Animal roar: Bernie Krause's carnal orchestra at Fondation Cartier, Paris
- (opens in new tab)
- (opens in new tab)
- (opens in new tab)
- Sign up to our newsletter Newsletter

Conductor, long-time musician and recording engineer Bernie Krause presents a new exhibition and sound installation at Fondation Cartier in Paris. With 'The Great Animal Orchestra', his scientific work is repositioned within an artistic construct. Pictured: installation view.
If the accepted definition of an orchestra is an ensemble of musicians playing a variety of instruments, a new exhibition at the Fondation Cartier makes the case that animals in their natural habitats are an orchestra of the purest form. Its conductor – or perhaps more accurately, its conduit – is Bernie Krause, a long-time musician, recording engineer and producer who has been collecting and archiving the sounds of creatures in the wild since 1968. As a pioneer in soundscape ecology, he is credited with the notion of a ‘biophony’ or ‘niche hypothesis’ – the collective sound produced by animals carving out their particular acoustic niche in a given environment.
EXCLUSIVE: listen to Krause’s recording from Mungwezi Ranch, Gonarezhou National Park, Zimbabwe
With 'The Great Animal Orchestra', which also happens to be the name of his recently published book, Krause's scientific work is positioned within a more artistic (but no less relevant) construct. The exhibition gathers together a diverse group of artists (Cai Guo-Qiang, Hiroshi Sugimoto, Adriana Varejão and Agnès Varda, among others) who have created works from these soundscapes. But Krause’s recordings are the main attraction, in part because the 77-year-old’s selection of audio segments have been married to dynamic visual sequences commissioned by the Fondation Cartier and executed by London-based creative studio, United Visual Artists.
The installation can be found in the building’s darkened lower level, where his biophanies from North America, the Amazon, the Dzanga-Sangha Reserve in the Central African Republic and the oceans are optimised as an immersive experience far removed from the source material. Here, the unintended music of crows, Eastern wolves, blue jays and squirrels from Algonquin Park, Canada – as one example – appears as both a graphic of flashing red light and a streaming projection of digital information interpreted from a spectrogram. Along with a shallow reflecting pool, which translates the deepest sounds as rippling water, the combined visuals translate frequency, intensity, duration and possibly even communication in an evocative way. Without any images of animals, the effect becomes one of comparison. The clicking noises from a whale might conjure up an MRI machine; the howling wolves sound like sirens; chirping cicadas might have inspired electronic dance music. Then comes the irony that these comparisons reinforce an anthropocentric view – as humans, we’re often just mimicking the natural world.
Despite the fact that the animals are communicating freely without any direction, Krause refers to the 12-minute recordings as ‘compositions’, since they exist within a timeframe. Further, he notes how these limited critter voices have 'evolved to find their acoustic niche where there is enough bandwidth to express themselves to both transmit and receive information in a way that's going to support their existence'. The streaming spectrograms, he says, makes this clear.
When asked whether the digital depictions – both recordings and visuals – take us deeper into nature or suggest an abstracted experience, Krause’s straightforward reply is both. ‘It has its origin in the natural world. But it's obviously an illusion, because what's taken from Algonquin Park is now in Paris. And that's a bit of a stretch,’ he tells Wallpaper*.
But within the abstractions is a sobering truth: these sumptuous biophonies are changing as habitats become increasingly threatened – or, in extreme cases, no longer exist. Biodiversity is diminishing but also, as he observed from birds near his home 80km north of San Francisco, their sounds are no longer the same. This makes his recordings (currently obtained using a portable Sound Devices 722 or 744 recorder and Sennheiser MKH microphones) even more valuable, and why visiting cities can feel so enervating. ‘I hear the wild critters that live in a city struggling for purchase. And in the natural world, that's not the case,’ he explains. ‘They all have to find their niche again, whether it's a physical niche or an acoustic one.’
Krause has been collecting and archiving the sounds of creatures in the wild since 1968. As a pioneer in soundscape ecology, he is credited with the notion of a ‘biophony’ or ‘niche hypothesis’ – the collective sound produced by animals carving out their particular acoustic niche in a given environment.
