At a time when London’s art institutions and galleries are tentatively coming back to life indoors, the Breath is Invisible public art project is taking urgent discourse on social injustice and inequality to the outdoor stage.
The three-month long initiative was founded by London-based patron and businesswoman Eiesha Bharti Pasricha and is curated by Sigrid Kirk. Kirk, who is co-founder of the Association of Women in the Arts, explains how the project was conceived from an urgent need to address issues of social inequality in London that have been exacerbated since the outbreak of coronavirus.
The project's West London location is particularly significant; its community has endured a great deal of trauma and change in recent years, namely the tragic Grenfell Tower fire in 2017 and the cancellation of Notting Hill Carnival this year – one of the city's biggest cultural events, which celebrates Caribbean cultures and beyond – for the first time in its history.
Khadija Saye, in this space we breathe, at Breath is Invisible, 2020, Installation view. Image courtesy of the Estate of Khadija Saye.
Breath is Invisible's first exhibition, which ran from 7 July - 7 August, saw the 236 Westbourne Grove location host nine powerful prints on its exterior walls by late British-Gambian artist, Khadija Saye. The monochrome silkscreen print series titled, in this space we breathe, spoke about the migration of traditional Gambian spiritual practices and honoured the artist, who, aged just 24, was a victim of the devastating Grenfell Tower fire. This first installation marked the launch of the Khadija Saye IntoArts programme, which confronts the lack of diversity in the UK arts sector by providing opportunities for young people from ethnic minority backgrounds and disadvantaged communities across the country.
The second instalment of the series, to be invisible, sees the building’s facade adopt an emotive and immersive soundscape and digital rendering. The windows of the building will be lit up with artists Martyn Ware and Zachary Eastwood-Bloom’s projections, which act as a visual and aural experience responding to the Black Lives Matter movement. The piece comprises a 3D rendering featuring actor Haroun Yamou, accompanied by a soundscape inspired by Curtis Mayfield’s song To Be Invisible layered on top of an audio contribution from the young musicians of Amplify Studios, which champions young creative talent. Some of the sounds sampled include birdsong, buses passing by, protestors, sirens and a heartbeat.
Above and below: to be invisible, Martyn Ware and Zachary Eastwood-Bloom, soundscape and 3D generative video, 2020
Eastwood-Bloom, who originally trained as a sculptor, has specialised in 3D technology for the last decade. For this installation, he has taken a 3D scan of Haroun Yamou and used bio-feedback from the composition to create a generative digital 3D rendering. Martyn Ware, who is considered a pioneer in sonic muralism and expert in immersive design, created the soundscape with the aim of conveying an emotional state of the body. The emotive lyrics are intended to create a ‘fever dream’, a sort of meditative experience communicating the psychological effects of racism through sound and vision to all who pass by.
Next month, the third and final installation, Invisible Life Force of Plants, will see the photographer and artist Joy Gregory’s prints take to the building's walls, exploring the narrative and origins of plants and their relationships with humans and ecology.
to be invisible, Martyn Ware and Zachary Eastwood-Bloom, soundscape and 3D generative video, 2020. Soundscape composed and arranged by Martyn Ware, Charles Stooke and Elena Ware. Video by Zachary Eastwood-Bloom. Inspired by the song ‘to Be Invisible’ written by Curtis Mayfield. Lyrics performed by Haroun Yamou. Additional sound by Amplify Studios at Rugby Portobello Trust. Mixed and 3D spatialised by Martyn Ware and Asa Bennett for Illustrious
INFORMATION
to be invisible, 11 August - 11 September
Invisible Life Force of Plants, 8 September - 9 October
ADDRESS
236 Westbourne Grove
London
W11 2RH
-
This Italian palazzo-turned-café adds a dash of drama to your morning espressoDesigned by studio AMAA, Caffè Nazionale brings new energy to a 19th-century former town hall in the northern Italian town of Arzignano
-
Wild side: the story behind our September 2025 Style Issue cover shootAn animalistic mood permeated the A/W 2025 collections, captured by Nicole Maria Winkler and Jason Hughes in our September 2025 Style Issue cover shoot. Here, they tell the story behind the pictures
-
Honor introduces an ultra-slim trio of new flagship foldable phone, tablet and laptopThin is in as Honor goes for style and substance with three new portable computing devices – a high-powered folding phone, tablet and laptop that offer anything but slim pickings
-
Artists imbue the domestic with an unsettling unfamiliarity at Hauser & WirthThree artists – Koak, Ding Shilun and Cece Philips – bring an uncanny subversion to the domestic environment in Hauser & Wirth’s London exhibition
-
Inside the fight to keep an iconic Barbara Hepworth sculpture in the UK‘Sculpture with Colour’ captures a pivotal moment in Hepworth’s career. When it was sold to an overseas buyer, UK institutions launched a campaign to keep it in the country
-
Out of office: the Wallpaper* editors’ picks of the weekAnother week, another flurry of events, opening and excursions showcasing the best of culture and entertainment at home and abroad. Catch our editors at Scandi festivals, iconic jazz clubs, and running the length of Manhattan…
-
Pantone’s new public art installation is a tribute to Coldplay’s ‘Yellow’, 25 years after its releaseThe colour company has created a – you guessed it – yellow colour swatch on some steps in Wembley Park, London, where the band will play ten shows this month
-
Out of office: the Wallpaper* editors’ picks of the weekThe Wallpaper* team immersed themselves in culture this week, attending theatre, music and art performances and exhibitions at some of London’s most esteemed establishments. Along the way, we may have discovered the city's best salad…
-
Out of office: the Wallpaper* editors’ picks of the weekIt’s been another week of Wallpaper* being first through the door – visiting, sampling and reporting back on the freshest in art, design, beauty and more. Highlights included a new rental development, skincare residency and Edinburgh hotel…
-
Get the picture? A new exhibition explores the beautiful simplicity of Japanese pictogramsThe simple, minimalist forms of a pictogram are uniquely Japanese, as new exhibition 'Pictograms: Iconic Japanese Designs' illustrates
-
From Snapchat dysmorphia to looksmaxing, have digital beauty standards made us lose sight of what's real, asks a new exhibitionAI, social media and the ease with which we can tweak our face mean we're heading towards a dystopian beauty future, argues 'Virtual Beauty' at Somerset House
