It’s no surprise that photographer Christopher Griffith has a doctorate in genetic engineering. His latest series, Blown, examines a peculiarly mundane subject - discarded tyres - as you’ve never seen them before.
The coiled black shreds of ripped rubber, stark and strangely beautiful against a clear white background, resemble more closely strands of animal DNA or magnified muscle fibre than stray bits of junk left by the side of the road.
Griffith’s impressive portfolio of work spans the gamut of photographic endeavour, from fashion and architecture to still life, advertising and portraiture. He’s also had a long relationship with Wallpaper*, shooting helicopters for us back in 2000 (W*28) and BMW concept cars last October (W*103).
His photography is vivid and visually precise, and his non-commissioned work tends to focus on subjects that might otherwise attract little attention (power lines in Tokyo and autumn leaves, for example). This latest series is no exception, inviting us to re-examine the familiar in stunning form.
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A first look inside the new Oxford Street Ikea. Spoiler: blue bags and meatballs are includedThe new Oxford Street Ikea opens tomorrow (1 May), giving Londoners access to the Swedish furniture brand right in the heart of the city
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For the 2025 Eurovision theme art, Swiss design principles get a glow-upLondon-based branding agency NOT Wieden+Kennedy marries graphic design history and exuberance in its theme art for this year's song contest
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Ten low-pro sneakers that capture footwear’s new streamlined moodSuper-flat soles, narrowed silhouettes: the low-profile sneaker is this season’s defining footwear style. Here, the Wallpaper* style team selects its favourites