The 77-year-old Krause's selection of audio segments have been married to dynamic visual sequences commissioned by the Fondation Cartier and executed by London-based creative studio, United Visual Artists.
This exhibition gathers together a diverse group of artists who have created works from and in response to Krause's soundscapes. Pictured: installation view.
The artists featured include Cai Guo-Qiang, Hiroshi Sugimoto, Adriana Varejão and Agnès Varda, among others.
INFORMATION
’The Great Animal Orchestra’ is on view until 8 January 2017. For more information, visit the Fondation Cartier pour l’art contemporain website (opens in new tab)
Photography courtesy Lumento
ADDRESS
Fondation Cartier
261 Boulevard Raspail
Paris, 75014
VIEW GOOGLE MAPS (opens in new tab)
-
Veil House balances openness and seclusion in Winnipeg
A large steel screen shields Veil House, a striking private residence in Winnipeg, Canada, designed by local practice 5468796 Architecture
By Ellie Stathaki • Published
-
S94 Design makes the most of its uptown location to blur the lines of art and design
S94 Design brings displays from Kwangho Lee, Donald Judd, Max Lamb and more to its Rafael Viñoly-designed location
By Julie Baumgardner • Published
-
Oasi Cashmere is taking Zegna back to its roots in the Italian Alps
Oasi Cashmere – an environmentally-conscious, all-embracing cashmere collection – is inspired by the Oasi Zegna nature park in the lush Biella Alps
By Jack Moss • Published
-
Paris art exhibitions: a guide to exhibitions this weekend
As Emily in Paris fever puts the city of love at the centre of the cultural map, stay-up-to-date with our guide to the best Paris art exhibitions
By Harriet Lloyd-Smith • Published
-
Cyprien Gaillard on chaos, reorder and excavating a Paris in flux
We interviewed French artist Cyprien Gaillard ahead of his major two-part show, ‘Humpty \ Dumpty’ at Palais de Tokyo and Lafayette Anticipations (until 8 January 2023). Through abandoned clocks, love locks and asbestos, he dissects the human obsession with structural restoration
By Harriet Lloyd-Smith • Published
-
Montreux Jazz Festival posters: a visual history
As artist Guillaume Grando (SupaKitch) unveils his poster for the 57th Montreux Jazz Festival (30 June - 15 July 2023), we reflect on the most memorable designs since 1967, including from David Bowie to Andy Warhol and Camille Walala
By Harriet Lloyd-Smith • Last updated
-
Christo and Jeanne-Claude’s final work, L‘Arc de Triomphe, Wrapped, is preserved in a new limited-edition book
A new book ‘Christo and Jeanne-Claude, L’Arc de Triomphe, Wrapped, Paris’, chronicles how the artists’ final work, 60 years in the making, came to fruition
By Harriet Lloyd-Smith • Published
-
Remembering Pierre Soulages (1919-2022), a pioneer of post-war abstraction
Pierre Soulages, the pioneering French printmaker, sculptor and ‘painter of black’, has died aged 102
By Diane Theunissen • Published
-
Alicja Kwade’s installation ‘brings the stars down’ onto Place Vendôme
Polish-German artist Alicja Kwade has adorned Place Vendôme with an interactive installation comprising natural stone spheres and concrete stairs, as part of the Paris+ par Art Basel ‘Sites’ project
By Flora Vesterberg • Last updated
-
Ugo Rondinone reflects on bodies and nature at Petit Palais
Swiss artist Ugo Rondinone takes over the beaux-arts halls of the Petit Palais with a monumental film installation and sculptures of trapeze dancers
By Jessica Klingelfuss • Last updated
-
Guerlain’s flagship Paris boutique becomes a stage for female art activism
Coinciding with Paris+ par Art Basel, heritage perfume house Guerlain is hosting ‘Les Militantes’, a multigenerational, international group show of pioneering women artists at its flagship boutique on Avenue des Champs-Élysées
By Harriet Lloyd-Smith • Last updated