Frieze Art Fair 2011, London
Economic doom and gloom may be swirling overhead, but during the Frieze Art Fair wealth, glamour and decadence still reign supreme. At the VIP opening, fat-walleted, fashioned-up collectors queued in droves to get in and scope out the 173 galleries and their artworks, which, as always, ranged from incredible to inscrutable, to downright annoying.
See more of our highlights from the Frieze Art Fair 2011
What to make of the swirling umbrellas placed on upside-down zebra print wallpaper designed 'in homage to famous new York restaurant Gino' by Alex Zachary? How to respond to Andra Ursuta's 'bog body'- a life-size sculpture of herself dragged from a marsh and covered in splodges of silicone to represent semen? A little goes a long way at Frieze; its size guarantees sensory overload, but straightforwardly beautiful pieces such as Doh Ho Su's fabric sculptures of doorknobs, pipes and lightswitches, or Carsten Nicolai's tableaux at Galerie Eigen+Art provide anchors in the storm.
yacht could be bought either as a boat or an artwork, depending on how much you were willing to pay for it, and had men clustering to take their picture next to it. Though it was meant as a symbol 'to open wide the structures behind selling art' in the words of the artist, it felt more Ideal Home Show than art show. Less oblique was Michael Landy's Credit Card Destroying Machine, first shown, remarkably, in the Louis Vuitton store in Bond Street last year. You put in your card and receive a signed drawing.
Now in its ninth year, the fair is as buoyant as ever, if a little more conservative than in previous years, and 2012 will see a sister event in New York and an additional Frieze Masters fair in London, dealing in artworks made before 2000. At the Frame part of the show, in which 24 young galleries exhibit one artist, curators whispered that South American artists especially those from Brazil and Argentina, are the ones to watch.
The ripple effect created by Frieze means galleries across town pull out all the stops to woo collectors, and a host of excellent shows, among them Ahmed Alsoudani at Haunch of Venison, run long after the tent has gone. Opportunists too, pitch in; on the south side of the Regents Park, a strip of John Nash terraces have been converted into millionaires pads with price tags of up to £45m. During Frieze, one mansion is turned into a temporary gallery of works from private collections for a show called The House of the Nobleman. Around 700 guests sashayed across the park to the opening party - and this time it wasn't art they were after.
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Galerie Eigen+Art dedicated its whole stand to Carsten Nicolai
More by Carsten Nicolai
Michael Riedell at the David Zwirner stand
Untitled work by Isa Genzken at David Zwirner
Untitled (tondo) by Jason Martin at the Lisson Gallery stand
Detail view of Untitled (tondo) by Jason Martin
Untitled by Anish Kapoor at Lisson Gallery
'Self Portrait I' by Ryan Gander at Lisson Gallery
'Modern Tower' by Julian Opie at Lisson Gallery
'Gate' by Dirk Bell at the Sadie Coles HQ stand
'Something Changed Raymond' by Sarah Lucas at Sadie Coles HQ
'Solar Catastrophe' by Jennifer Allora and Guillermo Calzadilla at the Galerie Chantal Crousel stand
Detail of the work, made from broken solar cells on canvas
'30 pieces of silver' by Cornelia Parker at the Frith Street Gallery stand
'Wasserregal' by Nicole Wermers at Herald St gallery
'Parking garage' by Rita McBride at the Mai 36 Galerie Zurich stand
'If 3' by Roni Horn at Hauser & Wirth
'August 6, 1945' by Matthew Day Jackson at Hauser & Wirth
Detail of Day Jackson's piece, made from burnt wood and lead
'White Earth' by Reyle Anselm at the Gagosian Gallery stand
Untitled (Pray) by Barbara Kruger at the Sprueth Magers stand
'What is produced' by Liam Gillick at the Maureen Paley stand
'Freischwimmer 190' by Wolfgang Tillmans at Maureen Paley
Sculpture by Abraham Cruzvillegas at the Kurimanzutto stand
'Crush' by Andra Ursuta at the Ramiken Crucible gallery in the Frame area of Frieze
The Box Gallery from LA reignites the work of Judith Bernstein
Artist Patrick Jackson describes the figures in his 'Head, Hands and Feet' artwork as characters 'who are part Charles Manson, part hippy'
Paul Johnson's sculpture for Ancient & Modern took three days to install on site using papier mache and tyres
'Plane' by Nick Relph at the Standard Oslo stand
