It’s no surprise that photographer Christopher Griffith has a doctorate in genetic engineering. His latest series, Blown, examines a peculiarly mundane subject - discarded tyres - as you’ve never seen them before.
The coiled black shreds of ripped rubber, stark and strangely beautiful against a clear white background, resemble more closely strands of animal DNA or magnified muscle fibre than stray bits of junk left by the side of the road.
Griffith’s impressive portfolio of work spans the gamut of photographic endeavour, from fashion and architecture to still life, advertising and portraiture. He’s also had a long relationship with Wallpaper*, shooting helicopters for us back in 2000 (W*28) and BMW concept cars last October (W*103).
His photography is vivid and visually precise, and his non-commissioned work tends to focus on subjects that might otherwise attract little attention (power lines in Tokyo and autumn leaves, for example). This latest series is no exception, inviting us to re-examine the familiar in stunning form.
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Rediscover a classic midcentury hotel in SydneyFender Katsalidis leads a major renovation of the landmark Sofitel Sydney Wentworth hotel, pairing 1960s modernism with an elevated, Australian-minded reset
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Haute Couture Week A/W 2025: what to expectFive moments to look out for at Haute Couture Week A/W 2025 in Paris (starting Monday 7 July), from Glenn Martens’ debut for Maison Margiela to Demna’s Balenciaga swansong. Plus, ‘new beginnings’ from JW Anderson
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Inside Frank Lloyd Wright’s Laurent House – a project built with accessibility at its heartThe dwelling, which you can visit in Illinois, is a classic example of Wright’s Usonian architecture, and was also built for a client with a disability long before accessibility was widely considered
