An exhibition of images by 58 ÉCAL photography students opens this weekend at the Carla Sozzani gallery in Milan. It is accompanied by a handsome 300-page book, 'ÉCAL Photography', edited by the Swiss art and design school's director Alexis Georgacopoulos, curator Nathalie Herschdorfer, and Milo Keller, ÉCAL's head of bachelor photography. It includes interviews with visiting artists and photographers including Paolo Roversi, Maurice Scheltens, Adam Broomberg and Jason Evans. It is a kind of case for the defence.
Photography is in something of crisis. It has become an everyday, all-the-time medium. Everyone does it. And even if you're a stranger to f stops, you can crop, add a border and a vintagey wash and suddenly those snaps look pretty cool. Or you can let Hipstamatic do all that for you.
As ÉCAL director Alexis Georgacopoulos acknowledges in his intro to 'ÉCAL Photography', this democratisation and de-skilling, and the growth of social network 'galleries', even raises questions about photography's place in the 'academy'. 'If anybody can produce images, often manipulated and embellished by the magic of automatic retouching software, should we still be teaching this art at degree level?' he asks. 'Shouldn't we let everybody create their own iconographic culture, take an empirical approach to learning techniques for themselves, share their own images on the web…gauge the quality of the images by how many likes they get?'
The book and the exhibition is the counter argument, 'a new statement at a time when the stakes have been raised'. You don't become this good and interesting by posting on Instagram. Photography students, he argues, 'have the right to make mistakes, but also the right to be corrected.' The exhibition is a defence of academic rigour in the face of rampant amateurism.
Images from the 'Sans titre' series, by Priscilla Saada, 2011
From the 'Watch It' series, by Tiphanie Mall, 2013
From the 'Curioso' series, by Olga Cafiero, 2009
From the 'Séduction' series, by Cyril Porchet, 2009
From the 'Objets' series, by Armand Yerly, 2012
From the 'La vallé' series, by Jennifer Niederhauser Schlup, 2012
From the 'Maldoror' series, by Jean-Vincent Simonet, 2013
From the 'Ekaterina' series, by Romain Mader, 2012
'Teenagers', 2011, (left) and 'Prélaz', 2011 (right), by Tristan Savoy
From the 'Sans titre' series, by Jimmy Rachez, 2013
From the 'Berry Blossoms Blue and an Errand' series, by Alexia Cayre, 2011
From the 'Ya Kala Ben' series, by Namsa Leuba, 2011
From the 'Promised Land' series, by Douglas Mandry, 2013
-
Frieze London 2025: all the fashion moments to look out forThe best fashion happenings to add to your Frieze London 2025 schedule, from Dunhill’s curation of talks at Frieze Masters to an exhibition of furniture by Rick Owens
-
Artists reflect on Kate Bush lyrics for a War Child auctionPeter Doig and Maggi Hambling are among artists interpreting Kate Bush’s 1985 track ‘Running Up That Hill’ for War Child’s online auction
-
Explore Tom Kundig’s unusual houses, from studios on wheels to cabins slotted into bouldersThe American architect’s entire residential portfolio is the subject of a comprehensive new book, ‘Tom Kundig: Complete Houses’