Alex Zachary's installation at the Ken Okiishi stand
A sculpture of cucumbers and Perpsex by Martha Friedman at the Wallspace Gallery stand
From left: works by Callum Innes and Tommy Grace at the Ingleby Gallery stand
Blue lightbulbs by Katie Paterson at Ingleby Gallery
Pieces by Alex Isreal at the Peres Projects stand
Michael Landy's 'Credit Card Destroying Machine' crushes Frieze vistors' cards in exchange for a signed drawing
Three works from the late Romanian artist Florin Mitroi at the Johnen Galerie stand
A series of works by David Shrigley at the Yvon Lambert gallery stand
Nick van Woert's boxes filled with waste matter piece at Yvonne Lambert is called 'Not Yet Titled'
Ivan Navarro's work at the Paul Kasmin gallery stand
Land artist Roger Ackling uses a magnifying glass to burn the wood in his Voewood sculptures at the Annely Juda gallery stand
More by Roger Ackling
Claude Rutault reproduces the evolution of Mondrian's 'New York Boogie Woogie'
'Norman Foster' by Xavier Veilhan at the Galerie Perrotin stand
Tatiana Trouvé at Galerie Perrotin
Tatiana Trouvé at Galerie Perrotin
Elmgreen & Dragset's untitled piece suggests a woman in a morgue
Detail of the Elmgreen & Dragset piece at Galerie Perrotin
Artist Marianne Vitaly has reproduced in minute detail IBID Project's original exhibition space for the gallery's Frieze stand
A work by Anthea Hamilton at IBID Projects
The 'Nemesis' by Muntean/Rosenblum turns Galerie Georg Kargl's stand into a house and garden...
... complete with a picket fence
Doh Ho Su's fabric sculptures of doorknobs, pipes and lightswitches
Doh Ho Su's fabric sculptures of doorknobs, pipes and lightswitches
A work by by Lucy Williams at the Timothy Taylor Gallery stand
A work by by Lucy Williams at Timothy Taylor Gallery
'Icon' by Will Ryman in the sculpture park in Regent's Park
On the south side of the Regents Park, a strip of John Nash terraced houses has been converted into millionaires pads with price tags of up to £45m. During Frieze, one mansion has been turned into a temporary gallery of works from private collections in a show called the House of the Nobleman. Pictured here is a Yves Klein sculpture on Fredrickson Stallard table
Damien Hirst 'Who's Afraid of Red Yellow and Blue' at The House of the Nobleman exhibition
Untitled by Ahmed Alsoudani, on show at the Haunch of Venison in Mayfair
Untitled by Ahmed Alsoudani, on show at the Haunch of Venison
Untitled by Ahmed Alsoudani, on show at the Haunch of Venison
Untitled (brown) from the 'Hostage' series by Alex Hoda at 20 Projects
Untitled (plum) from the 'Hostage' series by Alex Hoda at 20 Projects
Peter Mallet
The Wendy Mayer piece at the Future Can Wait show in Victoria House, Bloomsbury Square, has been purchased by Charles Saatchi
The White Cube chose Frieze week to launch its third London gallery in a 1970s warehouse on Bermondsey Street. Retrofitted by Casper Mueller Kneer Architects, the building's 780sq m South Galleries opens with ‘Structure & Absence', a group show that uses the Chinese concept of a scholar's rock as a motif. It features several veterans of White Cube and Frieze alike: Andreas Gursky, Brice Marden, Sterling Ruby, Gabriel Orozco and Damien Hirst
courtesy of White Cube
In Room I, Gary Hume's 'Pink Brown Smoke' paintings flank his 'Green and Green Brown Smoke' on one wall. On the far wall are works by Sterling Ruby. Pedestals in the centre of the space feature two scholar's rocks
courtesy of White Cube
Berlin-based artist Kitty Kraus shows her installation of mirrored light boxes as part of ‘Inside the White Cube', an exhibit located in White Cube Bermondsey's North Galleries
courtesy of White Cube
Colour field paintings with digital-print overlays by Romanian-born artist Marieta Chirulescu, also shown as part of 'Inside the White Cube'
courtesy of White Cube
Thomas Dane's new, raw space at 3 Duke Street, a minute's walk from his original gallery at number 11, has also launched during Frieze, inaugurated by the monochrome works by Albert Oehlen. The house in St James', London, was entirely redesigned by architect David Kohn
Oehlen's exhibition of large-scale drawings, 'Painthing on the Möve', runs until 19 November
Emma O'Kelly is a freelance journalist and author based in London. Her books include Sauna: The Power of Deep Heat and she is currently working on a UK guide to wild saunas, due to be published in 2025.
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