A new show marrying the work of German artist, Gerhard Richter, with that of seven other international artists is now on at the Centro di Cultura Contemporanea Strozzina (CCCS), in Florence's Palazzo Strozzi.
The exhibition, entitled 'Gerhard Richter and the disappearance of the image in contemporary art', is an elegant exposition of Richter's deep mistrust of the photographic image.
Featuring 12 of Richter's blurred photo and abstract paintings - alongside the artist's only ever video work - the pieces have been placed in direct dialogue with work by seven artists including Wolfgang Tillmans, Antony Gormley, Roger Hiorns and Xie Nanxing - all of whom share Richter's anxieties regarding the relationship between object and representation.
Richter, best known for his paintings made directly onto photographs, is one of the most internationally sought after living contemporary artists. The exhibition, pulled together by the CCCS and Hamburger Kunsthalle, features a swirling site-specific sculpture from Gormley, a series of photocopy paintings by American artist Scott Short and smokey works on photographic paper by Tillmans, alongside Richter's own, distinctive painterly pieces.
The CCCS opened in 2007 within Florence's Palazzo Strozzi, as part of a bid to establish a new creative space for the citizens of the city, and tourists in the know. Alongside the Richter exhibition, the recently renovated café and bookstore are also well worth a visit.
The café is a branch of the Roberto Cavalli-owned Caffé Giacosa (managed by Cavalli's neice Lucilla), which has a proud Florentine history, being one of the oldest establishments in the city. This year the Palazzo Strozzi branch plays host to a new, high-design installation of curved wooden benches by Berlin-based artist Markus Bader, who also installed 'Venti Volte' - a lighting sculpture made entirely of Panton chairs - back in 2009.
The design and bookshop, opened in late 2009, was designed by Florentine architect Claudio Nardi, and boasts anthracite-coloured, sgrafitti-coated walls, alongside a range of specially designed showcases featuring treats such as Nymphenburg porcelain and glassware from Lobmeyr. The shop also unveiled a reading room and a small exhibition space for contemporary photography and illustration, earlier this year.
’Canaletto’ by Gerhard Richter, 1990. Courtesy of Collection Böckmann and Hamburger Kunsthalle.
’Untitled’ by Lorenzo Banci, 2005. Courtesy of private collection and the artist.
’Pile Up’ by Marc Breslin, 2008-2010. Courtesy of the artist.
’Clearing V’ by Antony Gormley, 2009. copyright the artist.
’Untitled no. 1’ by Xie Nanxing, 2006.
’Untitled’ by Roger Hiorns, 2006.
Untitled’ by Scott Short, 2009. Courtesy of Cardi Black Box, Milan.
’Freischwimmer 42’ by Wolfgang Tillmans, 2008. Courtesy of Collezione Nunzia e Vittorio Gaddi.
The Palazzo Strozzi, Florence.
An interior shot of the Palazzo Strozzi’s design and bookshop, designed by Florentine architect, Claudio Nardi.
The Claudio Nardi-designed bookshop.
The interior of the Caffé Giacosa featuring Markus Bader’s lighting installation, ’Venti Volte’.
ADDRESS
Centre for Contemporary Culture Strozzina
Palazzo Strozzi
50123 Florence
Italy
-
Robert Therrien's largest-ever museum show in Los Angeles is enduringly appealing'This is a Story' at The Broad unites 120 of Robert Therrien's sculptures, paintings and works on paper
-
The Wallpaper* style team recall their personal style moments of 2025In a landmark year for fashion, the Wallpaper* style editors found joy in the new – from Matthieu Blazy’s Chanel debut to a clean slate at Jil Sander
-
Tokyo’s most cinematic stay reopens as an exercise in architectural self-controlPark Hyatt Tokyo and Studio Jouin Manku demonstrate how design can evolve without erasing memory, balancing modernist heritage with contemporary comfort
-
Gerhard Richter unveils new sculpture at Serpentine SouthGerhard Richter revisits themes of pattern and repetition in ‘Strip-Tower’ at London’s Serpentine South
-
Guggenheim Bilbao offers new perspectives on Gerhard Richter’s seascapes -
Capitalist realism: Polke and Richter are right on the money in Trondheim showA recent show of graphic German works is right on the money at Trondheim Kunstmuseum
-
Full-spectrum: Gerhard Richter’s Colour Charts at Dominique Lévy
