Anthony Caro, Edmund de Waal and Camilla Løw, UK

The New Art Centre has secured another stellar trio of names to lure us to its Wiltshire gallery. Sculptor Anthony Caro is showing a series of mechanical jewellery, ceramicist Edmund de Waal is unveiling a new collection of framed vessels, while artist Camilla Løw is exhibiting her playfully abstract sculptures - all in the Centre's lofty Roche Court setting.
Caro's move to jewellery was born from a collaboration with Madrid-based Joyerias Grassy, which began in 2006. The English artist, who has had exhibitions at all the majors - from MoMA to Tate Britain - has long explored the dialogue between sculpture and architecture with his work, and his jewellery collection continues this conversation, albeit on a much more delicate scale. Expect gold and silver pieces with interlocking planes, nuts, bolts and hinges - even a spiral staircase.
Like Caro's jewellery, de Waal's creations are small, intricate and initially formed by hand. But the ceramicist's works are as much about the display as the individual vessels - as seen from his striking installation in the cupola of the ceramics gallery at the V&A, titled 'Signs and Wonders' (worth a visit in itself).
His new work at the New Art Centre continues his preoccupation with vitrines, which both frame the vessels and mysteriously blur them from the viewer with their panels of glass. Apertures in the vitrines allow in rays of light, which give an occasional glimpse of gold leaf and change the tones of the ceramics throughout the day.
Meanwhile, Norwegian-born Løw's new collection of sculptures is instilled with her characteristic theatricism. Though grounded by a pole and base, you almost expect each piece to start moving, flexing and dancing, like characters in a play.
Created specifically for the New Art Centre, these are joined by existing sculptures, of the type for which Løw is well known: geometric structures loosely balanced on concrete blocks - a whimsical response to the rigours of Russian Constructivism and American Minimalism.
From left: 'Montage' and 'Instrument' by Camilla Løw, 2010
'Brooch AA 13' by Anthony Caro, 2008, on show at the New Art Centre, Wiltshire
'Pendant BB 2' by Anthony Caro, 2008
'Pendant BB 5' by Anthony Caro, 2008
'Ring BB 16' by Anthony Caro, 2008
Pendant BB 4' by Anthony Caro, 2008
'Ring BB 19' by Anthony Caro, 2008
'Pendant BB 8' by Anthony Caro, 2008
'Pendant BB 1' by Anthony Caro, 2008
'Brooch AA 13' by Anthony Caro, 2008
'Brooch BB 12' by Anthony Caro, 2008
'Earrings BB 14' by Anthony Caro, 2008
'Pendant BB 9' by Anthony Caro, 2008
Ring BB 19’ by Anthony Caro, 2008
Edmund de Waal is showing a new collection of ceramics in vitrines at the New Art Centre
The vitrines both frame the vessels and mysteriously blur them from the viewer with their panels of glass. Apertures in the vitrines allow in rays of light, which give an occasional glimpse of gold leaf and change the tones of the ceramics throughout the day
ADDRESS
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Roche Court
East Winterslow
Salisbury, Wiltshire
SP5 1BG
Malaika Byng is an editor, writer and consultant covering everything from architecture, design and ecology to art and craft. She was online editor for Wallpaper* magazine for three years and more recently editor of Crafts magazine, until she decided to go freelance in 2022. Based in London, she now writes for the Financial Times, Metropolis, Kinfolk and The Plant, among others.
-
Premium patisserie Naya is Mayfair’s latest sweet spot
Heritage meets opulence at Naya bakery in Mayfair, London. With interiors by India Hicks and Anna Goulandris, the patisserie looks good enough to eat
-
Discover midcentury treasures in Marylebone with Álvaro by Appointment
London is full of sequestered design havens, and Wallpaper* knows them all. Allow us to point you in the direction of Álvaro González’s shop window on Nottingham Place, home to a bonanza of beautiful 20th-century antiques
-
Beach chic: the all-new Citroën Ami gets an acid-tinged, open-air Buggy variant
Citroën have brought a dose of polychromatic playfulness to their new generation Ami microcar, the cult all-ages electric quadricycle that channels the spirit of the 2CV for the modern age
-
Meet the Turner Prize 2025 shortlisted artists
Nnena Kalu, Rene Matić, Mohammed Sami and Zadie Xa are in the running for the Turner Prize 2025 – here they are with their work
-
The art of the textile label: how British mill-made cloth sold itself to Indian buyers
An exhibition of Indo-British textile labels at the Museum of Art & Photography (MAP) in Bengaluru is a journey through colonial desire and the design of mass persuasion
-
From counter-culture to Northern Soul, these photos chart an intimate history of working-class Britain
‘After the End of History: British Working Class Photography 1989 – 2024’ is at Edinburgh gallery Stills
-
Surrealism as feminist resistance: artists against fascism in Leeds
‘The Traumatic Surreal’ at the Henry Moore Institute, unpacks the generational trauma left by Nazism for postwar women
-
From activism and capitalism to club culture and subculture, a new exhibition offers a snapshot of 1980s Britain
The turbulence of a colourful decade, as seen through the lens of a diverse community of photographers, collectives and publications, is on show at Tate Britain until May 2025
-
Jasleen Kaur wins the Turner Prize 2024
Jasleen Kaur has won the Turner Prize 2024, recognised for her work which reflects upon everyday objects
-
Peggy Guggenheim: ‘My motto was “Buy a picture a day” and I lived up to it’
Five years spent at her Sussex country retreat inspired Peggy Guggenheim to reframe her future, kickstarting one of the most thrilling modern-art collections in history
-
Please do touch the art: enter R.I.P. Germain’s underground world in Liverpool
R.I.P. Germain’s ‘After GOD, Dudus Comes Next!’ is an immersive installation at FACT Liverpool