Anj Smith: making sense of desire and anxiety through a painter’s forensic language
![Landscape With Lagerstätte, 2017, by Anj Smith, oil on linen](https://cdn.mos.cms.futurecdn.net/EzT2rQWe9LUNDoRkkGNqSX-415-80.jpg)
British artist Anj Smith unveils her latest body of work in the exhibition ‘If Not, Winter’ at Hauser & Wirth’s Zurich gallery. The process has not been easy; most of her recent paintings were created while recovering from a period of chronic anxiety.
Talking of the persistent taboo around mental health in society, Smith says, ‘I’m not remotely embarrassed about talking about mental health, or recognising that this experience fed into the work to some degree. If acknowledging what happened to me normalises this common horror and reduces any residual taboo, then I’m glad.’
In her paintings, Smith navigates her personal experience of anxiety, using earthy tones of oil paint on linen. Phantasmagorical figures with their backs turned to the viewer meet landscapes littered with symbolic objects. There’s a sense of fragility, but also freedom. Their incomplete narratives are dreamlike, sensual and distant—an atmosphere that has become Smith’s trademark.
Installation view of ‘If Not, Winter’ by Anj Smith at Hauser & Wirth, Zurich. © Anj Smith. Courtesy the artist and Hauser & Wirth
‘And the fact that her muses were women was also deliberately misrepresented by male historians to fit a heteronormative agenda,’ she adds. ‘For me, her work became a springboard from which to think about the manipulated asymmetry of the cannon.’
This might be Smith’s most personal show yet, but her paintings aren’t only autobiographical: ‘Among other things, the micro personal experience of anxiety opens out to address a macro sense of communal unease.’
Portrait of a Boy in Glass II (detail), 2016 – 2017, by Anj Smith, oil on linen. © Anj Smith. Courtesy of the artist and Hauser & Wirth
Portrait of a Boy in Glass II, 2016 – 2017, by Anj Smith, oil on linen. © Anj Smith. Courtesy of the artist and Hauser & Wirth
Taste (detail), 2017, by Anj Smith, oil on linen. © Anj Smith. Courtesy of the artist and Hauser & Wirth
S.O.S, 2016 – 2017, by Anj Smith, oil on linen. © Anj Smith. Courtesy of the artist and Hauser & Wirth
Opera Aperta, 2017 – 2018, by Anj Smith, oil on linen. © Anj Smith. Courtesy of the artist and Hauser & Wirth
Excretia (In Varying Forms), 2016 – 2017, by Anj Smith, oil on linen. © Anj Smith. Courtesy of the artist and Hauser & Wirth
Night Haul (detail), 2017 – 2018, by Anj Smith, copper etching with aquatint on Somerset paper, with watercolour, pencil, ink. © Anj Smith. Courtesy of the artist and Hauser & Wirth.
INFORMATION
‘If Not, Winter’ is on view until 19 May. For more information, visit the Hauser & Wirth website
ADDRESS
Hauser & Wirth
Limmatstrasse 270
Zurich 8005
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Charlotte Jansen is a journalist and the author of two books on photography, Girl on Girl (2017) and Photography Now (2021). She is commissioning editor at Elephant magazine and has written on contemporary art and culture for The Guardian, the Financial Times, ELLE, the British Journal of Photography, Frieze and Artsy. Jansen is also presenter of Dior Talks podcast series, The Female Gaze.
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