; cracked open to reveal an inorganic core, the work’s surface is seemingly ruptured to reveal the nucleus
’After the success of the ground-breaking retrospective of Arnaldo Pomodoro in our Paris gallery in 2009, we couldn’t wait to bring these sculptures to London,’ says Ursula Casamonti, Tornabuoni Art’s director
Pictured left: Disco, 2014. Right: Disco concavo, 2011
INFORMATION
’Arnaldo Pomodoro’ is on view until 16 April. For more information, visit Tornabuoni Art’s website
Photography: Prudence Cuming. Courtesy Tornabuoni Art London
ADDRESS
Tornabuoni Art London
46 Albemarle Street
London, W1S 4JN
-
The new CLA brings Mercedes's all-electric know-how to a new market sectorMixing high tech moves with tremendous tactile qualities, the buttery smooth new Mercedes-Benz CLA is an electric winner. Wallpaper* drives across Denmark in a triumphant new car with a three-pointed star
-
Collagerie and Zara Home debut perfectly imperfect furniture and accessoriesLucinda Chambers’ Collagerie collaborates with Zara Home on a collection that is an ode to the everyday
-
‘A beginning is a dialogue’: Simone Bellotti reveals a first glimpse of his vision for Jil Sander with an EP and music videoTitled ‘Wanderlust’, the music video and EP is a collaboration with Bochum Welt, signalling an esoteric start to Simone Bellotti’s tenure at the house before his runway debut later this year
-
Rolf Sachs’ largest exhibition to date, ‘Be-rühren’, is a playful study of touchA collection of over 150 of Rolf Sachs’ works speaks to his preoccupation with transforming everyday objects to create art that is sensory – both emotionally and physically
-
Architect Erin Besler is reframing the American tradition of barn raisingAt Art Omi sculpture and architecture park, NY, Besler turns barn raising into an inclusive project that challenges conventional notions of architecture
-
Shop the gloriously mad inner workings of Gary Card’s brain in London’s SohoSet designer and artist Gary Card has taken over London's Plaster Store – expect chaos and some really good accessories
-
Meet the New York-based artists destabilising the boundaries of societyA new show in London presents seven young New York-based artists who are pushing against the borders between refined aesthetics and primal materiality
-
Leila Bartell’s cloudscapes are breezily distorted, a response to an evermore digital world‘Memory Fields’ is the London-based artist’s solo exhibition at Tristan Hoare Gallery (until 25 July 2025)
-
A bespoke 40m mixed-media dragon is the centrepiece of Glastonbury’s new chill-out areaNew for 2025 is Dragon's Tail – a space to offer some calm within Glastonbury’s late-night area with artwork by Edgar Phillips at its heart
-
Emerging artist Kasia Wozniak’s traditional photography techniques make for ethereal imagesWozniak’s photographs, taken with a 19th-century Gandolfi camera, are currently on show at Incubator, London
-
Vincent Van Gogh and Anselm Kiefer are in rich and intimate dialogue at the Royal Academy of ArtsGerman artist Anselm Kiefer has paid tribute to Van Gogh throughout his career. When their work is viewed together, a rich relationship is revealed
